Arts and Humanities Commons^™

The Media War On Terrorism, Philip Hammond

Philip Hammond

No abstract provided.

Présence Francophone, Numéro 61 (2003)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Front Matter And Table Of Contents (V. 61)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Parties Annexes

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

The Celluloid Stage Series Continues With: Throne Of Blood, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Moore Hall III

The Celluloid Stage Series Continues With: Throne of Blood

Wednesday, November 19, 2003, 7pm

The Celluloid Stage Series: Four Films Adapted From Stage Plays - Who's Afraid Of Virginia Woolf, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Moore Hall III

The Celluloid Stage Series: Four Films Adapted From Stage Plays - Who's Afraid of Virginia Woolf

October 22, 2003, 7pm

Fall 2003, 909 Wmpg Fm

WMPG Program Guides

Fall 2003

The Celluloid Stage Series: Four Films Adapted From Stage Plays, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

The Celluloid Stage Series: Four Films Adapted From Stage Plays

Who's Afraid of Virginia Woolf (1966), directed by Mike Nichols

October 22, 2003

Throne of Blood (1961), directed by Akira Kurosawa

November 19, 20203

Emperor Jones (1933), directed by Dudley Murphy

February 18, 2004

Little Foxes, (1941), directed by William Wyler

March 24, 2004

Pynchon In Popular Magazines, John K. Young

English Faculty Research

Any devoted Pynchon reader knows that “The Secret Integration” originally appeared in The Saturday Evening Post and that portions of The Crying of Lot 49 were first serialized in Esquire and Cavalier. But few readers stop to ask what it meant for Pynchon, already a reclusive figure, to publish in these popular magazines during the mid-1960s, or how we might understand these texts today after taking into account their original sites of publication. “The Secret Integration” in the Post or the excerpt of Lot 49 in Esquire produce different meanings in these different contexts, meanings that disappear when reading …

Teaching Tv Production In A Digital World (Book Review), Paul Kauppila

Faculty and Staff Publications

No abstract provided.

Front Matter And Table Of Contents (V.60)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

De L’Aliénation À La Libération, Alexie Tcheuyap

Présence Francophone: Revue internationale de langue et de littérature

This essay addresses the issue of education in pre and post-colonial Africa. It examines the ideological discourses, challenges and consequences associated with the adoption of western education in African countries. Based on novels and films, some of which are set in universities, the article analyses the effects of violence and irrelevant syllabi on African education, and argues that in order for knowledge to serve as a tool for real liberation, it has to be relevant to the social environment. It contends further that, paradoxically, even colonial education can contribute towards the liberation of Africans from some problematic aspects of their …

Parties Annexes

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Surreal And Canny Selves: Photographic Figures In Claude Cahun , Gayle Zachmann

Studies in 20th & 21st Century Literature

In her 1975 essay, Le Rire de la méduse, Hélène Cixous enthusiastically announced that it was high time for women to enter into discourse. A full half-century earlier, Claude Cahun (1894-1954), a powerful writer and a haunting photographer and artist, was already inscribing herself, Woman, and a woman's voice in visual and verbal self-portraits, photomontages, prose texts, poetry, and aesthetic and political treatises. Cahun's uncanny interventions in both verbal and visual discourse cannily interrogate conventions of literary and pictorial representation and the constructions of self, gender and culture that they exhibit. Insistently asking readers and spectators, "What's wrong with …

Selected Definitions For Work In Communication And Media Studies & Selected Bibliography Of Publications In Comparative Media Studies, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Review Of "Horse Opera: The Strange History Of The 1930s Singing Cowboy" By P. Stanfield, Mike Allen

SIAS Faculty Publications

No abstract provided.

Review Of Jane Austen On Film And Television: A Critical Study Of The Adaptations, Lynda A. Hall

English Faculty Articles and Research

A review of Jane Austen on Film and Television: A Critical Study of the Adaptations by Sue Parrll.

Plurality Of Discourses In Euripides' Ion: Euripides As Thinker And Dramatist (In Greek With English Summary), Katerina Zacharia

Katerina Zacharia

No abstract provided.

[Review Of] The Baseball Filmography, 1915 Through 2001, Robert A. Aken

Library Faculty and Staff Publications

No abstract provided.

Review Of 'If Nobody Speaks Of Remarkable Things' (2002) By Jon Mcgregor, Vaughan S. Roberts

Vaughan S Roberts

No abstract provided.

Media, Message And Meaning: The "Queer As...What?" Symposium, Andrew Ingall

Center for LGBTQ Studies (CLAGS)

On October 11, scholars, journalists, media watch activists, and community intellectuals examined depictions and productions of LCTBQ people in television, the World Wide Web, and print journalism at a CLAGS symposium with the wily title, "Queer as . . . What?"

Winter/Spring 2003, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

High Concept, Small Screen: Reperceiving The Industrial And Stylistic Origins Of The American Made-For-Tv Movie, Gary Edgerton

Scholarship and Professional Work - Communication

Gary Edgerton's contribution to "Hilmes, Michele. Connections: A Broadcast History Reader. Belmont, CA: Thomson/Wadsworth, 2003".

No Woman Is An Object: Realizing The Feminist Collaborative Video, Alexandra Juhasz

Publications and Research

Feminist video does collectivity exceedingly well. Certainly other politicized cultural movements and individuals work through this method, and, of course, feminists also produce work in collaboration in film and other media (as Julia Lesage testifies above). However, I assert that there is a profound natural mechanics to women's work in video that makes the medium's method, theory, and theme the interactive and politicized subjectification of the female sex. Film and patriarchy share the project of women's objectification-they make victims. Video and feminism see women as complex, worthy selves-they produce subjects. In feminist collaboration: video, the medium (inexpensive, debased, nonprofessional), the …

Bazin On Early Fellini: Three Original Reviews, Bert Cardullo

The Kentucky Review

No abstract provided.

Teaching Tv Production In A Digital World (Book Review), Paul Kauppila

Paul Kauppila

No abstract provided.

Content And Meaning In Abstract Animation, Pamela Turner

Kinetic Imaging Publications and Presentations

Talking about the content and meaning of abstract animation, for the practitioner or enthusiast, is like discussing why one eats chocolate or why we stand at the edge of the ocean, experiencing the sensation of the sand being sucked out from under our feet by the pull of the receding wave. Or why listening to a beautiful adagio can create such a stirring response. These experiences stand for themselves and need no explanation.

For the uninitiated, or the viewer who has little to no encounter with abstract animation, however, these moving images can be initially disconcerting and hard to understand. …

Documentaries: Both Informing And Entertaining New Zealanders, William De Friez, Veronica Mccarthy, Laurence Weinstein

New England Journal of Entrepreneurship

Interview by Laurence Weinstein of William De Friez and Veronica McCarthy, owners of Raconteur Productions in New Zealand.

William (“Bill”) De Friez and Veronica (“Ronni”) McCarthy own and operate Raconteur Film and Television Productions located in downtown Christchurch. Bill serves as part-time director; his full-time position is faculty lecturer in the Film Department of the University of Canterbury. Ronni is the full-time producer for their small business operation that completes an average of three documentaries per year as well as a network children’s series and other special projects. She won the prestigious Winston Churchill Fellowship in 1995 to study children’s …

"A Race Of Devils": Frankenstein, Dracula And Science Fiction, Robert James Frost

Journal of Dracula Studies

No abstract provided.

The Journey Of The Damned Coffin, Jordi Ardanuy, Luis Romero

Journal of Dracula Studies

No abstract provided.