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Literature in English, British Isles

University of Richmond

William Shakespeare

Articles 1 - 7 of 7

Full-Text Articles in Arts and Humanities

Bringing Down The Island: Rebellion, Colonial Hierarchy, And Individualized Leadership In Nuñez’S Novel Prospero’S Daughter, Kristin M.S. Bezio Jan 2014

Bringing Down The Island: Rebellion, Colonial Hierarchy, And Individualized Leadership In Nuñez’S Novel Prospero’S Daughter, Kristin M.S. Bezio

Jepson School of Leadership Studies articles, book chapters and other publications

“Bringing Down the Island: Rebellion, Colonial Hierarchy, and Individualized Leadership in Nuñez’s novel Prospero’s Daughter” offers an analysis of Elizabeth Nuñez’s (2006) novel Prospero’s Daughter and Aimé Césaire’s A Tempest (1969), both of which draw upon multicultural tradition of European and Caribbean literatures, retelling Shakespeare’s The Tempest (1611). The paper is concerned with the ways in which leadership has been transformed from the original story, through Césaire’s text, and into Nuñez’s. Each work acts as an agent of leadership in literary and social terms, attempting to enact paradigmatic shifts away from hierarchy and classification and toward individualized transformational leadership.


Staged Magic: Performing Witchcraft In Macbeth, Kristin M.S. Bezio Jan 2013

Staged Magic: Performing Witchcraft In Macbeth, Kristin M.S. Bezio

Jepson School of Leadership Studies articles, book chapters and other publications

The three witches who initiate William Shakespeare's (1564 - 1616) Macbeth (1606) are the play's primary figures of theatrical spectacle, their bodies and actions the products of the 'magic of the theatre.' While much critical attention has been paid to the interpretive significance of the witches in Macbeth, much less has focused on the practical physicality of the witches' presence and the methodology of their theatrical presentation. The witches' entrance open Macbeth and is central to understanding their role within Macbeth's Scotland. The 'magic' that appears on stage is acknowledged by its audience as a series of illusions that …


English Calvinism And The Crowd: Coriolanus And The History Of Religious Reform, Peter Iver Kaufman Jun 2006

English Calvinism And The Crowd: Coriolanus And The History Of Religious Reform, Peter Iver Kaufman

Jepson School of Leadership Studies articles, book chapters and other publications

Late Tudor London comes alive when Stephen Greenblatt's acclaimed biography of William Shakespeare, shadowing its subject, takes to the streets. “The unprecedented concentration of bodies jostling … crossing and recrossing the great bridge, pressing into taverns and theaters and churches,” Greenblatt suggests, is a “key to the whole spectacle” of crowds in the playwright's histories and tragedies. To be sure, his little excursions in London left their mark on his scripts, yet he scrupulously sifted his literary sources from which he drew characters and crises onto the stage. He prowled around Plutarch and read Stow and Hollinshed on the wars …


Shakespeare And Astrology, William Bruce Smith Jan 1989

Shakespeare And Astrology, William Bruce Smith

Master's Theses

The popular ity of astrology in Elizabethan England is ref lected by the large number of references to it in the works of William Shakespeare. The majority of astrological references in the Shakespearean canon are "commonplaces" and do not add signif icantly to our understanding of his work, although they are of interest in studying exactly how much astrological knowledge he possessed. There are astrological references in the plays, however, that are of significance in the study of character in Shakespeare. In certain plays (Romeo and Juliet, The Winter' s Tale) a judgement concerning various individuals ' inner nobility may …


Shakespeare's Treatment Of Love : The Mature Tragedies, Albert E. Clark May 1974

Shakespeare's Treatment Of Love : The Mature Tragedies, Albert E. Clark

Master's Theses

The machinery of criticism has been extensively applied to those plays in the Shakespeare canon often referred to as the mature tragediess Othello, Macbeth, Hamlet, and Antony and Cleopatra, One seeking enlightenment in veritably any area of interest will find the means in the varied approaches which have proliferated through four hundred years of Shakespeare criticism. New and valid interpretations testify to a continuing need for insight into Shakespeare's arts nevertheless,. the word "supererogatory" must surely have occurred to even the moat resilient seeker after Shakespearean truth. A spate of learned articles and scholarly tomes inundate, and the burden is …


Shakespeare's Treatment Of Kingship In The Lancastrian Tetralogy, June Stemen Allman Apr 1970

Shakespeare's Treatment Of Kingship In The Lancastrian Tetralogy, June Stemen Allman

Master's Theses

The English history play reached its highest peak of development between 1595 and 1599, for it was during these years that Shakespeare wrote the set of four plays covering the historical period from Richard II to Henry V. Each of the plays is a single entity, but in their entirety, they constitute a unified tetralogy concerning the rise of the house of Lancaster. Through the illegal seizure of the crown by Bolingbroke from Richard II to the glorious reign of Henry V, Shakespeare, as an intensely political writer, examines the facets of kingship and its inherent power and authority.


Character And Theme In Romeo And Juliet And Troilus And Cressida : A Comparative Critical Study, Charlotte H. Oberg Jan 1966

Character And Theme In Romeo And Juliet And Troilus And Cressida : A Comparative Critical Study, Charlotte H. Oberg

Master's Theses

No abstract provided.