Arts and Humanities Commons^™

Making Time, Christine Coffey

Theses and Dissertations

We are living in an age where the quantity of information has exceeded its quality. No doubt the digital and information revolutions have provided the world with countless positive improvements, but they have also increased the speed at which we live and work to the detriment of the heath of our world. This project explores ways in which designers can aid in an effort to slow down in order to reinvigorate a more sustainable graphic design product.

Typography As Performance: Bringing The Stage Into The Design Process, Ann Ford

Theses and Dissertations

Graphic design is historically a visual language consisting of text and image composed for the purposes of sending messages in print format. The voice of graphic design is typography—structuring and arranging letter forms into visual language. Over the past two decades, new communication formats such as motion and interaction have frequently been related to performance. My intention, however, is to explore how performance can influence typography in two and three dimensions, and even in digital environments.

Fundamentals In Nature, Andrea Quam

Theses and Dissertations

This project explores innovative methodologies for design education. It is an investigation of teaching design fundamentals in an outdoor classroom.

Argent Sound Recordings: Multimodal Storytelling, Matthew L. Klimas

Theses and Dissertations

ARGENT SOUND RECORDINGS explores the integration of visual, written and sonic elements to tell a story. "The Silver Bell," a fairy tale, is delivered through the internet – providing users an opportunity to experience and interpret a constructed narrative under the guise of an independent record label website.

Voice By Design: Experiments In Redistributing Media, Bizhan Khodabandeh

Theses and Dissertations

In this project I conduct two experiments in redistributing media power and reflect upon how successful they were. The experiments include a poster campaign specific to Richmond and a project dealing with educating people about guerrilla media techniques.

Gaining Attention And Encouraging A Response: My Criteria For Successful Graphic Design., Kerry Scott Jenkins

Electronic Theses and Dissertations

As a graphic designer, my goal is to clearly express my clients' message to their intended audience. Based on the diversity of my clients and their products and services, finding a consistent style in my projects might be difficult, although there are usually some typical traits. With examples of my work and dialogue from leaders in the graphic design industry, I intend to point out a common thread that runs through all successful design projects, regardless of the projects' designer, era, or individual design elements (e.g., typography, copywriting, color, layout, imagery). Success comes from graphic design's ability to gain attention …

Graphic Design As Environmental Advocate: A Project On Graphic Design And Electronic Waste, Kelsi Giswold

WWU Honors College Senior Projects

Graphic Design is visual communication. It uses type, images, colors, and lines to create visual representations of ideas. Sometimes these ideas are small, like a logo and business card for a small company, other times these ideas are big, like MTV graphics or packaging for Pepsi. In either case, graphic design is producing and reproducing culture. The decisions of designers have the potential for great and varied influences.

The Page In Print: Designing Better Documents With Desktop Publishing: Second Edition, Sue Stoney, Jan Herrington

Research outputs pre 2011

The ready availability and sheer power of desktop publishing has forced many users and producers of documents to look beyond the mere presentation of words on a page. Even the most rudimentary of word processors gives the user the power to produce professional documents that command the reader's attention.

This book was originally published in 1994 in response to the growing demand for guidance in producing documents in the face of an abundance of choice. This new edition has included extra material on electronic publishing, including a chapter on designing electronic documents for applications such as the World Wide Web. …

A Series Of Prints Using Selective Print Techniques And Graphic Communications, Theodore Parks

All Master's Theses

The primary purpose of the study was to produce a series of original prints, using several selected techniques, and in certain instances combining with these an imagery to achieve the communication of predetermined concepts.

Future Books: Industry, Government, Science, Arts, Vol. I Overture, Marjory B. Milne, Special Collections, Fleet Library

Graphic Design

volumes illustrations (some color) portraits 30 cm. Editor: Marjorie B. Milne. Produced by Adprint. Cover illustration and design by G.A. Adams. Printed in photogravure by Harrison & Sons Ltd. London. Cover, binding and offset printing by Jerrold & Sons Ltd. Norwich. Advertisements in letterpress by W.S. Cowell Ltd. Ipswich; Alabaster Passmore & Sons Ltd. Maidstone; Thos. Forman & Sons Ltd. Nottingham. The photogravure and offset parts have been printed on Mellotex Paper made by Tullis Russell & Co. Ltd. Markinch Scotland. Information graphics. Casebinding. Library has Volume I. Overture & volume IV. Transformation.

Future Books: Industry, Government, Science, Arts, Vol. Iv Transformation, Marjory B. Milne, Special Collections, Fleet Library

Graphic Design

volumes illustrations (some color) portraits 30 cm. Editor: Marjorie B. Milne. Produced by Adprint. Cover illustration and design by G.A. Adams. Printed in photogravure by Harrison & Sons Ltd. London. Cover, binding and offset printing by Jerrold & Sons Ltd. Norwich. Advertisements in letterpress by W.S. Cowell Ltd. Ipswich; Alabaster Passmore & Sons Ltd. Maidstone; Thos. Forman & Sons Ltd. Nottingham. The photogravure and offset parts have been printed on Mellotex Paper made by Tullis Russell & Co. Ltd. Markinch Scotland. Information graphics. Casebinding. Library has Volume I. Overture & volume IV. Transformation.

Women And Work, Gertrude Rosenblum Williams, Isotype Institute, Special Collections, Fleet Library

Graphic Design

128 pages : illustrations (some color, including maps) ; 22 cm. Series: The new democracy "Designed and produced by Adprint Ltd London ; Copyright 1945 by Adprint Ltd London ..."--title page verso. "First published by Nicholson & Watson in association with Wells Gardner Darton & Co Ltd, London, 1945"--title page verso. Contents: The scope of women's work. The wartime revolution -- The rise of the "dependent" family -- The effect of marriage -- Law and custom -- The work women do. Changes in numbers and jobs -- The middle-class woman -- Woman's dual role. Differences in pay -- Do women …

Human Problems In Industry, Norah M. Davis, Marie Neurath, Special Collections, Fleet Library

Graphic Design

127 pages : illustrations (some color) ; 22 cm. Series: New democracy. "With 12 pictorial charts in colour designed by the Isotype Institute and 80 photographs." "Designed and produced by Adprint Ltd. London"--title page verso. Contents: Introduction -- Choosing jobs and workers -- Doing the job -- Warning signals -- Why we work -- Outlook for the future."Reading list": page [128]. Includes bibliographical references. Added Author: Marie Neurath, designer.