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Full-Text Articles in Arts and Humanities
Alcea, Autumn Johnson
Alcea, Autumn Johnson
LSU Master's Theses
This exhibition was created with the intent to investigate and celebrate gender fluidity in both nature and humanity by depicting one plant, the hollyhock, whose reproductive parts share a structure that changes from male to female as the plant matures. Alcea consists of prints, drawings, and installations that showcase the hollyhock in each stage of its transition.
Hello Again يا اهلا A Study Of Grief, Diana Abouchacra
Hello Again يا اهلا A Study Of Grief, Diana Abouchacra
LSU Master's Theses
Grief is an unwanted visitor who we all come to know throughout our lifetime. Although every person reacts differently to bereavement of a loved one, almost always the lost other becomes etched into our being for the remainder of our lives (McClocklin & Lengelle, 2017). In today’s society, we are encouraged to say “Good-bye”, but what if instead, we allow ourselves to keep those who have passed on close to our hearts and say hello again? Hello Again يا اهلا is a body of work that explores my experience with grief. The artworks made for this exhibition investigate my process …
A Cup Of Breast Milk And A Warm Chair, Carlie A. Salomons
A Cup Of Breast Milk And A Warm Chair, Carlie A. Salomons
LSU Master's Theses
The work in the exhibition A Cup Of Breast Milk and A Warm Chair is a physical and ephemeral connection between mothers and daughters. It explores my personal connection to my maternal lineage. This connection is looked through the lens of common generational roles of women, ancestral inheritance and my childhood memories. I consider what it means to inherit and to be remembered outside of the standard androcentric genealogical structure. My inheritance from my maternal lineage comes in the form of women’s work, or handcrafts such as: crochet, knitting and sewing. In creating this body of work, I blend the …
Collecting And Selecting, Masy Hebert
Collecting And Selecting, Masy Hebert
LSU Master's Theses
In Collecting and Selecting, I am exploring the way others adorn their lives and how these elements add up to emblematize the keeper of the treasures. With linoleum relief prints and drawings, I compose a unique type of portraiture that reveals the parallel identity between the way we dress ourselves and our living spaces. Within my process, I capture moments with photographs, draw, carve, print, and cut out the elements that hold a presence of the owner. Utilizing a heightened sense of contrast with black and white images, the textures and details of these objects come alive. Each gallery wall …
After;Life, Morgan Lynn Anderson
After;Life, Morgan Lynn Anderson
LSU Master's Theses
After;life is an exploration of the time and space between life and death. The installation, created from dozens of woodcut prints, creates this imaginary place, and encompasses viewers through sight, smell, sound, and touch. All elements of this installation are heavily influenced by Southern Louisiana culture and wildlife, and are meant to be familiar enough to provoke personal memory and experience. A set of rituals in the form of three poems, corresponding to three different spirit guides: The Black Dog, The Alligator, and The Opossum, lead the reader through the space from life, through liminal, into death.
Damon Hill, Elizabeth Welch
Damon Hill, Elizabeth Welch
LSU Master's Theses
“Damon Hill” acts as a physical record of the family folklore of a group of people formed by landscape and kinship. As a member of this group, I have translated my family’s stories into a visual narrative as a way to process my own identity in relation to our shared identity. The focus of “Damon Hill” rests primarily on the lives of my female predecessors, as a way for me to contribute their unique voice to the overarching feminine narrative. I incorporate the visual representation of traditionally feminine handicrafts in order to relay their stories through the primary means of …
This Is Only Temporary, Melanie Robyn Wall
This Is Only Temporary, Melanie Robyn Wall
LSU Master's Theses
This is only Temporary examines my personal history of homes as reimagined spaces. The series of prints in the exhibition depicts reconstructed memories of houses. These visual narratives give context to the installation constructed from handmade paper and raw materials. The framework is reminiscent of housing plans that converge into a labyrinth. Participants actively engage the space, navigating the confined structure. A playful nature runs throughout the prints and installation reflecting upon reinterpreted memories within transitional spaces.
