Arts and Humanities Commons^™

Veiled Victorian Vampires: What Literary Antagonists Reveal About Societal Fears Of 19th Century England, Jenna Harford

Honors Theses

In my thesis paper I look at three primary texts, Charlotte Brontë’s Jane Eyre, Charles Dickens’ Great Expectations, and Oscar Wilde’s The Picture of Dorian Gray to analyze their main antagonists through a vampiric lens. I explain how the characters of Bertha Mason, Miss Havisham, and Dorian Gray are all written with veiled vampiric traits that revolve around themes of sexuality, secrecy and seclusion, and unbridled physical and emotional violence. Although none of these texts is obviously a “vampire novel”, the authors lean into vampire tropes including eerie physical description, doubled relationships, and other vampire lore that can be best …

Literature, Pandemic, And The Insufficiency Of Survival: Boccaccio’S Decameron And Emily St. John Mandel’S Station Eleven, Anthony P. Russell

Interdisciplinary Journal of Leadership Studies

The question of literature’s utility in relation to the “real world” has been asked since at least the time of Plato. This essay examines an extreme instance of this problem by investigating two works, Giovanni Boccaccio’s Decameron (1349-1353) and Emily St. John Mandel’s Station Eleven (2016), that argue for the value of art in the midst of catastrophe. Boccaccio’s collection of 100 tales, written in the context of the Black Plague, and Mandel’s post-apocalyptic novel about a world devastated by a killer flu, overlap and diverge in instructive ways in making their cases for the important role of literature in …

[Introduction To] The Cambridge Companion To Paradise Lost, Louis Schwartz

Bookshelf

This Companion presents fifteen short, accessible essays exploring the most important topics and themes in John Milton's masterpiece, Paradise Lost. The essays invite readers to begin their own independent exploration of the poem by equipping them with useful background knowledge, introducing them to key passages, and acquainting them with the current state of critical debates. Chapters are arranged to mirror the way the poem itself unfolds, offering exactly what readers need as they approach each movement of its grand design. Essays in Part I introduce the characters who frame the poem's story and set its plot and theological dynamics …

Bringing Down The Island: Rebellion, Colonial Hierarchy, And Individualized Leadership In Nuñez’S Novel Prospero’S Daughter, Kristin M.S. Bezio

Jepson School of Leadership Studies articles, book chapters and other publications

“Bringing Down the Island: Rebellion, Colonial Hierarchy, and Individualized Leadership in Nuñez’s novel Prospero’s Daughter” offers an analysis of Elizabeth Nuñez’s (2006) novel Prospero’s Daughter and Aimé Césaire’s A Tempest (1969), both of which draw upon multicultural tradition of European and Caribbean literatures, retelling Shakespeare’s The Tempest (1611). The paper is concerned with the ways in which leadership has been transformed from the original story, through Césaire’s text, and into Nuñez’s. Each work acts as an agent of leadership in literary and social terms, attempting to enact paradigmatic shifts away from hierarchy and classification and toward individualized transformational leadership.

[Introduction To] Leadership And Elizabethan Culture, Peter Iver Kaufman

Bookshelf

Bringing together contributions from political, cultural, and literary historians, Leadership and Elizabethan Culture identifies distinctive problems confronting early modern English government during the reign of Queen Elizabeth I.

This diverse group of contributors examines local elites and church leadership, explores the queen, her councillors, as well as her struggles with Mary Stuart and Robert Devereux, earl of Essex, raises questions about Elizabeth's leadership, and the advice she received as well as the advice she rejected.

Selected, influential works by Shakespeare, Marlowe, Jonson, Sidney, and Bacon are put in their Elizabethan and contemporary critical contexts, rounding off the study of Elizabethan …

Staged Magic: Performing Witchcraft In Macbeth, Kristin M.S. Bezio

Jepson School of Leadership Studies articles, book chapters and other publications

The three witches who initiate William Shakespeare's (1564 - 1616) Macbeth (1606) are the play's primary figures of theatrical spectacle, their bodies and actions the products of the 'magic of the theatre.' While much critical attention has been paid to the interpretive significance of the witches in Macbeth, much less has focused on the practical physicality of the witches' presence and the methodology of their theatrical presentation. The witches' entrance open Macbeth and is central to understanding their role within Macbeth's Scotland. The 'magic' that appears on stage is acknowledged by its audience as a series of illusions that …

"The Stuff Of Thought" : Virginia Woolf's Object Lessons, Sam Mitchell

Honors Theses

No abstract provided.

