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History of Art, Architecture, and Archaeology

University of Wisconsin Milwaukee

Art

Publication Year

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Full-Text Articles in Arts and Humanities

Adolf Wissel: Compliant Dissidence, A Nonbinary Reading Of Work Executed From 1933 – 1941, Jeremy Lyn Schrupp May 2019

Adolf Wissel: Compliant Dissidence, A Nonbinary Reading Of Work Executed From 1933 – 1941, Jeremy Lyn Schrupp

Theses and Dissertations

Despite the vast amount of scholarship devoted to the Nazi era, there is very little dedicated to the analysis of its works of art. This paper aims to rectify that, by analyzing the work of Adolf Wissel. Aside from its didactic use amongst academia, there is only one academic analysis of his work. The intent of the present analysis is to build from that foundation and provide an additional layer of contextualization to an era that is relatively unexplored within our field. This analysis will establish that Adolf Wissel maintained specific subject, compositional, and stylistic choices that subtly opposed NSDAP …


Gaslight, Melis Agabigum May 2016

Gaslight, Melis Agabigum

Theses and Dissertations

Gaslight is an exploration of the psychological phenomena of “gaslighting” in abusive relationships. Sensations of disorientation, insecurity, and the overwhelming feeling of being trapped are metaphorically imbued in the soft sculptural objects installed within the confines of the gallery space. In conjunction with the crocheted soft sculptures, the use of fabricated shadows also manipulates the viewer into questioning the physical truth of the art objects.

Reality is further blurred as the objects extend their capacity of occupying space, drawing the viewer in to inspect whether or not the shadows that they are seeing are true projections or ghosts from previous …


Reflections On A Collection: Revisiting The Uwm Icons Fifty Years Later, Laura Jean Louise Sims May 2015

Reflections On A Collection: Revisiting The Uwm Icons Fifty Years Later, Laura Jean Louise Sims

Theses and Dissertations

The University of Wisconsin–Milwaukee Art Collection is home to a sizable donation of Byzantine and post-medieval icons and liturgical objects. Central to this thesis exhibition catalogue are the thirty-two Greek and Russian icons from this collection and their history with collector Charles Bolles Bolles-Rogers. Reflections on a Collection: Revisiting the UWM Icons Collection Fifty Years Later contextualizes the history of icon collecting in the United States and examines the collecting history of these icons.

By first focusing on icon collecting and scholarship in Greece and Russia towards the end of the nineteenth and into the twentieth centuries, this catalogue traces …


An Early Christian Reliquary In The Shape Of A Sarcophagus In The University Of Wisconsin-Milwaukee Art Collection, Anne O'Connor Dec 2013

An Early Christian Reliquary In The Shape Of A Sarcophagus In The University Of Wisconsin-Milwaukee Art Collection, Anne O'Connor

Theses and Dissertations

This paper seeks to introduce a relatively unknown example of a small fifth or sixth century AD reliquary object in the shape of a sarcophagus now in the University of Wisconsin-Milwaukee Art Collection. Its material - mostly likely Prokonnesian marble - a highly prized stone in the Roman Empire - speaks to strength, permanence, endurance, and the concept of romanitas. The form, as derived from Roman burial practice, provides apotropaic powers for the viewer and for the holy person whose remains were contained within. Its design also facilitates the offering of votives and veneration, as well as requests for intercessions …


The Relief Of The Unreal Life: Poems, Colleen Robertson Abel Aug 2013

The Relief Of The Unreal Life: Poems, Colleen Robertson Abel

Theses and Dissertations

This collection of poems takes as its subject desire in its various guises. Religious desire--the human need to find faith and to hope for an afterlife, and the doubt and skepticism in those very needs--is braided together with more earthly desires, as well as with ruminations on artistic ambition. These poems situate themselves within the rich tradition of the postconfessional, transmuting autobiographical elements to form a narrative of marriage, pregnancy, loss and birth that anchors the book. This narrative is juxtaposed with other lyric voices to explore the connections between hunger of all kinds.