Arts and Humanities Commons^™

Born To Conquer: The Fortepiano’S Revolution Of Keyboard Technique And Style, Rachel A. Lowrance

Musical Offerings

The fortepiano had a rough beginning. In 1709 it entered a world that was not quite ready for it; a world that was very comfortable with the earlier keyboard instruments, especially the harpsichord. Pianists and composers were used to the harpsichord technique and style, which is drastically different from the piano. This is because the harpsichord was actually a very different instrument than the piano, as is explained in this paper. This paper traces the history of the piano's rise to dominance over the harpsichord, and how its unique hammer action began creating an idiomatic piano style. The piano also …

Learning To Play: Cognitive And Physical Development Of Children And The Requirements Of Playing The Piano, Amy Carmichael

Musical Offerings

Musical learning and performance has traditionally been understood as the process of cognitive ability and physical action. If a musician lacks or is underdeveloped in one of these areas it will either be harder or almost impossible to create music. In this presentation I will focus on the connection between them. Cognitive ability and knowledge increases with age as we gain more facts and experiences. Likewise, a child’s physical abilities expand and become more advanced with age. There is an increasing amount of evidence that cognitive abilities and physical developments are linked in children’s development.

Afternoon Shower: Jackson Wyoming; Old 22; February Night; Walnuttown, Pennsylvania; Elm Street: Late Afternoon; Hex Highway; Bridge; Gifts, Matthew Daub

Ontario Review

Matthew Daub's watercolor paintings and drawings have been exhibited throughout the U.S. in more than 20 solo exhibitions, and group shows at institutions including the Metropolitan Museum of Art, and the American Academy of Arts and Letters. He is a Professor of Fine Arts at Kutztown University of Pennsylvania.

Sidewalk In Geneseo // Momentary Pause // Danny's Lamb, Hannah Glaser

Gandy Dancer Archives

No abstract provided.

I Whispered Never, Kirsten Maxwell, Amy Bishop

Gandy Dancer Archives

No abstract provided.

Foggy Morning In The Quarter, Jennifer Karpowicz

Ellipsis: A Journal of Art, Ideas, and Literature

No abstract provided.

Afternoons In The Quarter, Jennifer Karpowicz

Ellipsis: A Journal of Art, Ideas, and Literature

No abstract provided.

Atchafalaya Dreamland, Jennifer Karpowicz

Ellipsis: A Journal of Art, Ideas, and Literature

No abstract provided.

Sunset Over The Cathedral, Jennifer Karpowicz

Ellipsis: A Journal of Art, Ideas, and Literature

No abstract provided.

Structure, Elizabeth Lynch

Ellipsis: A Journal of Art, Ideas, and Literature

No abstract provided.

Venetian Ghetto, Elizabeth Lynch

Ellipsis: A Journal of Art, Ideas, and Literature

No abstract provided.

Ghost Advertising, Ross Peter Nelson

Ellipsis: A Journal of Art, Ideas, and Literature

No abstract provided.

Reading Cleopatra Vii: The Crafting Of A Political Persona, Angelica E. Delaney

The Kennesaw Journal of Undergraduate Research

No abstract provided.

From The Inside Out, And Through., Dominique Ovalle

The STEAM Journal

These photographs describe “Science” born of consumerism, hijacked by me, economically disenfranchised, or rather—temporarily embarrassed, artist. I was putzing around Malibu—my old college stomping ground, looking for free food; maybe a sample of some gourmet $5 chocolate, and all I got were these photographs.

Musings From A Year Of Ste[A]M...How It Looks Walking Down The Path, Ruth Catchen

The STEAM Journal

This is a follow up article to one in the inaugural issue which describes the beginnings of implementing a STE[a]M curriculum in a school with a high at-risk student population. This article discusses the outcomes and the future after a year of STE[a]M.

Can Art Stress?, Bojana Joksimovic-Ginn

The STEAM Journal

Presented in this paper is an interactive, acoustic installation morphologically and functionally influenced by the evolutionarily developed phenomena of two particular defense mechanisms. The first one is the prey’s reduction of noise once a predator is detected; the second one is an internal physiological response to danger known as stress. Conducted in a manner of an experiment, this interactive artistic project has interesting and unpredicted results.