English Calvinism And The Crowd: Coriolanus And The History Of Religious Reform, Peter Iver Kaufman

Jepson School of Leadership Studies articles, book chapters and other publications

Late Tudor London comes alive when Stephen Greenblatt's acclaimed biography of William Shakespeare, shadowing its subject, takes to the streets. “The unprecedented concentration of bodies jostling … crossing and recrossing the great bridge, pressing into taverns and theaters and churches,” Greenblatt suggests, is a “key to the whole spectacle” of crowds in the playwright's histories and tragedies. To be sure, his little excursions in London left their mark on his scripts, yet he scrupulously sifted his literary sources from which he drew characters and crises onto the stage. He prowled around Plutarch and read Stow and Hollinshed on the wars …

Short Fiction By Women In The Victorian Literature Survey, Elisabeth Rose Gruner

English Faculty Publications

The first time I taught a Victorian Literature survey, fresh out of a curriculum integration workshop in graduate school, I taught ten authors: five male and five female. One student evaluation after the course was over complained that despite the promise of “great” Victorian writers, half of those on the syllabus were women. While this did take place in the dark ages of the early nineties, I still find myself, as I design my syllabi, caught in the familiar conundrum as to what to teach, what to cut, and why. In my case, it seems simple: The Victorian period is …

The Mill On The Floss, Elisabeth Rose Gruner

English Faculty Publications

The Mill on the Floss was the second novel Marian Evans published under the pseudonym George Eliot. Born in 1819 to a prosperous estate manager, Marian Evans spent her youth much as her heroine did, in reading and outdoor activities. In 1850 Evans moved to London where she worked as a translator and editor, and fell in love with the writer and editor George Henry Lewes, a married man. Contemporary marriage law prevented Lewes from obtaining a divorce from his adulterous wife; the law held that, having condoned the adultery previously, he now had no grounds for divorce. Knowing this, …

Great Expectations, Elisabeth Rose Gruner

English Faculty Publications

Great Expectations was the penultimate novel completed by the most popular novelist of Victorian England, Charles Dickens. Born in Kent, England, in 1812 to a family of modest means but great pretensions, Dickens’s early life was marked by both humiliation and ambition. Dickens never forgot the period of financial crisis during his childhood, when following his father’s bankruptcy, he was taken out of school and forced to work in a shoe-polish warehouse. While the episode was relatively brief, it marked Dickens’s later life in many ways: in the development of his own ambitions, in his sympathy for the poor and …

Wuthering Heights, Elisabeth Rose Gruner

English Faculty Publications

Wuthering Heights is the only novel by Emily Brontë (1818-1848), one of three sisters who literary productions caused a minor sensation when they began appearing in the late 1840s. Born to Patrick Brontë, a Yorkshire clergyman, and his wife Maria, Emily, Anne, and Charlotte Brontë were precocious readers and writers. The three sisters spent years writing for their own pleasure and amusement, then published a volume of poetry in 1846. Fearing that the volume’s reception would be biased if the authors were known to be women, the sisters adopted the names Ellis (Emily), Acton (Anne), and Currer (Charlotte) Brontë. Their …

"Adjectives Of Mystery And Splendor": Byron And Romantic Religiousity, Terryl Givens

English Faculty Publications

I will suggest that had the history of Christian metaphysics taken a different course than the one it did, it is likely that Byron's considerable objections to religion would have been diminished by at least one. About the particulars of Christian theology, he had little to say, his writings suggest a general discomfort with particular aspects of Christian metaphysics as they had developed by the nineteenth century.

An analysis of Byron's metaphysical/religious misgivings might serve to clarify the nature of his discontent, clearly showing that his particular "heresy" is radically distinct from others of the "Satanic school." It might also …

Romantic Agonies: Human Suffering And The Ethical Sublime, Terryl Givens, Anthony P. Russell

English Faculty Publications

This essay examines two poems depicting human anguish in order to explore a current in Romantic thought that implicitly yields some original and compelling insights regarding the problematic relationship between art and suffering. The focus is primarily on Wordsworth's narrative of Margaret's suffering in The Excursion, then more briefly on Shelley's Prometheus Unbound. In both cases Kant's ideas about the sublime provide us with a useful perspective from which to understand the issues these poems raise.

