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Full-Text Articles in Arts and Humanities

Kafka’S “Das Urteil” And Philosophy Of The Penal System, Sonja Fritzsche, Amelia Smith, '15 Apr 2015

Kafka’S “Das Urteil” And Philosophy Of The Penal System, Sonja Fritzsche, Amelia Smith, '15

Sonja Fritzsche

No abstract provided.


"If We Had The Word": Ingeborg Bachmann, Views And Reviews (Book Review), Kathrin Bower Apr 2015

"If We Had The Word": Ingeborg Bachmann, Views And Reviews (Book Review), Kathrin Bower

Kathrin M. Bower

This collection of essays grew from a 1996 symposium held at SUNY-Binghamton to commemorate what would have been Ingeborg Bachmann's seventieth birthday. Gisela Brinker-Gabler, the symposium organizer, provides a brief foreword to the volume. Brinker-Gabler begins by articulating parallels between Ingeborg Bachmann and the poet Sylvia Plath, both in terms of their poetic prowess and their fascination with death, but the foreword is primarily a short literary biography of Bachmann, noting the highlights in her career and the difference in reception between her poetry and prose. While the foreword does serve to situate Bachmann as a writer, it does not …


Rafael Seligmann (1947-), Kathrin Bower Apr 2015

Rafael Seligmann (1947-), Kathrin Bower

Kathrin M. Bower

Rafael Seligmann was born in 1947 in Tel Aviv to German Jewish parents who had fled to Palestine in 1934. His father, Ludwig Seligmann, was a commercial clerk and his mother, Hannah (née Schechter) had been a textile worker before marriage. Despite the reasons behind the move to Palestine, the Seligmanns remained strongly bound to their German heritage and raised their son with German as his first language. When Rafael was ten, his parents returned to Germany and settled in Munich. Since the end of the 1970s, Seligmann has worked as a journalist while pursuing other career interests. He studied …


Neighbours And Strangers: Literary And Cultural Relations In Germany, Austria And Central Europe Since 1989 (Book Review), Kathrin Bower Apr 2015

Neighbours And Strangers: Literary And Cultural Relations In Germany, Austria And Central Europe Since 1989 (Book Review), Kathrin Bower

Kathrin M. Bower

In this collection of fifteen papers inspired by a 2002 conference held in Salford, England, the reader will find wide variations on the broadly stated theme of neighbors and strangers in the European context. Pulling together the diversity of essays is the main problem with the volume and one that the editors have done little to alleviate in their haphazard introduction. While they allude to the unification of Germany as the impetus and point of departure for the anthology, they offer no coherent argument for the selection and sequence of the essays included in the book. The reader is left …


2012 Conference Poster, Sonja Fritzsche Jul 2014

2012 Conference Poster, Sonja Fritzsche

Sonja Fritzsche

Event poster for the 2012 German Undergraduate Research Conference.


Repetitions, Scott Abbott, Zarko Radakovic Jun 2013

Repetitions, Scott Abbott, Zarko Radakovic

Scott Abbott

The two authors follow a character in Peter Handke's novel "Repetition" from Austria into Slovenia. Each writes about the experience from his own perspective.


Forms Of Identity: Stations Of The Cross In Peter Handke's "Die Linkshaendige Frau", Scott Abbott Jun 2013

Forms Of Identity: Stations Of The Cross In Peter Handke's "Die Linkshaendige Frau", Scott Abbott

Scott Abbott

The Christian Stations of the Cross, as abstracted by Barnett Newman, structure this novel by Peter Handke, raising questions about the use of religious forms in a work of postmetaphysical literature.


Obscurity In Medieval Texts, Lucie Doležalová, Jeff Rider, Alessandro Zironi Dec 2012

Obscurity In Medieval Texts, Lucie Doležalová, Jeff Rider, Alessandro Zironi

Jeff Rider

Modern readers of medieval texts often find them obscure. Some of this obscurity is accidental and inevitable due to the historical and cultural distance that separates modern readers from medieval authors, but medieval readers and authors also appear to have simply had a higher tolerance for textual obscurity than we do and even to have viewed obscurity as desirable and a virtue. They did not believe that obscurity could ever be eradicated and were not scared of the indescribable, indivisible, and ungraspable; they accepted reality as complex and ultimately unintelligible. Obscurity was not simply a riddle to be solved. It …


The Landscapes Through Which We Travelled, Scott Abbott Dec 2012

The Landscapes Through Which We Travelled, Scott Abbott

Scott Abbott

A translation of an homage to Austrian author Peter Handke on his 70th Birthday


Nietzsche And Lou, Eros And Art : On Lou’S Triangles And The « Exquisite Dream » Of Sacro Monte, Babette Babich Nov 2012

Nietzsche And Lou, Eros And Art : On Lou’S Triangles And The « Exquisite Dream » Of Sacro Monte, Babette Babich

Babette Babich

No abstract provided.


