Arts and Humanities Commons^™

Alone In The Crowd: Appropriated Text And Subjectivity In The Work Of Rirkrit Tiravanija, Liz Linden

Faculty Publications

The practice of Thai artist Rirkrit Tiravanija is perhaps the best-known exemplar of relational aesthetics, a distinction first made by Nicholas Bourriaud and affirmed in the writings of many subsequent art critics; but the critical focus on the interactive aspect of his works has tended to rely on utopian modes of community engagement, which ignore Tiravanija's strategic deployment of relational, interactive structures to implicate the viewer, publicly, in problematic political positions. Tiravanija commonly uses appropriation in his artworks as a way of exposing viewer's biases and this paper focuses specifically on his use of appropriated text to explore divided subjectivities …

Usc South Campus: A Last Look At Modernism, Lydia M. Brandt, Paul Haynes, Andrew Nester, Robert Wertz, Ana Gibson, Margaret Mcelveen, John Benton, Adam Bradway, Hatara Tyson, Caley Pennington, Carly Simendinger

Faculty Publications

This is a class project from ARTH 542: American Architecture taught at the University of South Carolina by Lydia Mattice Brandt in Spring 2016.

With more Americans attending college than ever before; urban renewal; racial integration; the expansion of coeducation; and the architecture community’s advocacy for holistic relationship between planning, architecture, and landscape architecture, the American college campus developed rapidly and dramatically in the mid twentieth century. Using the University of South Carolina’s Columbia Campus as a case study, this project explores the history of American architecture in the mid-twentieth century.

Venetian Cartography And The Globes Of The Tommaso Rangone Monument In San Giuliano, Venice, Jill E. Carrington

Faculty Publications

Highly-specific reliefs of a terrestrial and a celestial globe flank the statue of physician and university professor Tommaso Rangone in his funerary monument on the facade of San Giuliano in Venice (1554-1557, installed c. 1558). The essay is the first to examine the strikingly specific imagery of the globes; it compares them to actual maps and globes, argues that the features of the globes were inspired by contemporary maps and globes owned by Rangone himself, relates the globes to the emergence of globe paris and situates them within the thriving production of maps, atlases and treatises at the time they …

Reframing Pictures: Reading The Art Of Appropriation, Liz Linden

Faculty Publications

No abstract provided.