Beryl Gilroy: A Bio-Literary Overview, Daryl Cumber Dance

English Faculty Publications

In 1992 when I joined the faculty at the University of Richmond, I taught a class in black women's literature to a group of mainly white students who had previously read little or nothing in this body of literature. One young senior--a white male--did a paper comparing the sympathetic portrayal of the white male character in Beryl Gilroy's Stedman and Joanna and Bebe Moore Campbell's Your Blues Ain't Like Mine. His enthusiasm for the rich body of literature to which I had introduced him continued after he graduated, and he often wrote to me about books he was reading …

Anna Letitia Barabauld's Poetic Vision: Community, Imagination, And The Quotidian, Carrie Ann Woods

Master's Theses

With the publication of her Poems in 1773, favorable reviews welcomed Anna Letitia Barbauld into the literary world. However, Barbauld has traditionally been left out of English literature anthologies, condemned to the murky depths of obscurity. Why has this talented British poet of the late eighteenth and early nineteenth centuries been undeservedly marginalized? Perhaps she has never achieved the status of a major literary figure because her impulse towards community places her outside the mainstream Romantic tradition dominated by the "egotistical sublime." In the poetry of William Wordsworth, Samuel Taylor Coleridge, Percy Bysshe Shelley, Lord Byron, and John Keats, an …

In Search Of A Female Self : The Masculinization Of May In Chaucer's Merchant's Tale, Kimberly Diane Whitley

Master's Theses

This examination of Chaucer's Merchant's Tale was undertaken as a response to existing scholarship. While criticism in the past tended toward a literal reading of the text, viewing it as a misogynist Merchant's story attesting to the innate depravity of women, more recent feminist criticism has leaned toward a reading which endeavors to defend the actions of May, claiming an evolvement on her part towards autonomy and self-knowledge. This thesis, taking its cue from French feminist theoretical assertions concerning self, refutes both of these readings. While it acknowledges the subversive nature of May's actions, it is unable to recognize any …

Shakespeare And Astrology, William Bruce Smith

Master's Theses

The popular ity of astrology in Elizabethan England is ref lected by the large number of references to it in the works of William Shakespeare. The majority of astrological references in the Shakespearean canon are "commonplaces" and do not add signif icantly to our understanding of his work, although they are of interest in studying exactly how much astrological knowledge he possessed. There are astrological references in the plays, however, that are of significance in the study of character in Shakespeare. In certain plays (Romeo and Juliet, The Winter' s Tale) a judgement concerning various individuals ' inner nobility may …

Shakespeare's Treatment Of Love : The Mature Tragedies, Albert E. Clark

Master's Theses

The machinery of criticism has been extensively applied to those plays in the Shakespeare canon often referred to as the mature tragediess Othello, Macbeth, Hamlet, and Antony and Cleopatra, One seeking enlightenment in veritably any area of interest will find the means in the varied approaches which have proliferated through four hundred years of Shakespeare criticism. New and valid interpretations testify to a continuing need for insight into Shakespeare's arts nevertheless,. the word "supererogatory" must surely have occurred to even the moat resilient seeker after Shakespearean truth. A spate of learned articles and scholarly tomes inundate, and the burden is …

Goe, And Finde A Mistris : The Concepts Of Woman In The Poetry Of John Donne: The Elegies, The Anniversaires, The Songs And Sonets, Leanne Wade Beorn

Master's Theses

This study of the concepts of woman in the poems, combined with an analysis of the poems' internal structure and content in relation to the literary background, seems to me to be a most profitable approach to the whole of Donne's love poetry. By focusing on the concepts of woman I shall provide a common basis for comparison, since woman figures in all of the poems but one. By summarizing the characteristics of the major literary traditions about love operative in Donne's time, I shall provide information which is essential to understanding the diversity of attitudes in the poems. And …

Chaucer's Criseyde : The Pressures Of The Courtly Love Code, Betty Ann Jaffee

Master's Theses

When Chaucer wrote the poem Troilus and Criseyde, he created a heroine who stands out from other romantic med­ ieval heroines such as Guinevere and Ysolt. He created a heroine of such complexities that critics have debated her motives endlessly and have explored the psychology of her emotions with every literary tool at their command. He created a heroirie whose sin was so damning that it inspired Robert Henryson to provide for her what he considered a fit­ ting punishment; and it inspired Shakespeare to try to salvage the wreck left by Henryson to create his masterful play.