A Crow And A Hanger, Kelsey Ann-Morgan Livingston
A Crow And A Hanger, Kelsey Ann-Morgan Livingston
LSU Master's Theses
A Crow and A Hanger is a body of work that explores and illustrates the nature of life and death through the use of mixed-media drawing and printmaking techniques. My intention for this work, and this thesis paper, is to explain my thought process and how the imagery came to be. For me it is not at all important for every viewer to fully understand each image and the thoughts that went into the body as a whole. I let the images and their titles lead the viewer in a general direction and allow for their personal history and biases …
This Is My Attempt To Hold On, Kimberly Reneé Jones
This Is My Attempt To Hold On, Kimberly Reneé Jones
LSU Master's Theses
I am an identical twin. The connection I share with my twin sister is intense and immediate. But now, we live over 800 miles apart. This Is My Attempt To Hold On serves as a visual metaphor for the longing for the undiluted rapport we have when we are together, and the frustrations of communicating with her through a digital device. I am constantly dissatisfied with my attempts to connect with her. I watch myself, my words, and my thoughts become diffused through the pixels. The work exists as composites of various mediums, creating a dialogue between photography, printmaking, sculpture, …
The Veil, Eric Richard Euler
The Veil, Eric Richard Euler
LSU Master's Theses
The Veil is a print media exhibition exploring the politics surrounding internet and internet related technologies and how they shape our identity. All of the works shift within a satirical and enigmatic visual language which accumulates to form a critique of our online habits and rituals. My work is driven by questions surrounding digital identity, privacy, data mining, narcissism, and commodity fetishism. How is the internet changing us as people and consumers? What are the repercussions of frivolously sharing private information online? And how are new government bills affecting our freedom online? Gallery visitors will encounter the hand-pulled print in …
Echoes And Artifacts, Molly Elizabeth Miller
Echoes And Artifacts, Molly Elizabeth Miller
LSU Master's Theses
Architecture has many different contexts and meanings, but regardless of time and place, buildings act as a physical container of memory. This body of work explores the use of large facades as residue of a personal memory and uses physical deterioration to parallel the distortion of memory as a result of time and emotion. The work makes use of warping and tearing of materials and is created through the combination of large-scale relief prints, drawing, sewing, and the cutting away of materials. The exhibition includes an installation of fabric-based prints, a series of wall-based altered paper prints, and several artist …
Drugged Paranoia And Warlust, Nathan Pietrykowski
Drugged Paranoia And Warlust, Nathan Pietrykowski
LSU Master's Theses
Drugged Paranoia and Warlust are stories of human depravity and violence that happened on an abandoned U.S. military base in the rural world of Indiana. These tales are told through a series of prints, drawings, animation and a comic. Scenes of bombings, mass graves, and drug overdoses are presented as humorous cartoons in playful colors to subvert the viewer into exploring imagery that discusses serious and somewhat bleak issues. The work in this exhibition is both satire of absurd events and trying to find meaning amongst madness.
Less Class, More Sass!, Amanda Lee James
Less Class, More Sass!, Amanda Lee James
LSU Master's Theses
Less Class, More Sass! is a visual soundtrack to the crass jokes, hairy faces and smelly wardrobes of my disorderly, and politically incorrect friends. These young men and women have mutated into a ragged crew of personified sasquatches to tell a collection of stories about coming of age in the American punk and metal music subcultures.
In this series of prints the characters grow from aimlessly rebellious youths into hopeless but happy young adults, ashamed of their desires for a nice neighborhood and a steady job. While thrashing through a sea of self-destructive tendencies, each character slowly finds their inner …
Temporal Cycles, Sarah Anne Shearer
Temporal Cycles, Sarah Anne Shearer
LSU Master's Theses
Temporal Cycles explores how systems and changes in the human body parallel those in nature. The investigation takes the form of a print installation, which captures the essence of bodily processes. The serial nature of printmaking and the organic world plays an important role as biomorphic forms and hourglass shapes are repeated in numerous renditions that breathe, pulse, expand, wither, ovulate, and transform. Labyrinths of pattern, texture, and color connect the symbolic forms as the installation tracks the evolution of processes in the body, and the forms reveal themselves through their pictorial associations.