Le Zarathoustra De Nietzsche Et Le Style Parodique. A Propos De L’Hyperanthropos De Lucien Et Du Surhomme De Nietzsche, Babette Babich Nov 2012

Le Zarathoustra De Nietzsche Et Le Style Parodique. A Propos De L’Hyperanthropos De Lucien Et Du Surhomme De Nietzsche, Babette Babich

Babette Babich

Abstract Nietzsche’s Übermensch is derived from Lucian of Samosata’s term hyperanthropos. I argue that Zarathustra’s teaching of the overman acquires new resonances in the context of that terminological origination in Lucian’s Kataplous — literally: sailing into port — referring to the journey of the soul into the afterlife, as escorted by Hermes and ferried by Charon along with myriads of others facing the same fate. The Kataplous he tyrannos, a title usually rendered as the Downward Journey (or The Tyrant), is a Menippean satire telling the tale of the “overman” supposed superior to others of “lesser” station in this-worldly life …


Zu Nietzsches Stil, Babette Babich Nov 2012

Zu Nietzsches Stil, Babette Babich

Babette Babich

Das Thema von Nietzsches Stil ist hier sowohl von Bedeutung als Frage nach dem Wesen jenes Stils wie auch als Frage danach, was er in philosophischer, nicht einfach in asthetischer oder literarischer Hinsicht erreicht hat. Hier wird nachgelegt, dass die Kunst des Lesens, die technische Kunst des hörens als eine Art des Hörens in einer philosophischen Seinsweise zu verstehen sei. Damit setzt sie nicht allein eine diskursive Kunst musikalischen Gespürs seitens des schreibenden, sondern eigentlich auch seitens des Lesenden voraus. Untersucht wird vor allem, Nietzsches Aphorismos im Rahmen des Antisemitismus. Diese außerordentlich komplexe innere Ausrichtung von Nietzsches Stil ist die …


Adorno On Science And Nihilism, Animals, And Jews, Babette Babich Nov 2012

Adorno On Science And Nihilism, Animals, And Jews, Babette Babich

Babette Babich

No less than Heidegger or Nietzsche, Adorno had his own critical notions of truth/untruth. But Adorno’s readers are unsettled by the barest hint of anything that might be taken to be anti-science. Thus it is argued that Adorno opposes not science but scientism. But, and here not unlike Arendt, Adorno argued that so-called “scientistic” tendencies are the very conditions of society and of scientific thought.” I ask how we are to read Adorno by exploring his thought on animals and nihilism.


Ex Aliquo Nihil: Nietzsche On Science And Modern Nihilism. Acpq, 84-2 (Spring 2010): 231-256., Babette Babich Nov 2012

Ex Aliquo Nihil: Nietzsche On Science And Modern Nihilism. Acpq, 84-2 (Spring 2010): 231-256., Babette Babich

Babette Babich

This essay explores the nihilistic coincidence of the ascetic ideal and Nietzsche’s localization of science in the conceptual world of anarchic socialism as Nietzsche indicts the uncritical convictions of modern science by way of a critique of the causa sui, questioning both religion and the enlightenment as well as both free and unfree will and condemning the “poor philology” enshrined in the language of the “laws” of nature. Reviewing the history of philosophical nihilism in the context of Nietzsche’s “tragic knowledge” along with political readings of nihilism, willing nothing rather than not willing at all, today’s this-worldly and very planetary …


Words In Blood, Like Flowers: Philosophy And Poetry, Music And Eros In Hölderlin, Nietzsche, And Heidegger, Babette Babich Nov 2012

Words In Blood, Like Flowers: Philosophy And Poetry, Music And Eros In Hölderlin, Nietzsche, And Heidegger, Babette Babich

Babette Babich

No abstract provided.


