Arts and Humanities Commons^™

Reading Rent: Interracial Relationships And Racial Hierarchies, Susanna A. Perez-Field

USF Tampa Graduate Theses and Dissertations

In examining the musical Rent by Jonathan Larson (1995) and its film adaptation by Chris Columbus (2005), most scholarly work and analyses have focused on the work’s identity as a queer text. I assert that elements of this musical have been overlooked for its depth of racial and class hierarchies. Utilizing sociological theory and interracial relationships, I will examine characters and musical numbers to explore diversity and class positioning.

I will explore Rent for themes of racial, gender, and sexual identities and how they are presented through the friendships and romantic relationships of the eight principal characters (alphabetically): Angel, Benny, …

Selective Framing And Narrative As Anthropocentric Agents In Yellowstone: America’S Eden, Breanna Lee Hansen

USF Tampa Graduate Theses and Dissertations

Yellowstone: America’s Eden is but one example of nature documentaries tackling the complexities of nature-culture relationships during the age of the Anthropocene. Yellowstone National Park, the first to be named, is a primary example of how our relationship to the natural world developed through conservation and commodification. Yellowstone: America’s Eden demonstrates how film techniques conceal nature as a human construct through selective framing and narrative. By analyzing editing techniques made in the representation of Yellowstone National Park, this thesis bridges anthropocentrism to nature documentaries. Drawing on interdisciplinary research from media studies, environmental humanities, and anthropology, this thesis analyzes the ways …

From Counter-Strike To Counterterrorism: How The Cheater Reconfigures Our Understanding Of Asymmetric Warfare, Enya C. Silva

USF Tampa Graduate Theses and Dissertations

Around the turn of the century, as the United States increased its military presence in the Middle East in what was widely known as the War on Terror, computer games were also rising in popularity. Military inspired narratives and settings are very common in video games, especially in the genre known as the first person shooter – characterized by a single player, first person point of view. Alexander Galloway provides a vocabulary for understanding the video game, and the first person shooter in particular, derived from the framework of game studies. Scholarship around video games usually either seeks to affirm …

Motherhood In The Multiverse: Melodrama And Asian American Identity In Everything, Everywhere, All At Once, Aditya Sudhakaran

USF Tampa Graduate Theses and Dissertations

In what follows, I look to the visual and narrative composition of the multiverse between Everything, Everywhere, All at Once (The Daniels, 2022) and Doctor Strange: Multiverse of Madness (Sam Raimi, 2022) to develop a more precise understanding of the superhero blockbuster as a contemporary expression of sensation melodrama. To do so, I use two depictions of maternity to excavate two very different approaches to the multiverse: one that externalizes social conflict, which it answers with individuated and exculpatory violence, and another that internalizes social conflict, which it answers through collective care. I introduce the blockbuster’s mobilization of the multiverse …

Losing The Streaming Wars: What Netflix Loses In Television Narrative And Participatory Fan Cultures, Annabelle G. Naudin

USF Tampa Graduate Theses and Dissertations

This thesis focuses on the rise of streaming television and subsequent “binge-watching” and its impact on the narrative structure of a series. By looking at shows such as Stranger Things, which pioneered the rise in this new form of television, one can see the shift in narrative structure in comparison to previous long- form television such as LOST. This shift can be seen in the slow disappearance of “game-changer” cliffhangers within episodes that build to a larger implication in a season arc in favor of one longer mystery that stretches throughout the season. In this thesis, I argue that this …

Narrar El Final De Los Tiempos: Misantropía Y Liberación En Dos “Cuentos Atómicos” Del Salvadoreño Álvaro Menen Desleal (1960s), David Díaz Arias

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

El presente artículo analiza una parte de la obra de ciencia ficción del salvadoreño Álvaro Menen Desleal. Para eso, se concentra en uno de los temas que, aunque no dominante, sí es abordado de forma crítica y sagaz por parte de ese autor: el exterminio de la humanidad a partir de una hecatombe nuclear. Así, se estudian dos cuentos publicados por Menen Desleal en 1969 y que forman parte de su premiado texto Una cuerda de nylon y oro y otros cuentos maravillosos. Los cuentos son el que le da nombre a esa antología de relatos y “Hacer el …