It is …

Determinism And Freedom Of Choice Operating Through Five Experiences In Psychological Development In The Lives Of Three Of George Eliot's Heroines, Elisabeth Even Sale

Master's Theses

George Eliot's world is a deterministic world. She believed that circumstances and conventions imposed by society control events in an individual life; nevertheless, in the inevitable conflicts between inner desire and outer reality, the individual is responsible for his own choices and the acts which they direct. Furthermore, only in a deterministic world are intelligent, moral choices possible. The explanation or this seeming paradox lies in education or the individual by experience to learn to make satisfying choices and to develop a strong will. Through experience, the individual learns both the hazards of the selfish choice and also the lasting …

Mrs. Gaskell's Industrial Novels: Mary Barton And North And South, Yvette D. Marambaud

Master's Theses

Since 1910, when Mrs. Gaskell's centenary was celebrated, few articles have been written about her. Except for her Life of Charlotte Bronte, she is not really well known in America. Few people read her tales or her short stories, and her novels are quite neglected. Yet her industrial novels, Mary Barton (1848) and North and South (1855), were very successful when they were first published. Mary Barton was an immediate success - perhaps in part because of the controversies it aroused.

The Contributions And Effects Of The Drama On Paradise Lost, Robert Elliott Bayliss

Master's Theses

Upon reading John Milton's Paradise Lost, one cannot help but notice that its tone, its moving scenes and confrontations, and its moments of psychological and cathartic impact all help to shape what one might call the poem's total effect -- the impressions it leaves with the reader. Upon close examination it becomes obvious that Milton was consummately adept in his adaptation of the dramatic element in his great epic. What is generally unrecognized, yet surprisingly evident, is that the dramatic element plays a unique and singularly important role in building the poem's grandeur. This dramatic element, more than any of …

Images Of Creation And Destruction In The Early Poetry Of Dylan Thomas, Willard Liston Rudd

Master's Theses

The intent of this thesis is to examine the two major categories into which Dylan Thomas' images seem to fall: images associated with creation and images associated with destruction.

Shakespeare's Treatment Of Kingship In The Lancastrian Tetralogy, June Stemen Allman

Master's Theses

The English history play reached its highest peak of development between 1595 and 1599, for it was during these years that Shakespeare wrote the set of four plays covering the historical period from Richard II to Henry V. Each of the plays is a single entity, but in their entirety, they constitute a unified tetralogy concerning the rise of the house of Lancaster. Through the illegal seizure of the crown by Bolingbroke from Richard II to the glorious reign of Henry V, Shakespeare, as an intensely political writer, examines the facets of kingship and its inherent power and authority.

Chaucer's Ecclesiastics In The Canterbury Tales, Helen Lee Coleman

Master's Theses

It is thought that Chaucer began composing The Canterbury Tales as a dramatic whole around 1387. This is his last and by f ar his best known work. In this final. masterpiece Chaucer undertakes the tremendous task or presenting in poetic form a whole society. However, he does not merely explore society in general; he also develops the theme or the individual's relation to the community and the integral part that each person plays in making up the whole. The Canterbury Tales is, as George Lyman Kittredge so aptly puts it, "a micro cosmography" or a little image of a …

Chaucer's Ecclesiastics In The Canterbury Tales, Helen Lee Coleman

Master's Theses

It is thought that Chaucer began composing The Canterbury Tales as a dramatic whole around 1387. This is his last and by far his best known work. In this final masterpiece Chaucer undertakes the tremendous task of presenting in poetic form a whole society. However, he does not merely explore society in general; he also develops the theme or the individual's relation to the community and the integral part that each person plays in making up the whole. The Canterbury Tales is, as George Lyman Kittredge so aptly puts it, "a micro cosmography" or a little image of a great …

Jane Austen's Use Of The Epistolary Method, Barbara Tavss Bender

Master's Theses

There is . . . a prominent use of letters within the novels of Jane Austen. It has been shown that she wao influenced by Samuel Richardson and Fanny Burney and that she had a long experimental period of almost exclusive use of the epistolary method. It is from their influence and from her experimentation that the six major novels evolved; this supreme achievement was to give their creator a prominent place in the history of the English novel. No one factor can be cited as Miss Austen 's outstanding contribution, for each novel is a synthesis of many superior …

The New British Drama 1956-1966 : A Critical Study Of Four Dramatists: John Osborne, Brendan Behan, Arnold Wesker, And John Arden, Jeanne Fenrick Bedell

Master's Theses

In the history of England, as well as in the history of the English stage, 1956 was a momentous year. It was the year of the Suez, the year that saw the destruction of the myth of the British empire. And it was the year of the Hungarian Revolution, which crushed liberal illusions about Soviet Russia. In 1956 the old idols were crumbling fast, and defense of tradition was fast becoming not only impossible but ludicrous. The bankruptcy of the older generation was apparent; it was time for the new to speak out.