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Film and Media Studies

Selected Works

2003

Articles 1 - 8 of 8

Full-Text Articles in Arts and Humanities

Plurality Of Discourses In Euripides' Ion: Euripides As Thinker And Dramatist (In Greek With English Summary), Katerina Zacharia Feb 2003

Plurality Of Discourses In Euripides' Ion: Euripides As Thinker And Dramatist (In Greek With English Summary), Katerina Zacharia

Katerina Zacharia

No abstract provided.

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Review Of 'If Nobody Speaks Of Remarkable Things' (2002) By Jon Mcgregor, Vaughan S. Roberts Jan 2003

Review Of 'If Nobody Speaks Of Remarkable Things' (2002) By Jon Mcgregor, Vaughan S. Roberts

Vaughan S Roberts

No abstract provided.

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The Language Of Music: A Brief Analysis Of Vertigo, Kathryn Kalinak Dec 2002

The Language Of Music: A Brief Analysis Of Vertigo, Kathryn Kalinak

Kathryn M Kalinak

No abstract provided.

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"High Concept, Small Screen: Reperceiving The Industrial And Stylistic Origins Of The American, Gary R. Edgerton Dec 2002

"High Concept, Small Screen: Reperceiving The Industrial And Stylistic Origins Of The American, Gary R. Edgerton

Gary R. Edgerton

No abstract provided.

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"Aunt Em: Hate You! Hate Kansas! Taking The Dog. Dorothy": Conscious And Unconscious Desire In The Wizard Of Oz, Todd S. Gilman Dec 2002

"Aunt Em: Hate You! Hate Kansas! Taking The Dog. Dorothy": Conscious And Unconscious Desire In The Wizard Of Oz, Todd S. Gilman

Todd Gilman

A psychoanalytic reading of Dorothy's conscious and unconscious desires in Victor Fleming's 1939 film, The Wizard of Oz.

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Spectateurs Combattants. La Réception Du Cinéma Japonais Dans La Sphère De Coprospérité De La Grande Asie Orientale, Aaron Gerow Dec 2002

Spectateurs Combattants. La Réception Du Cinéma Japonais Dans La Sphère De Coprospérité De La Grande Asie Orientale, Aaron Gerow

Aaron Gerow

La remarque de Paul Virilio selon laquelle « la guerre est le cinéma, le cinéma est la guerre » portait avec raison non seulement sur la relation entre la guerre et le contenu du cinéma, mais également sur la similitude entre la guerre et 1 appareil cinématographique lui-même. Néanmoins, un tel raisonnment a eu tendance à insister davantage sur l'appareil lui-même que sur le rôle des spectateurs dans la relation du film à la guerre. Cet article montre justement qu'en fait, durant la Deuxième Guerre mondiale, le monde cinématographique japonais considérait comme essentielle la participation du public dans le déroulement …

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From The National Gaze To Multiple Gazes: Representations Of Okinawa In Recent Japanese Cinema, Aaron Gerow Dec 2002

From The National Gaze To Multiple Gazes: Representations Of Okinawa In Recent Japanese Cinema, Aaron Gerow

Aaron Gerow

Investigates how Japanese cinema has represented the people and islands of Okinawa. Analyses a range of films from Sayonara Nippon and Free and Easy 11, to works by Sai Yoichi, Kitano Takeshi, and Takamine Go.

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Sophocles And The West: The Evidence Of The Fragments, Katerina Zacharia Dec 2002

Sophocles And The West: The Evidence Of The Fragments, Katerina Zacharia

Katerina Zacharia

No abstract provided.

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