Ambient Athleticism: Politicizing Akira’S Accelerationist Olympiad, Thomas G. Chaplin

USF Tampa Graduate Theses and Dissertations

This thesis politicizes Katsuhiro Otomo’s 1988 animated cyberpunk film, Akira, specifically through how it stages its myriad neoliberal crises as opportunities for accelerationist solutions mediated by the Tokyo Olympics. Akira’s display of fully animated and intense action physics produces an aesthetic relation to its own athletes that contracts around their bodies in an attempt to transgress classical and oppressive compositions. Akira’s vague utopic promise receives broad acceptance and affirmation by extant scholarship, often relying on the accelerative impulses found in the works of Gilles Deleuze to substantiate Akira’s hopeful ending. Invoking Gilles Deleuze’s notion of athleticism, this thesis critically rereads …

Critique Beyond Judgment: Exploring Testimony And Truth In The Classroom, Sean Sidky

Genocide Studies and Prevention: An International Journal

This essay offers a set of strategies for utilizing the words of survivors and of witnesses to genocide in the classroom. Including the voices of survivors and victims in our classroom conversations about genocide, its impact, representation, and the possibilities for its prevention is crucial to an ethical and wholistic pedagogy of genocide. Discussion of these events in the classroom often finds us confronting questions from students about truth, historical accuracy, authenticity, and authority. Addressing such questions requires careful framing that takes into account student assumptions and cultural discourses about memory and witnessing, as we work with students to develop …

Cinema Studies: Different Perspectives, Burak Turten

University of South Florida (USF) M3 Publishing

PREFACE

Cinema Studies: Different Perspectives is essential reading for anyone interested in cinema discipline. The singular aim of this edited book of scholarly text is to stimulate and engage readers in the fast-changing, complex, and increasingly interdisciplinary nature of cinema studies, and to serve as a catalyst for future intellectual, academic, and professional-driven research agendas. It is believed that the integration of cinema studies with other disciplines will undoubtedly contribute to the development of the cinema field both in practice and in theory.

Therefore, each chapter of this book, which consists of 9 chapters, focuses on a sub-discipline such as …

Cinema Studies, Burak Turten

University of South Florida (USF) M3 Publishing

PREFACE

Cinema Studies is a comprehensive book that, is hoped, will provide students and researchers with film studies and other persons interested in cinema with a useful reference book on film analysis and, where relevant, the different discussions surrounding that. The contributors analyze some films using ideas and concerns from modernism, cinematographic narrative, ideology, propaganda, migration, nomadism, and the sense of revenge. The book provides new insights into films and turns the discussion towards recent research questions and analyses, representing and constituting in each contribution new work in the discipline of film text analysis.

Therefore, each chapter of this book, …

Digital Realness: Queer Intimacy In Contrapoints, William S. Beaman

USF Tampa Graduate Theses and Dissertations

Digital media comprises a diverse ecology of creative genres, institutions, communities,platforms, and entrepreneurial businesses. Yet despite its practical association with variegated social forms, digital mediation as such is often theorized as a logic of homogenization, problematically obscuring its heterogeneously contested character. This article reconceives mediation as an irreducibly multi-scalar and heterogeneous infrastructure, recasting online activity as contested participation in wider social contexts. I am contributing to a counter tendency in media studies that methodologically treats digital forms as polysemic, ambiguous and contested, rather than necessarily homogenizing, in the context of specific cases. Drawing out the theoretical implications of this methodology …

Visions Of Entanglement And Escape: In-Visible Voice In The Films Of Terrence Malick And George Lucas, Michael Lee Taber

USF Tampa Graduate Theses and Dissertations

This thesis juxtaposes the unexpectedly parallel careers of the filmmakers George Lucas and Terrence Malick. Both popularly and academically, Lucas and Malick are typically conceived as divergent practitioners and are framed in oppositional terms. The goal of this thesis is – in part – to break down this oppositional understanding of Lucas and Malick as filmmakers. This traditional understanding of Malick and Lucas collapses when we consider their respective relationships to sensation and abstraction. Affirmations of sensation and Malick abound, as do critiques of abstraction and Lucas – all the while it is Malick who is aligned with abstraction and …