Nietzsche’S Post-Human Imperative: On The “All-Too-Human” Dream Of Transhumanism, Babette Babich Nov 2012

Nietzsche’S Post-Human Imperative: On The “All-Too-Human” Dream Of Transhumanism, Babette Babich

Babette Babich

No abstract provided.


Peter Handke And The Language Of War, Scott Abbott Apr 2012

Peter Handke And The Language Of War, Scott Abbott

Scott Abbott

No abstract provided.


Voyage By Dugout Or The Play Of The Film Of The War, By Peter Handke, Scott Abbott Apr 2012

Voyage By Dugout Or The Play Of The Film Of The War, By Peter Handke, Scott Abbott

Scott Abbott

No abstract provided.


Affliction Fiction: Brian Evenson's Dark Work, Scott Abbott Apr 2012

Affliction Fiction: Brian Evenson's Dark Work, Scott Abbott

Scott Abbott

No abstract provided.


Selectedworks Part Ii: Conducting A Compelling Selectedworks Demo, Ann Taylor Aug 2011

Selectedworks Part Ii: Conducting A Compelling Selectedworks Demo, Ann Taylor

Ann Connolly

One of the best ways to encourage faculty to actively use SelectedWorks is to show them how easy it is. In this tutorial, we will discuss some of the basic value propositions of SelectedWorks and how to incorporate that into a compelling demo for faculty.


Bibliography For Work In Holocaust Studies, Agata Lisiak, Louise Vasvári, Steven Tötösy De Zepetnek Jun 2011

Bibliography For Work In Holocaust Studies, Agata Lisiak, Louise Vasvári, Steven Tötösy De Zepetnek

Tötösy de Zepetnek, Steven & Totosy de Zepetnek, Steven

No abstract provided.


Libguides On Steroids: Expanding The Use Of Libguides To Justify Workload And Support Library, Carol Leibiger Mar 2011

Libguides On Steroids: Expanding The Use Of Libguides To Justify Workload And Support Library, Carol Leibiger

Carol A Leibiger

LibGuides have captured the attention of the American academic library world. Subject guides like LibGuides are intended to provide access to resources for disciplines or courses to supplement library instruction provided during one-shot sessions or at the reference desk. LibGuides are available to users when and where they are needed. A constant refrain in the literature on subject guides is the workload inherent in their creation and maintenance. LibGuides are easy to create. However, the time required to maintain LibGuides continues to have a strong impact on workload for otherwise busy librarians.

As Information Literacy Coordinator (ILC), the presenter faces …


Learning In Social Networks, Jürgen Pelzer Dec 2010

Learning In Social Networks, Jürgen Pelzer

Jürgen Pelzer

No abstract provided.


Rainer Werner Fassbinder, Wunderkind, Leo Lensing Apr 2007

Rainer Werner Fassbinder, Wunderkind, Leo Lensing

Leo A Lensing

No abstract provided.


Die Letzten Tage Der Menschheit: Vorbilder Zu Abu Ghraib, Leo A. Lensing Jun 2004

Die Letzten Tage Der Menschheit: Vorbilder Zu Abu Ghraib, Leo A. Lensing

Leo A Lensing

No abstract provided.


German Studies: Who Cares?, Sara Lennox Dec 1999

German Studies: Who Cares?, Sara Lennox

Sara Lennox

No abstract provided.


The Home Is Not "Neously": On Regional Issues In The Recent German Prose, Jürgen Pelzer Dec 1986

The Home Is Not "Neously": On Regional Issues In The Recent German Prose, Jürgen Pelzer

Jürgen Pelzer

No abstract provided.


Gedischte Aus Biafra (Poetry From Biafra), Chukwuma Azuonye, Akomaye Oko, Uche Okeke, Obiora Udechukwu, Bons Nwabiani, Godwyn Nwaorgu Dec 1968

Gedischte Aus Biafra (Poetry From Biafra), Chukwuma Azuonye, Akomaye Oko, Uche Okeke, Obiora Udechukwu, Bons Nwabiani, Godwyn Nwaorgu

Chukwuma Azuonye

An illustrated color brochure, featuring my poem "Rituals eines Angriffs" [Rituals of Raids] about the uncanny resemblance of the ubiquituous air raids of the day and the raids on chicken by hawks ritually reenacted in the routines of the hawk mask Ojionu on festive occasions (plus poetry by five other Biafran poets)