Arts and Humanities Commons^™

The Profits Of (The Critique Of) Patriarchy: On Toxic Masculinity, Feminism, & Corporate Capitalism In The Barbie Movie, Bryant W. Sculos

Class, Race and Corporate Power

This article explicates the political, social, economic, and cultural contribution of Barbie (2023). Through a critical and normative analysis of four different prominent reviews of the film, this essay explores the quality of discourse surrounding Barbie, with particular emphasis on its feminist critique of toxic masculinity and lack of a coherent criticism of capitalism.

Apple “Porn” 2.0: Apple’S Vision (Pro), Suzanne E. Ferriss

Class, Race and Corporate Power

This article extends the argument made in “Apple ‘Porn’: Design Videos as Seduction and Exploitation” (Ferriss 2018) to consider the corporation’s filmed representation of its newest device: an augmented reality headset dubbed Vision Pro. It argues that Apple’s latest narratives further relegate human work and community to the margins by presenting human experience as thoroughly mediated by computer-enhanced simulation, its pinnacle achieved through its Apple Vision Pro headset that turns the home and workspace into one immersive audiovisual world. Rather than its devices and software becoming an inseparable part of our personal and shared spaces, they become the spaces. We …

Banshees Of Late Capitalism: War, Ecology, & Alienation, Bryant W. Sculos

Class, Race and Corporate Power

This review essay explores the concepts of war, ecology/human-nonhuman relations, and alienation through a critical analysis of McDonagh's The Banshees of Inisherin (2022).

Imagining Costumbrismo: Connecting Image And Text In Nineteenth-Century Colombian Cuadros De Costumbres, María Sol Echarren

FIU Electronic Theses and Dissertations

Influenced by nineteenth-century scientific trends, Costumbrismo was a literary and artistic genre combining aspects of Romanticism and Realism and presenting traditional customs of autochthonous daily life. Nineteenth-century cuadros de costumbres, or “sketches of manners,” often used local color to depict national scenes, regional types, and cultural traditions. The cuadros, comprised of short but illustrative writings published as periodical pamphlets, contained visually charged descriptive language infused with a didactic objective in order to shape readers’ perspectives about the nation and present specific sociopolitical philosophies.

This dissertation analyzes the connections between literature and art through the written cuadros de costumbres …

Eat The Rich: Anti-Capitalist Thought In The Horror Film, Lyana A. Rodriguez

FIU Electronic Theses and Dissertations

As horror films once again gain popular and critical praise, horror film scholarship continues to expand in analyses of these films through the lens of now-prominent theoretical frames like intersectional theory, critical race theory, and fourth wave feminist theory. However, many analyses miss a class component. Therefore, this article demonstrates that a significant anti-capitalist history exists in horror film, that analysis of anticapitalist themes in these horror films is essential to a complete understanding of American genre film as an art form, and that these anti-capitalist themes can be important in the overall work of radicalization and consciousness-raising. I will …

Why Scorsese Is Right About Corporate Power, James Mcmahon

Class, Race and Corporate Power

This is a lightly edited compilation of a two-part series originally published by Notes on Cinema in June and July, 2021. It has been re-published here with permission of the author.

Our thanks to Notes on Cinema and James McMahon.

Hasta Que La Muerte Los Separe: La Representación De La Violencia Machista En La Literatura Y El Cine Hispánicos Contemporáneos, Anna M. Martija Perez

FIU Electronic Theses and Dissertations

Violence against women is a worldwide social problem that is far from being eradicated. Sociologists and psychologists have studied this complex issue rooted in the unbalanced distribution of power between the sexes and writers have portrayed it in their works since the Middle Ages to present. This dissertation provides a comparative study of recent representations of male violence in fictional and non-fictional works produced in different Hispanic countries. The works analyzed include: Icíar Bollaín´s film Te doy mis ojos (2003); recent documentaries such as Home Truth (2017) and Las tres muertes de Maricela Escobedo (2021); shortfilms like Disonancia (2005) and …

