Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 12 of 12

Full-Text Articles in Arts and Humanities

Marguerite Yourcenar, Alchemist, Rhoda Lerman Oct 1990

Marguerite Yourcenar, Alchemist, Rhoda Lerman

The Courier

Marguerite Yourcenar worked with full consciousness and deep knowledge in the language and landscape of alchemy. She was not only writing books; she was remaking her soul. In the "Reflections on the Composition of The Memoirs of Hadrian", appendixed to the novel, she notes that she writes "with one foot in scholarship, the other in magic arts, or more accurately, without metaphor, absorption in that sympathetic magic which operates when one transports one's self in thought into another's body and soul". In The Memoirs of Hadrian we enter the territory of the landscape with her. In The Abyss we read …


Memories Of Marguerite Yourcenar, Mary H. Marshall Oct 1990

Memories Of Marguerite Yourcenar, Mary H. Marshall

The Courier

This paper is an amplification of Professor Marshall's introductory remarks to her lecture "Marguerite Yourcenar: Her Mythical and Historical Imagination", which was given to the Syracuse University Library Associates on 20 February 1990. At the end the reader will find responses to additional specific interview questions, as well as transcribed selections from a few Yourcenar-Marshall letters. Because of her friendship with Professor Marshall, Marguerite Yourcenar gave to the Syracuse University Library several early inscribed editions of her works.


Genet's Fantastic Voyage In Miracle De La Rose: All At Sea About Maternity, Elizabeth Richardson Viti Jul 1990

Genet's Fantastic Voyage In Miracle De La Rose: All At Sea About Maternity, Elizabeth Richardson Viti

French Faculty Publications

Though homosexuality is not uncommon in the literary world, few if any writers have chose, like Jean Genet, to place their own inversion flamboyantly center stage. This phenomenon explains the temptation to apply psychoanalytic theory to Genet's work, but the author and his homoeroticism intrigue feminist criticism as well. In the sixties Kate Millett's Sexual Politics praised the portrayal of a homosexual society which, because of its hyperbolic aping of an arbitrary masculine and feminine exposed the oppressive social system of patriarchy. And most recently, a dissertation by Cynthia Running Row, Jean Genet and Helene Cixous: Reading Genet through the …


In Appreciation Of Birago I. Diop: A Subtle Advocate Of Négritude, Winston E. Langley Jun 1990

In Appreciation Of Birago I. Diop: A Subtle Advocate Of Négritude, Winston E. Langley

Trotter Review

The closing weeks of the last decade brought with them the death of three distinguished world figures: Samuel Beckett, the Irish-French playwright, novelist, and poet; Andrei D. Sakharov, the Soviet nuclear physicist, human rights advocate, and leader in the international disarmament movement; and Birago I. Diop, the Senegalese poet, storyteller, and statesman. In the case of the former two, leading U.S. newspapers and other media paid merited tribute in the amplest of proportions; in case of the last, however, it was as if he had either never lived or had gained no standing of importance worthy of much attention. Diop …


Genet's Fantastic Voyage In Miracle De La Rose: All At Sea About Maternity, Elizabeth Richardson Viti Jun 1990

Genet's Fantastic Voyage In Miracle De La Rose: All At Sea About Maternity, Elizabeth Richardson Viti

Studies in 20th & 21st Century Literature

Together psychoanalytical and feminist criticism appear to uncover the very composition of Jean Genet's inversion. Indeed, in this regard the Miracle de la Rose dream sequence which focuses on an extraordinary voyage through the body of Harcamone, the very imprimatur of bisexuality defined in Cixous' Le rire de la méduse, holds singular importance. Abandoned by his biological mother, Genet sees himself as a "produit synthétique" who has to belong to someone in order to be. Genet simply does not exist unless he can establish, not the Lacanian Name-of-the-Father, but rather the Name-of-the-Mother. The dream reveals a Freudian …


Seeing Albertine Seeing: Barbey And Proust Through Balzac, Dorothy Kelly Jun 1990

Seeing Albertine Seeing: Barbey And Proust Through Balzac, Dorothy Kelly

Studies in 20th & 21st Century Literature

The three texts, Balzac's La Fille aux yeux d'or, Barbey d'Aurevilly's Le Rideau cramoisi, and Proust's La Prisonnière, share two structuring themes: the problematic eyes of a woman who desires, and the need to see the woman in order to learn her truth. This article first does a close reading of these themes in the texts. Second, the difference between Barbey and Proust is examined in their ultimate conclusions about the truth of woman, and Proust's text is studied in its use of the impossibility of truth as the origin of its fiction.