An Exercise In Exceptions: Personhood, Divergency, And Ableism In The Star Trek Franchise, Jessica A. Blackman

USF Tampa Graduate Theses and Dissertations

In 1987, more than two decades after Star Trek: The Original Series aired on television for the first time, the Enterprise returned to delight audiences with an all-new crew in Star Trek: The Next Generation. With the new generation came new issues and adventures for the crew and the audience to explore, and the popularity of the show lead to the production of three successful spin-offs. These four new shows in the Star Trek franchise dealt with more complex plots and commentaries than the original series before them; three characters in particular – Lt. Commander Data, Dr. Julian Bashir, and …

Restarting Plural Modernity: The Lyrical Tradition Of The Hometown In Kaili Blues, Huadong Fan

USF Tampa Graduate Theses and Dissertations

The dichotomous paradigm constituted by the realist tradition of Chinese cinema has become the epic and inertial discourse for understanding Chinese modernity. However, I argue that some new filmmakers after the sixth generation of directors have used the narrative and aesthetics of the hometown to change this dominant logic of Chinese modernity. The revolutions and wars of the twentieth century transformed the hometown from a relatively stable agrarian civilization to a modern society in violent turmoil. Recent hometown films are no longer satisfied with this realist aesthetic duality and strive for a pluralistic discourse of Chinese modernity, releasing it from …

Montage Music Videos: Racial Utopianism Vs. Abstract Cowboys And The Question Of Cultural Montage, Alan E. Blanchard

USF Tampa Graduate Theses and Dissertations

Along with the explosion of consumer goods in America over the past century came the human impulse to alter these objects to produce new meanings the manufacturers never intended: commercial products become amateur artists’ raw material. We see this with custom cars and the curious blending of clothes. Inevitably, digital commercial products, like music videos, would undergo a similar treatment as seen in DJ Cummerbund’s “mashup” videos “Old Staind Road” and “Blurry in the USA” where he is painting with audio tracks and sculpting with video clips to create new digital art with new meanings uncoupled from industry’s original intent …

The Value Of Sleep: Aura And Aesthetics Of Cohabitation In Juha Lilja's Revision Of Warhol, Christopher Costabile

USF Tampa Graduate Theses and Dissertations

This thesis positions Juha Lilja’s 2013 digital video work, Sleep, as a prime example of what the author terms an “aesthetics of cohabitation” — a newly suggested method of artistic creation set in opposition to capitalist society’s commodification of both space and time, represented here through the work of Robert Hassan and Jonathan Crary. Lilja’s eight-hour-long video work, which is accessible on YouTube, is a reimagining and re-envisioning of Andy Warhol’s film of the same name. It subverts the intended function of digital streaming platforms while using digital technology to meet aesthetic criteria in shot length and overall duration, which …

Four Hollywood Film Adaptations Of Little Women: Identifying Female Subjectivity In Characters, Plots, And Authorship, Haiyu Wang

USF Tampa Graduate Theses and Dissertations

My thesis examines the expressions of the limits and possibilities of female subjectivity in the four Hollywood film adaptations of Little Women, filmed in 1933, 1949, 1994, and 2019 respectively, by combining textual and audience analysis with adaptation theory, feminist film theory, and feminist adaptation theory. In exploring the disparate femininity of female characters, the different representations of plots, and the authorship and changes of structure, I argue that the 1933 and 1949 versions present evidently conservative and patriarchal characteristics in the text, but their female subjectivity can be obtained through the complexity of emotion of the female audience …

Threatened By The Outback: Landscape And Ecology In The Australian New Wave, Richard T. Dyer