Celluloid Subversion: A Queer Reading Of 1980s Teen Slasher Cinema, Yates Diaz

FIU Electronic Theses and Dissertations

“Celluloid Subversion” examines the slasher film genre, specifically how it came to prominence in the early 1980s at the dawn of Ronald Reagan and the New Right’s takeover of American political and social life. With its violence against women and individuals who engage in allegedly immoral acts, the genre is commonly perceived as a cinematic representation of patriarchal values writ large on screen. However, its propensity for challenging gender norms and its adherence to tropes such as that of the Final Girl – where a woman survives the killer’s carnage before defeating him – imbue it with subversively queer qualities …

Criticizing Past And Modern Ideology Through Twisted Comedy Series: A Case Of "Comrade Detective", Damian Winczewski, Slawomir Czapnik

Class, Race and Corporate Power

The objective of the paper is to solve the interpretative controversies around Comrade Detective, one of the most original TV entertainment productions of the recent years. This production is a pastiche of American buddy police films. The plot refers to the reality of the socialist Romania in the 1980s and presents in a satirical way the local militia’s fight against the American threat. We have attempted to prove that its not only deriding the reality of the political system, but the series constitutes also a satire on American propaganda films. Although the humour in the series seems vulgar and …

Humanizing Scholarship: Going Public Via Multimodality, Mario L. Avalos

FIU Electronic Theses and Dissertations

“Humanizing Scholarship” offers a look into the ways that multimodality can be used to make the scholarly conversations had within the academy more accessible to members of the public. This thesis acknowledges and echoes the responsibility academics have to bridging the gap between their research and the people who so often serve as the basis for the ethnographic work being done in academia. My project does two things: First, it brings together some of the conversations surrounding multimodality and public scholarship. Second, it offers some first-hand models of multimodal compositions—the short films Don Armando and The Adjunct, and the screenplay …

Fronteras Hispánicas: Identidades Fronterizas Y Diálogo Intercultural En La Literatura Y El Cine Contemporáneos, Claudia Battistel

FIU Electronic Theses and Dissertations

Border-crossings —both geographical and metaphorical— are a fertile territory for critical and fictional discourses that explore the forging of gendered personal, social, and cultural identities. The notion of the border becomes a political, material, discursive or symbolic limit, a space of conflict, resistance and negotiation, where power relations are articulated. In this dissertation I analyze the following border-crossing narratives and films: The House on Mango Street, by Sandra Cisneros; Jo també soc catalana and El último patriarca, by Najat El Hatchmi; Retorno a Hansala, by Chus Gutiérrez, and Sin dejar huella, by María Novaro. My study …

Intermedialidad En El Documental Cubano Contemporáneo, Esteban Alfonso Lopez

FIU Electronic Theses and Dissertations

Cuban documentaries, which have experienced dramatic changes in the last two decades, are now more in tune with the most recent global trends in cinema. However, the scarce implementation within the documentary genre of other perspectives and modes of analysis, outside those that are purely cinematographic, has stalled investigations in the field, thus creating a disengagement with the structural and thematic renovation that has been taking place within the discourse of contemporary Cuban documentaries.

My dissertation “Intermedialidad en el documental cubano contemporáneo” examines a select sample of representative texts and Cuban documentaries, with a view to adapting and/or developing an …

Much Ado About Contemporary Women: Gender Adapted In Contemporary Settings, Jessica C. Valdes

FIU Electronic Theses and Dissertations

Shakespeare’s Much Ado About Nothing has been reproduced multiple times in a contemporary context. This thesis focuses on two key productions, BBC’s ShakespeaRe-Told televised adaptation and Joss Whedon’s 2013 film and examines how these productions translate the gender themes in the play to a contemporary setting. To study translations of gender, this thesis is focused on the adaptations of Beatrice and Hero, two major female characters of the play. The comparison of these adaptations is accomplished through analyzing the pieces and reviewing existing work. While there are some important differences between the adaptations, the major problems Beatrice and Hero are …

Mirror, Mirror: Disrupting Cinema In "Cléo From 5 To 7" (1962) And "A Girl Walks Home Alone At Night" (2014), Stephanie M. Janania

FIU Electronic Theses and Dissertations

“Mirror, Mirror” deconstructs the concept of mirror-like cinema: a cinema that relies on realistic elements and seamless editing for viewers to identify with. Mirror-like cinema dominates mainstream films creating a mirror and a reflection where women can be marginalized and objectified. Through the women directed films “Cléo from 5 to 7” (1962) and “A Girl Walks Home Alone at Night” (2014) identification with the cinematic reflection is challenged. Both films seemingly show Jacque Lacan’s concept of the mirror stage, but disrupt the reflection through their editing, mise en scène, and the actions of their women protagonists. These disruptions exemplify the …