Your Loss, Lauren Jean Hegge
Your Loss, Lauren Jean Hegge
LSU Master's Theses
Your Loss is an exhibition of drawings, photographs, intaglio prints, found objects and prose. Drawn from personal and anonymous archives, the works in the exhibition acknowledge various forms of breakdown, exploring individual reactions and attempts to rebuild from the fragments of loss. Inherent in the work are discussions of remembering and forgetting, finding and losing, building and destroying, growth and decay. This work is both recognition of the desire to hold on too tightly and an effort to learn to let go.
I Saw Life, David Clayton Williams
I Saw Life, David Clayton Williams
LSU Master's Theses
My thesis embodies the uncertainties and reservations that surround one’s mortality. Dealing with the loss of my father who suddenly passed away two and a half years ago has sparked an emotionally driven artistic process. The abruptness of my Dad being alive one second and with little or no warning deceased the next has impacted my work tremendously. My goal has been to evoke and share the very human emotions that occur during the erratic stages of grief. This research acknowledges the ‘black and white’ absolutes of living and dying, yet those ideas are juxtaposed with the many gray areas …
Up Like Weeds, Danielle Burns
Up Like Weeds, Danielle Burns
LSU Master's Theses
A child playing with matches is forgivable. Kids are curious. They want to explore adult activities through play. Does it stay innocent when that child experiments with the effects of firecrackers in frogs and gasoline on animals? What happens when they light the match? The grey area between childhood innocence and realization of wrong intrigues me and I find it fascinating how adult perspectives of such malicious deeds often vary. Up Like Weeds questions these responses using a collection of narrative prints and freestanding woodcut figures. They visually tell five tales of children in a rural environment acting out in …
Trials & Tributaries: Myth And Disaster In Southern Louisiana, Hannah March Campbell Sanders
Trials & Tributaries: Myth And Disaster In Southern Louisiana, Hannah March Campbell Sanders
LSU Master's Theses
Trials and Tributaries examines recent disasters occurring in southern Louisiana, interpreted through the Greek myths The Twelve Labors of Herakles. Mankind’s false sense of control over Louisiana’s resources leaves us vulnerable to nature’s powerful acts of reclamation: hurricanes, floods and the ground sinking beneath our feet. While researching the details and origins of The Twelve Labors, I found a plethora of similarities with local culture, politics and natural disasters. The characters in these narrative prints include hybrid monsters drawn from Greek mythology, which I have then further augmented with various forms of local south Louisiana fauna and contemporary political figures. …
The Latent Landscape, May Ann Babcock
The Latent Landscape, May Ann Babcock
LSU Master's Theses
I set a task to take a new look at local Louisiana landscape and to understand this place where I live. The spaces most powerful were leftover, abandoned and forbidden industrial places, including an old lock, stretches of the levee along the Mississippi River, highway underpasses and chemical, energy and sugar cane processing plants. Working from observational sketches and using local materials such as river mud and plant fibers for papermaking, I make prints on handmade paper, books and video that bring this latent landscape into view. Images and surfaces become primitive, disorienting, psychological, dark and changing landscapes.
