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Full-Text Articles in Arts and Humanities

Métamorphoses De L'Écrivain Dans Le Roman Francophone Subsaharien, Christian Uwe Dec 2018

Métamorphoses De L'Écrivain Dans Le Roman Francophone Subsaharien, Christian Uwe

Présence Francophone: Revue internationale de langue et de littérature

In his very first novel - La vie et demie - the question was put forward: wherefrom shall Sony Labou Tansi write so as to be? With a stunning lucidity, the author observed the irreducible gap that separates him from (and yet links him to) his writing: "I who speak of the absurdity of the absurd [ ... ] wherefrom do you think I speak if not from the outside?" (1979: 9). Starting from that novel, this paper explores the way the figure of the author is revealed by the writing. To that end, it explores five takes on such …


Poétique De La Ville-Symptôme Dans Le Roman Maghrébin, Hassan Moustir Jun 2017

Poétique De La Ville-Symptôme Dans Le Roman Maghrébin, Hassan Moustir

Présence Francophone: Revue internationale de langue et de littérature

Postcolonial city is at the heart of maghrebian fictions so that it can be approached as a fundamental element of its particular poetics. In their novels Triptyque de Rabat and Le chien d’Ulysse, Khatibi and Bachi respectively link space as an explicative matrix of the national present and even of what goes beyond characters consciousness. This fact helps to understand the way history figures as a virtual paradigm coming down to space, sometimes threw separate facts, and being part of the personal perception of reality. The concept of reality itself becomes problematic regarding this endless past, we mean the impact …


Ginsberg's Translations Of Apollinaire And Genet In The Development Of His Poetics Of "Open Secrecy", Véronique Lane Dec 2016

Ginsberg's Translations Of Apollinaire And Genet In The Development Of His Poetics Of "Open Secrecy", Véronique Lane

CLCWeb: Comparative Literature and Culture

In her article "Ginsberg's Translations of Apollinaire and Genet in the Development of his Poetics of 'Open Secrecy'" Véronique Lane analyzes the extent to which the journals, letters and poems of Allen Ginsberg are marked by constant reference to literary models that give just as much weight to French as to American writers. Focusing on his long involvement with Guillaume Apollinaire and Jean Genet's works, Lane argues that Ginsberg meticulously constructed the genealogy of his poetry through a threefold strategy of literary quotation, translation and encryption. Uncovering this strategy through analysis of "Howl," "At Apollinaire's Grave," and "Death to Van …


L’Envol (En)Chanteur Du Colibri Ou La Poétique Environnementale Du Vivant Dans Les Neuf Consciences Du Malfini De Patrick Chamoiseau, Gwenola Caradec Jun 2015

L’Envol (En)Chanteur Du Colibri Ou La Poétique Environnementale Du Vivant Dans Les Neuf Consciences Du Malfini De Patrick Chamoiseau, Gwenola Caradec

Présence Francophone: Revue internationale de langue et de littérature

This article considers Patrick Chamoiseau’s recent work, which has focused increasingly on ecological themes, expressed particularly in one of his latest novels, Les neuf consciences du Malfini (2009). Strongly influenced by his “Master” Édouard Glissant and the latter’s concept of the “Tout-M-Monde” (“Whole-World”), C hamoiseau offers a paradigm shift for the very notion of Nature, revealed to be inseparable from a certain Poetics of Life.


Inspiration And The Oulipo , Chris Andrews Jan 2005

Inspiration And The Oulipo , Chris Andrews

Studies in 20th & 21st Century Literature

In the Ion and the Phaedrus Plato establishes an opposition between technique and inspiration in literary composition. He has Socrates argue that true poets are inspired and thereby completely deprived of reason. It is often said that the writers of the French collective known as the Oulipo have inverted the Platonic opposition, substituting a scientific conception of technique—formalization—for inspiration. Some of the group's members aim to do this, but not the best-known writers. Jacques Roubaud and Georges Perec practice traditional imitation alongside formalization. Imitation is a bodily activity with an important non-technical aspect. Raymond Queneau consistently points to an indispensable …


Werewere Liking Et La Poétique Du Jeu Pour Libérer L'Imaginaire Postcolonial Africain, Kasereka Kavwahirehi Jun 2004

Werewere Liking Et La Poétique Du Jeu Pour Libérer L'Imaginaire Postcolonial Africain, Kasereka Kavwahirehi