The Writer's Identity As Self-Dismantling Text In Julien Green's Si J'Étais Vous. . ., Robert Ziegler Jun 1990

The Writer's Identity As Self-Dismantling Text In Julien Green's Si J'Étais Vous. . ., Robert Ziegler

Studies in 20th & 21st Century Literature

Written between 1944 and 1946, Julien Green's novel Si j'étais vous . . . is one of the author's most fantastic and enigmatic texts, having generated interpretations ranging from the Freudian to the theological. Yet certain central features of the text have not yet been addressed and may lead to a different approach, one focusing on the problem of the writer's identity in his works. Despite the fact that his literary efforts are unsuccessful, Fabien is shown as being a writer like Green himself, but more importantly, he is a character in another writer's fiction. As metatext, Green's novel describes …


Exile In Language, Peter Baker Jun 1990

Exile In Language, Peter Baker

Studies in 20th & 21st Century Literature

Saint-John Perse's poem Exil (1941) represents a deep meditation on the nature of "writing" as subsequent critical theory has developed that term. Though the poem seems to present a "signature" at the end, it may be that the poet through giving in to a radically different signifying practice is in some sense not the signatory of the text. The archaic setting and difficult-to-resolve cultural matrix from this perspective become means of examining the co-originary origins of thought and language. Close analysis of textual patterns reveals a composition practice based on anagrammatic patterning. This kind of questioning of language in the …


The Dialogical Traveler: A Reading Of Semprun's Le Grand Voyage, Sally M. Silk Jun 1990

The Dialogical Traveler: A Reading Of Semprun's Le Grand Voyage, Sally M. Silk

Studies in 20th & 21st Century Literature

In light of discourse theory influenced by Bakhtin's concept of dialogism, the notion of voice has changed significantly so that we are invited to read discourse in a way that represents a departure from Bakhtin. The theories of François Flahault, Michel Pêchetut, and John Frow, who inquire into the importance of conditions of production of language, are used to explore the vain search for a subject-centered voice in Jorge Semprun's Le Grand voyage. The narrating subject Gerard experiences "homelessness" in discourse because he fails to find a voice of his own. His relationship to music and literature depends on …


Embodiments Of Shape: Cubes And Lines And Slender Gilded Thongs In Picasso, Duchamp And Robbe-Grillet, Emma Kafalenos Jun 1990

Embodiments Of Shape: Cubes And Lines And Slender Gilded Thongs In Picasso, Duchamp And Robbe-Grillet, Emma Kafalenos

Studies in 20th & 21st Century Literature

An account, from several perspectives, of a structural type exemplified by Pablo Picasso's Les Demoiselles d'Avignon (1907), generally considered the first Cubist painting; Marcel Duchamp's Nu descendant un escalier (1912), and Alain Robbe-Grillet's La Maison de rendez-vous (1965). To compare contemporary texts to paintings that arose in the moment immediately preceding the full achievement of the non-representational suggests that both incorporate trivial—and even popular—elements because they are so eminently cuttable. In each work, the decomposition of objects to their pieces shifts interest from paradigm to syntagm, while retaining sufficient reference to paradigm to embody syntagm, to make structure perceptible. All …


French Science Fiction, Arthur B. Evans Jan 1990

French Science Fiction, Arthur B. Evans

Global Language Studies Faculty publications

No abstract provided.


Rereading De Man's Readings, Herman Rapaport Jan 1990

Rereading De Man's Readings, Herman Rapaport

Studies in 20th & 21st Century Literature

A review article on Reading de Man Reading.