USF Tampa Graduate Theses and Dissertations

Scholarship discussing the Australian outback as a cinematic setting often conceives of this space as sharing a “frontier iconography” with the American west. A significant element of this conception is attributed to the natural features of these setting’s respective landscapes, which are said to share an arid climate, rugged geologic formations, and vast open spaces. In this project I instead strive to challenge the associations frequently conjured between these natural spaces by identifying an ecological stance within the Australian “new wave” outback film that is at odds with the presentation of the landscape in both classical Hollywood westerns and the …

Cambodian Family Albums: Tian's "L'Année Du Lièvre", Angelica P. So

Genocide Studies and Prevention: An International Journal

This article explores how Franco-Cambodian cartoonist Tian’s graphic novel, L’année du lièvre [Year of the Rabbit], represents second-generation postmemory in the form of, what I call, a “Cambodian family album,” or a personal-collective archive. The album serves to convey to subsequent generations: 1) the history of the Cambodian genocide, 2) the collective memories of pre-1975 Cambodia preceding the Khmer Rouge takeover of Phnom Penh, and 3) the Cambodian humanitarian crisis and exodus of the 1970s-1990s. The conceptualization of the family album is derived from the literal translation, from Khmer into English, of the term “photo album” – “book designated for …

Rose-Colored Genocide: Hollywood, Harmonizing Narratives, And The Cinematic Legacy Of Anne Frank’S Diary In The United States, Nora Nunn

Genocide Studies and Prevention: An International Journal

Drawing from literary and cultural studies, this paper situates U.S. adaptations of Anne Frank’s diary in the 1950s within a lineage of other films about historical genocide, including Schindler’s List, Hotel Rwanda, and The Killing Fields. Analysis of these narrative adaptations matters because it helps us better understand the danger of what critic Dominick LaCapra calls “harmonizing narratives,” or stories that provide the viewer with an “unwarranted sense of spiritual uplift” (14). Tracing the metamorphosis of Frank’s own diary from play to film adaptation, this article builds on existing scholarship to focus on how, in the wake …

Horror’S Aesthetic Exchange: Immersion, Abstraction And Annihilation, Ashley Morgan Steinbach

USF Tampa Graduate Theses and Dissertations

This thesis uncovers a remote entanglement of phenomenological experience and abstract aesthetics in postmodern horror, a space that historically celebrates the former and critically undervalues the latter. Framed as a case study, I mobilize close readings of Alex Garland’s science fiction horror film, Annihilation (2018), to complicate the immersion/abstraction binary that implicitly structures much of contemporary horror scholarship. By recovering horror’s distanced and decentered forms and aesthetics I point to the interdependent faculty of a composite aesthetic collaboration.

These collaborations, which I refer to as aesthetic exchanges, place pressure on the localized emphasis of horror’s situated assaultive and reactive positions. …

Recurring Scream: Trauma In Wes Craven's Slasher, Ben Muntananuchat

USF Tampa Graduate Theses and Dissertations

This thesis investigates trauma representation in the horror film trilogy Scream, by director Wes Craven and based on the story and characters by screenwriter Kevin Williamson. The franchise is a satirical body of work that uproots the formulaic narrative aspects of the slasher film subgenre, of which it belongs to. Craven and Williamson’s method of critiquing the subgenre employs the usage of its cinematic tropes, though elevating them to a level of postmodern parody. I analyze traumatic representation within the franchise’s layers of mediation and postmodern narrative elements, which are often highlighted in academic discussion. The trauma observed revolves around …

Redefining Representations Of Trauma & Modes Of Witnessing In Damon Lindelof’S The Leftovers, Mariana Delgado

USF Tampa Graduate Theses and Dissertations

This project aims to better understand how and why traumatized subjectivity is framed by The Leftovers’ fictional narrative in a visual and sonic form that rejects these modes of representations of trauma that they themselves have become conventional tropes. This thesis proposes to further examine the way the moving image, specifically the televised image, contributes to our perceived notions of trauma aesthetics through The Leftovers’ use of monologues, along with how and why suffering is sonically framed by the exchange of silence and Max Richter’s minimalist score.