Présence Francophone: Revue internationale de langue et de littérature

This essay addresses the issue of poetics and political stakes in Werewere Liking's novel, Elle sera de jaspe et de corail. While this novel has been presented as illustrative of the Negro-African aesthetics rooted in orality, the present article argues that Liking's poetics of hybridity is a postcolonial strategy whose aim is the liberation of African imagination and creativity. The essay ends by suggesting some similarities between Liking's project and that of the Congolese philosopher, especially in his philosophical essay, L'Afrique va-t-elle mourir? Bouscu/er l'imaginaire africain. Through their works, Ka Mana and Werewere Liking are examining the conditions for a …


La Poetique Du Paysage Dans L'Oeuvre D'Edouard Glissant, De Kateb Yacine Et De William Faulkner, Nabil Boudraa Jan 2002

La Poetique Du Paysage Dans L'Oeuvre D'Edouard Glissant, De Kateb Yacine Et De William Faulkner, Nabil Boudraa

LSU Doctoral Dissertations

This dissertation examines the different ways in which Edouard Glissant, Kateb Yacine and William Faulkner combine landscape, history and identity in their work. The depiction of landscape in literature is not new, but the French Romantics in the 19th century, for instance, tended to describe the beauty of landscape without conceiving any rapport between landscape and humankind, and thus created a gap between the two. For Kateb and Glissant, landscape is also a witness of History. The (hi)story of their respective communities has been confiscated and shattered by the respective colonizers, hence the necessity to recreate it through the poetics …


History, Violence And Poetics: Saint-John Perse And René Char, Nathan Bracher Jun 1991

History, Violence And Poetics: Saint-John Perse And René Char, Nathan Bracher

Studies in 20th & 21st Century Literature

This essay explores the parallel yet opposite stances taken both personally and textually by Perse and Char with respect to drama of World War II. While Perse remained disdainfully aloof from public affairs after the defeat and proclaimed in his poetry his solidarity with all humanity, Char explicitly linked his writing to events, yet sought to create a human space removed from history's upheavals. Striving to transcend the vicissitudes of individual existence, Perse celebrates an epic vision of history that overlooks and even condones its violence. Focusing on the inconsistent, fragmentary nature of existence, Char prevents us from having any …


Thought And Perception: Bernard Noël And The Mind's Eye, Laurie Edson Nov 1989

Thought And Perception: Bernard Noël And The Mind's Eye, Laurie Edson

Studies in 20th & 21st Century Literature

Bernard Noël has investigated the relationship between the conceptual and the visual in many of his prose and poetic texts. From the earlier "body" poetry of Extraits du corps, where the image of the inward-looking eye makes its appearance, to his book on Magritte's "visible thought" and the prose text Le 19 octobre 1977, where he thematizes the functioning of perception, Noël explores the complex interplay between seeing and thought, language and thought, and seeing and writing. This study analyzes these and other major issues driving Noel's poetics.


The Notion Of Presence In The Poetics Of Yves Bonnefoy, John T. Naughton Nov 1989

The Notion Of Presence In The Poetics Of Yves Bonnefoy, John T. Naughton

Studies in 20th & 21st Century Literature

The notion of presence is the cornerstone of Bonnefoy's entire poetics, the common element linking his earliest pronouncements about poetry to his latest. The insistence on presence emerges as the animating principle of a selfconsciously anti-Mallarmean concept of poetry that seeks to align itself with hopefulness and with an affirmation of this life. The term is never defined once and for all, however, and the great range of evocations and applications of the idea in Bonnefoy's work has triggered a significant critical debate about its significance and validity.


Anamnesis: Paul Celan's Translations Of Poetry, Leonard Olschner Jun 1988

Anamnesis: Paul Celan's Translations Of Poetry, Leonard Olschner

Studies in 20th & 21st Century Literature

Paul Celan's significance as a poet has long been undisputed, and increasingly outside German-speaking countries, but his translations of poetry have remained at the periphery of critical attention and are only gradually becoming recognized as an integral and indeed major part of his poetry and poetics. The present essay attempts to elucidate specific aspects of the biographical, linguistic, literary and historical background at work in Celan's translating and offers analytic interpretations of texts by Mandel'stam, Apollinaire and Shakespeare in Celan's translation.


The Dialogue Of Absence, Richard Stamelman Aug 1987

The Dialogue Of Absence, Richard Stamelman

Studies in 20th & 21st Century Literature

The Dialogue of Absence