Mana & Ea, Dan Taulapapa Mcmullin

The STEAM Journal

This work, Mana and Ea, expresses Polynesian indigenous sovereignty struggles with colonialism and globalism in the Pacific Islands.

Crochet As A Model For The Elasticity Of Skin Cells, Jaqueline (Jackie) Bell Johnson

The STEAM Journal

My artwork is a result of the exploration of materials through process. The sculptures I make are the solutions to problems of how to combine materials, and create structure and form that I am able to build and transport on my own.

Design In Nature, Farhana Azim

The STEAM Journal

Floral Designs are a combination of, line, form and space. By creating balance while incorporating all these three elements in proportion to the space allowed, with an eye on the use of color and contrast, enabling the smooth visual flow of the design one produces the perfect arrangement.

Acclimation, Rory Dlugos

Art Journal

In fragmenting the human figure, I hope to express loss of control or the inability to know one’s future. On a daily basis, I am bombarded with this anxiety-ridden dilemma. In my work, this struggle manifests itself in the figures’ expressions and poses. The seamless integration of figures into the background can be seen as their successful ability to merge with their changing environment; in other words, a positive adaptation of self.

At other times, the figure-background dichotomy represents the struggle to adapt to change and maintain a constantly evolving, healthy self. In some works, the figures are rooted in …

Memory Tokens, Julia Christ

Art Journal

My work deals with memory and the affliction of forgetfulness. Memories start out vivid and get washed over, dulled. New experiences cover up those of the past, and the authority of our memories is called into question. Like most humans, I collect memories compulsively; like souvenirs in a hoarder’s obsessive sanctuary, those memories start to pile up. They become indistinguishable and forgotten. These collected memory tokens, whether or not they are consciously acknowledged, trigger different emotional responses and forever influence my identity.

When I revisit a place, I am brought back to events that previously occurred there; multitudes of past …

Tranformations And Disappearances: The Presence Of The Artist In The Work Of Francesca Woodman, Michael Rose

Art Journal

No abstract provided.

Hide And Seek, Tess Wilson

Art Journal

I see myself as an analyst of my surroundings. I have a predisposition for noticing and appreciating miniscule details in life. Consequently, I take photographs and make digital drawings of found objects that possess textured qualities. Whether walking to class, waiting for the train, even sitting in my kitchen at home, texture is everywhere.

My collages are meant to avoid fixity; but most especially, my collages are meant to confront the notion of abstraction and reality. Through digital imaging, I alter reality by manipulating the color, light and detail of an object at close range. To me, abstraction is a …

Visual Forms, Visceral Themes: Understanding Bodies, Pain, And Torture In Renaissance Art, Helena Guzik Fcrh '12

The Fordham Undergraduate Research Journal

Despite its relevance to modern discussions, the scholarly treatment of torture in art is relatively infrequent. This project explores, through the visual evidence of artistic works, the implications of Renaissance philosophies surrounding the human body in the context of pain and particularly the physical suffering endured during torture. By examining varying techniques of representing the human form across an array of artistic media, this article strives to illuminate the struggle between the rise of scientific naturalism and prevailing currents of spiritual dualism when considering the question of the body in torment. In highlighting the artist as narrator of Renaissance society’s …

Untitled, Zara Khan

Digressions: Literary & Art Journal

No abstract provided.

Trees 2, Natalie Hernandez

Digressions: Literary & Art Journal

No abstract provided.

Womb, Natalie Hernandez

Digressions: Literary & Art Journal

No abstract provided.

Passage Of Time, Rachel Devlin

Digressions: Literary & Art Journal

No abstract provided.

The Colors Inside My Head, Ursalina Aguiler

Digressions: Literary & Art Journal

No abstract provided.

The Colorful Monster, Ursalina Aguiler

Digressions: Literary & Art Journal

No abstract provided.