Parental Absence In Modern Narratives, Mario Avalos

Undergraduate Research at FIU (URFIU) Conference

The protagonists of most fictional stories are characters whose origins often involve traumatic events that either lead to them wanting to do good in the world or wondering what their purpose really is. In many cases, this event is often something closely related to the central character’s parents. This “parental absence” can and generally does become a defining trait of the protagonist as they progress through life and, more evidently, through the immediate narrative. Considering the prevalence of this trope in television, film, literature, and other popular media, it is important to identify the recurring conflicts characters undergoing “parental absence” …

Sorry To Bother You With Twelve Theses On Boots Riley’S "Sorry To Bother You": Lessons For The Left, Bryant W. Sculos

Class, Race and Corporate Power

As one of the most overtly anticapitalist major motion pictures to be released in recent times (perhaps ever), Boots Riley’s Sorry to Bother You (2018) offers many crucial lessons for today’s Left. This essay provides short, open-ended discussions on twelve of those lessons.

Easy Riders Lost In America: Marx, Mobility And The Hollywood Road Movie, Steven E. Alford

Class, Race and Corporate Power

The movement of people and settlement of the American west has been psychologically and sociologically represented as engendered by a sense of Manifest Destiny. Yet, the western migration was fueled by capitalist corporations seeking profit by exploiting international markets for goods through extractive practices (principally animal pelts, fish, and lumber): the Hudson's Bay Company, the North West Company, and millionaire American capitalist John Jacob Astor. The economic foundations of settlement have, however, been erased in cinematic representations of this history, replaced first by the Hollywood Western and its myth of frontier individuality, and subsequently by the Hollywood road movie, concerned …

The Empathy Of Immersion: An Exploration Of Battlefield 1 Through The Lense Of Empathetic Virtual Reality, Katelynn N. Gonzalez

FIU Electronic Theses and Dissertations

This thesis examines two works from different mediums, the short story “How to Tell a True War Story” by Tim O’Brien and the video game Battlefield 1, to compare how each constructs empathy using virtual reality and mimetic communication between audience and the work. The thesis draws from both digital media studies and affect theory to construct a nuanced view of how empathy functions in the works. The body responds to empathy physically. As social creatures, humans feel the emotions of those around them, even if those around them are virtually constructed. In other words, the thesis will explore how …

Queering The Clown Prince Of Crime: A Look At Queer Stereotypes As Signifiers In Dc Comics’ The Joker, Zina Hutton

FIU Electronic Theses and Dissertations

The goal of this thesis is to explore the way heterosexism and homophobia are present in the coding that has created an implied and monstrous queer identity for the Joker, present in many versions of the character over the past forty years. Through close readings of several of the Joker’s most iconic appearances, queer theory texts, and analytical essays on pop culture, this paper will analyze the use of queer signifiers present in the comics and the way that these portrayals of the Joker are rife with harmful and heterocentric perceptions of what comic creators have seen as necessary signifiers …

For Those About To Rock: Gender Codes In The Rock Music Video Games Rock Band And Rocksmith, Elisa M. Melendez

FIU Electronic Theses and Dissertations

This dissertation explores gender codes within the intersection of two American pop culture staples, video games and rock music, by conducting a feminist analysis of two video games (Rock Band and Rocksmith). Both video games and rock music have had their share of feminist academic critique: Musicologists point out how lack of canonical inclusion, gendered attitudes towards instruments, and messages from supporting media create an unwelcome environment for women to pursue a rock music career. Game studies scholars have examined similar attitudes, including a lack of women represented in both the video games and the studios that create them.

