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Fine Arts

LSU Master's Theses

2017

Printmaking

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Full-Text Articles in Arts and Humanities

Collecting And Selecting, Masy Hebert Jan 2017

Collecting And Selecting, Masy Hebert

LSU Master's Theses

In Collecting and Selecting, I am exploring the way others adorn their lives and how these elements add up to emblematize the keeper of the treasures. With linoleum relief prints and drawings, I compose a unique type of portraiture that reveals the parallel identity between the way we dress ourselves and our living spaces. Within my process, I capture moments with photographs, draw, carve, print, and cut out the elements that hold a presence of the owner. Utilizing a heightened sense of contrast with black and white images, the textures and details of these objects come alive. Each gallery wall …


After;Life, Morgan Lynn Anderson Jan 2017

After;Life, Morgan Lynn Anderson

LSU Master's Theses

After;life is an exploration of the time and space between life and death. The installation, created from dozens of woodcut prints, creates this imaginary place, and encompasses viewers through sight, smell, sound, and touch. All elements of this installation are heavily influenced by Southern Louisiana culture and wildlife, and are meant to be familiar enough to provoke personal memory and experience. A set of rituals in the form of three poems, corresponding to three different spirit guides: The Black Dog, The Alligator, and The Opossum, lead the reader through the space from life, through liminal, into death.


Damon Hill, Elizabeth Welch Jan 2017

Damon Hill, Elizabeth Welch

LSU Master's Theses

“Damon Hill” acts as a physical record of the family folklore of a group of people formed by landscape and kinship. As a member of this group, I have translated my family’s stories into a visual narrative as a way to process my own identity in relation to our shared identity. The focus of “Damon Hill” rests primarily on the lives of my female predecessors, as a way for me to contribute their unique voice to the overarching feminine narrative. I incorporate the visual representation of traditionally feminine handicrafts in order to relay their stories through the primary means of …