Arts and Humanities Commons^™

Yaari With Angrez: Whiteness For A New Bollywood Hero, Teresa Hubel

Department of English Publications

This chapter comments on the relative insignificance of whiteness to Hindi film narratives, with white characters turning up, when they do, often as peripheral figures to create the effect of historical accuracy. It argues that in Hindi cinema, whiteness cannot function as it does in the West, where the legacy of imperialism has made it an unmarked category, whose invisibility allows it to function as a norm against which the aberration of racial others may be measured. In Indian films, whiteness is marked; and it is, increasingly, markedly white—to be resisted, or desired, or dismissed.

“Part Of The University Lexicon”: Marketing And Ontario Universities, 1990-2013, Daniel Robinson, Lindsay Carrocci Bolan

FIMS Publications

The authors examine the emergence and consolidation of marketing practices at five Ontario universities, beginning in the early 1990s, with a focus on student recruitment and the articulation and promotion of institutional identity. The five schools represent a cross-section of the university landscape in Ontario. Interviews were conducted with personnel performing communications and marketing-related functions. Institutional records, when available, were consulted, as were internal publications, trade publications, and print media accounts. The authors situate their treatment of this topic within the field of Critical Management Studies (Alvesson & Willmott, 2003) and related works dealing specifically with marketing. Most notably, they …

From Tawa'if To Wife? Making Sense Of Bollywood's Courtesan Genre, Teresa Hubel

Department of English Publications

Introduction:

Although constituting what might be described as only a thimbleful of water in the ocean that is Hindi cinema, the courtesan or tawa'if film is a distinctive Indian genre, one that has no real equivalent in the Western film industry. With Indian and diaspora audiences generally, it has also enjoyed a broad popularity, its music and dance sequences being among the most valued in Hindi film, their specificities often lovingly remembered and reconstructed by fans. Were you, for example, to start singing "Dil Cheez Kya Hai" or "Yeh Kya Hua" especially to a group of north Indians over the …

L'Imaginaire Mémoriel: Détournements De L'Archive, Anthony Purdy, Bertrand Bourgeois

French Studies Publications

No abstract provided.

Desire, Heavenly Bodies, And A Surrealist's Fascination With The Celestial Theatre, John G. Hatch

Visual Arts Publications

In 1922, the German Surrealist artist Max Ernst produced a montage work that included a woman's bare buttocks protruding out of the rings of Saturn. It is, to say the least, an unusual combination of images, but one that addresses some very basic human impulses. Largely, It expresses Ernst's understanding that inscribed upon the night sky are some of our deepest held fears and fantasies. Ernst sought to generate contemporary rephrasings of our mythologizing of the cosmos in a complex and often enigmatic way, drawing on such varied sources as Freudian psychology, late nineteenth-century symbolism, alchemy, and Surrealism. Ultimately, Ernst …

The Science Behind Francesco Borromini's Divine Geometry, John G. Hatch

Visual Arts Publications

No abstract provided.

Harold Innis And 'The Bias Of Communication', Edward Comor

FIMS Publications

Fifty years after his death, Harold Innis remains one of the most widely cited but least understood of communication theorists. This is particularly true in relation to his concept of ‘bias’. This paper reconstructs this concept and places it in the context of Innis’ uniquely non-Marxist dialectical materialist methodology. In so doing, the author emphasizes ongoing debates concerning Innis’ work and demonstrates its utility in relation to contemporary analyses of the Internet and related developments.

Digital Songlines: The Use Of Modern Communication Technology By An Aboriginal Community In Remote Australia, Lydia Buchtmann

Aboriginal Policy Research Consortium International (APRCi)

In the mid-1980s the AUSSAT satellite brought television and radio to remote Australia for the first time. There was concern amongst Aboriginal communities that the imposition of mass media without consultation could result in permanent damage to culture and language. However, over the years, the Warlpiri people have adopted modern communication technology including radio, video making, locally produced television, and more recently on-line services. This paper examines why the Warlpiri have adopted modern communication technology and whether there have been social changes as a result. It also looks at the pioneering media work by the Pitjantjatjara people at Ernabella in …

Machian Epistemology And Its Part In František Kupka's Painterly Cognition Of Reality, John G. Hatch

Visual Arts Publications

A consensus has emerged amongst art historians that portrays the work the Czech painter, František Kupka (1871-1957), as fluctuating between differing styles and never resolving itself into one straightforward and single-minded direction beyond abstraction. Visually this is true, but for Kupka the visual was secondary in that it plays a subsidiary role to the process involved in the creation of the work itself. A failure to properly understand this process has resulted in an inaccurate reading of Kupka's art, essentially missing the point that his paintings embody in their imagery the cognitive process involved in their creation. Significantly, as I …