Modernist aesthetics have become the disruptive expectations of contemporary Western cinematic audiences as …

Lost Without A Connection: Analyzing Netflix's Maniac In The Digital Streaming Age, Eric Bruce

USF Tampa Graduate Theses and Dissertations

With the emergence and rise in popularity of streaming services such as Netflix or Hulu, the way in which audiences view and interact with media, as well as each other, has changed drastically. The move to digital streaming impacts how audiences everywhere experience and expect immediacy in media, connecting deeper with what they watch. Along with this transition in spectatorship comes a shift in visual aesthetics, a trend that can be seen across various digitally-streamed series. This thesis serves to address what this transition is and how it affects the cultural landscape of the digital age, continuing the conversation of …

How Audiovisual Composition Reveals Gendered Limitations And Possibilities In Lady Bird In The Wake Of #Metoo, Chandler Micah Reeder

USF Tampa Graduate Theses and Dissertations

This thesis focuses on the film Lady Bird and the historical coincidence of its release one month after the online movement #MeToo began. By giving frame and sound equal importance in my analysis of the film, rather than opposing these elements, I emphasize audiovisual composition and reveal the mutual dependence within what are considered traditional divisions of theory in cinema. These oppositions relate to control and escape, as they are portrayed through the mother and daughter characters, Marion and Lady Bird, as well as through image and sonic elements. My work demonstrates how the audiovisual composition of the film mediates …

Film Review: Radical Evil, Raya Morag

Genocide Studies and Prevention: An International Journal

No abstract provided.

Film Review: Operation Finale, Melanie O'Brien

Genocide Studies and Prevention: An International Journal

In 1960, the Israeli intelligence agency, Mossad, undertook an operation in Argentina to capture the architect of the Final Solution, Adolf Eichmann, and bring him to Israel to stand trial. Operation Finale [Chris Weitz, 2018] tells the story of this intelligence operation: the actions of and challenges for the agents involved, in a way that captures the banality of Eichmann’s personality before it was put on show for the world to see in his televised trial. Operation Finale is available on Netflix, rendering it a Holocaust film with an extraordinarily large reach.

An Ecology Of Care: Training In Dependence And Caretaking In The Witcher 3: Wild Hunt, Elizabeth Rossbach

USF Tampa Graduate Theses and Dissertations

This project investigates the popular open-world fantasy RPG, The Witcher 3: Wild Hunt (CD Projekt RED 2015) and the ways in which the Witcher 3 brings questions of care and dependence to a digital medium so often thought of in terms of violence and/or mastery. Much of the previous discourse on video games, particularly role-playing games, has tended to center on violence and what this might mean for players behavior or the potential real world effects of this violence. Departing from a focus on violence I argue that the Witcher 3, reveals the potentials of open-world RPG video games to …

Plasticity In Animated Children’S Cartoons: The Neoliberal Transforming Bodies And Static Worlds Of Ok Ko And Gumball, Rachel E. Cox

USF Tampa Graduate Theses and Dissertations

Through the study of OK KO! Let’s Be Heroes! and The Amazing World of Gumball, I argue that children’s cartoons represent and recreate anxieties toward money’s plasticity in the plasticity of the cartoon bodies and worlds. I closely examine the ambivalence towards abstraction’s plasticity in contemporary children’s cartoons to trace the neoliberal ambivalence towards money’s plasticity. While much scholarship has grappled with what can be understood as animatic plasticity, very little of it takes on the questions raised about neoliberal culture by televised children’s cartoons. Cartoons are important to study in this respect because their form allows for unbridled plasticity. …

Book Review: Death, Image, Memory: The Genocide In Rwanda And Its Aftermath In Photography And Documentary Film, Scott Ahearn

Genocide Studies and Prevention: An International Journal

As Rwanda marks the twenty-fifth anniversary of the genocide this spring, Piotr Cieplak’s book, Death, Image, Memory: The Genocide in Rwanda and its Aftermath in Photography and Documentation, is timely as an exploration of the documentary imagery developed since 1994 and its “uncomfortable coexistence with the genocide and its aftermath.” His book looks at still and video images from Westerners and Rwandans alike, and examines the ways in which these images succeed or fall short in bringing identity and remembrance to the victims of the genocide.