Vessel Manifest, Jessie Marie Hornbrook
Vessel Manifest, Jessie Marie Hornbrook
LSU Master's Theses
Vessel Manifest explores vessel forms and their pathways through time and experience. In using semiotic definitions to define the term vessel I investigate the ways in which it has become profound in my life. In seeking comfort and in searching for an explanation for the process of life and death, I look to the ways in which a vessel can manifest itself, physically, emotionally, mentally, and metaphysically. Memories of life spent on the water and theories and tenets of Tibetan Buddhist Philosophy are sewn together through images of physical vessels and abstract vessel forms. The large-scale intaglio prints incorporate multi-media …
A Matter Of Time, Rebecca Kreisler
A Matter Of Time, Rebecca Kreisler
LSU Master's Theses
We frame our experiences as narratives, and associate the narrative with the book. My work takes the form of an immersive installation of printed, paper polyhedrons that act for me as non-traditional book structures. The planes of the polyhedrons function as pages without prescribing a certain order of events. The focus has been to blur the linear narrative into a body of visual work that represents my particular human experience, one full of memories and dreams, contradictions and juxtapositions, chaos and calm. What began as an objective examination of concepts of time in physics, philosophy, and psychology has developed into …
Inscapes Of Unrequited Belonging, Debangana Banerjee
Inscapes Of Unrequited Belonging, Debangana Banerjee
LSU Master's Theses
This thesis is about my journey through life—memories of the past, experiences of the present and premonitions of the future—and how that journey, through its changing landscapes and human characters, generates images that I call inscapes. My subjects arise from very personal experiences and get fermented in my imagination to project an inner vision. I create deep intimate spaces, transitional moments of conscious and unconscious thoughts using both natural and personal imageries. In this endeavor, dark, solid and earthly colors and robust textures play a big role. I employ printmaking (woodcut), painting (oil on canvas) and poetry to express my …
Building Codes: Mapping Technology And Tradition, James David West
Building Codes: Mapping Technology And Tradition, James David West
LSU Master's Theses
This thesis examines the crossroads between printmaking and digital technology as our culture shifts towards a more digital media focused existence. As technology shifts art-making more and more away from the analog creation process towards a more digitally mediated one, printmaking’s history stands out among other traditional mediums as well suited to embrace the transition whole-heartedly. By using the analogies of the matrix, the map, and the building, this body of work creates a bridge from the historical and time-tested approaches of printmaking towards the future of the art form; a chimera of technology and tradition.
In The Wake: A Louisiana Memoir, Ryan Lindburg
In The Wake: A Louisiana Memoir, Ryan Lindburg
LSU Master's Theses
This thesis project was an exploration of narrative artwork through installation. Throughout the exhibit, I used multi-panel wall pieces, traditionally bound books, and fake walls to create an unbound book for the viewers to walk through. The pathway through the gallery provided my plotline; the works manipulated the pacing of this plot through their size and placement on the wall, with careful attention given to changing perspectives through the height of the hanging, as well as adjusting time by varying the space between the panels. Multiple print mediums were used in an effort to change the tone between pieces. This …
Strange Yarns, Matthew Thomas Bourgeois
Strange Yarns, Matthew Thomas Bourgeois
LSU Master's Theses
I leave a good portion of my art up to chance or my unconscious self, this shows me how closely my prints and drawings relate to the dream world. In dreams most of the physical laws are abandoned, reason and mind are not the dictators of the dream. Dreams have their own logic and are a perfect place to explore a narrative that leaves itself open for the viewer to put any number of meanings into.
On Being There, Donald Lawrence Simmons
On Being There, Donald Lawrence Simmons
LSU Master's Theses
ON BEING THERE is the physical embodiment of an emotional experience. The works are responses to stories told and memories of my two grandfathers, being made of images from their possessions and sketchbooks. The object was to explore the experience of loss and to create a record of that experience. The work is an investigation of the self through the history of my grandfathers’ lives and experiences told in the media of printmaking.
The Orthographic Characters (In No Particular Order), Alison Christina Frank
The Orthographic Characters (In No Particular Order), Alison Christina Frank
LSU Master's Theses
My work focuses on the development of playful and absurd combinations of small creatures that co-exist in a state of odd logic. The creatures share a vulnerable, somewhat fragile, quality, yet are assigned vital force in their existence. This juxtaposition is metaphorical for certain aspects of human existence. The Orthographic Characters is the title of a series of prints and paintings I have created that form a non-linear narrative. Each piece is inspired by the alliteration of one alphabet character. The writings form a bizarre, feverish context for the characters.
Zinnias, Carlyle Wolfe
Zinnias, Carlyle Wolfe
LSU Master's Theses
Impermanence. Quiet. Words. Unfolding. Specificity. Abundance. Pattern. Compilation. Faithfulness. Vulnerability. Obedience. Atmosphere. Begun with a coffee can full of flowers, this work is an exploration of art making, self, and nature.