Through …

Kill Your Darlings: The Afterlives Of Pepe The Frog, Sherlock Holmes, And Jim Crow, Allison E. Sardinas

FIU Electronic Theses and Dissertations

This thesis works to establish a literary theory and cultural studies as a theoretical lens with which we can view harmful emerging pop culture phenomena like the so-called alt right. The premise is supposed in three parts, with the first being a simple introduction to the Pepe character and how he is grounded in literary studies through a comparison of Sherlock Holmes and his early fandom. The second part is a survey of the legacy of Jim Crow and I present the evidence that Pepe is very much Crow’s spiritual successor in their shared preoccupation with white anxiety. The third …

We Are The Beast: On Toxic Masculinity And Social Responsibility In Disney’S Beauty And The Beast, Bryant W. Sculos

Class, Race and Corporate Power

This essay reflects on how Disney's (1991) animated classic Beauty and the Beast and the (2017) live-action remake differentially treat social responsibility, with respect to the various side characters and communities represented, for the toxic masculinity exhibited by its most prominent male characters, Gaston and the Beast. Furthermore, this essay uses Beauty and the Beast as a heuristic to understand the relationship between social responsibility, toxic masculinity, contemporary capitalism, and radical political and economic change.

Screen Savior: How Black Mirror Reflects The Present More Than The Future, Bryant W. Sculos

Class, Race and Corporate Power

Despite the media treatment of Black Mirror as a dystopian series dealing with the (near) future, this essay explores season three of Charlie Brooker's immensely successful Channel 4-turned-Netflix series in order to show how the central themes of the series are actually more concerned with the present than they are with the future. The present that is reflected is, to put it mildly, not very pretty, but it offers the necessarily dark vision of the current conjuncture that we need if we are to fully appreciate where our present tendencies are leading us.

Capitalism Rejected Is Education Perfected: The Imperfect Examples Of Tarzan’S New York Adventure And Captain Fantastic, Steven E. Alford

Class, Race and Corporate Power

One of the more beguiling films of 2016 was Matt Ross’ Captain Fantastic, a tale about a father raising a brood of children in the Pacific Northwest woods, and the challenges the family faces when it emerges into “civilization” to confront a family crisis. A much earlier film, 1942’s Tarzan’s New York Adventure, shares its narrative structure: Tarzan and Jane must leave their jungle paradise and confront a threat to their family in the canyons of New York. Both films explore the problems associated with parents’ attempt at educating their children. And in both films the families’ pedagogical …

Counter Stereotyping Present In Grey’S Anatomy, Ashley Harwood

Undergraduate Research at FIU (URFIU) Conference

Stereotypes have always been present in society, but the rise in popularity of pop culture over the past decades has consequently affected the development of certain stereotypes. Prior studies have demonstrated how racial, ethical, and gender stereotypes are upheld in society and in the entertainment industry. The medical TV series Grey’s Anatomy, being a widely known and watched show, will be observed to see how the producers and writers of the show have depicted the characters, setting, and storylines in a way that challenges the preconceived notions of society. Characterization of the protagonists, such as the clothes they wear, their …

Parenting For Progress: Reflections On Matt Ross’S Captain Fantastic, Bryant W. Sculos

Class, Race and Corporate Power

Matt Ross's film Captain Fantastic explores the difficulties of raising one's kids to be critical of modern capitalistic society. This essay explores the parenting lessons that can be taken from the film in connection with contemporary politics and protest movements. As people who are concerned with social justice, this essay attempts to think through the question: how should we be raising our children in these tormented, unjust times?

Capital Revenge: Ideologiekritik And The Revenant, Bryant W. Sculos

Class, Race and Corporate Power

Though superficially The Revenant is an expertly written, acted, and directed new age Western about one man's wild quest for revenge. It is all of those things to be sure, but this critical review essay goes deeper and explores the ideological dimensions of the film, arguing that the film's main antagonist is actually a capitalistic hero representing the mindless application of the endless drive for profit and wealth. Furthermore, this essay concludes with the dialectical assertion that it is precisely because of the audience's situatedness within the ideological confines of capitalism that they are able to view the antagonist as …

What We’Ve Got Here Is A Failure To Communicate: A Postmodern Analysis Of Representations Of Higher Education In Cinema, Carlos E. Gonzalez

FIU Electronic Theses and Dissertations

The primary purpose of this study was to explore representations of higher education in film. In order to achieve that objective this study consisted of a narrative analysis of the themes that emerged in films regarding higher education. This study focused on films from the 1950s to the present. The narratives that emerged from the analysis of the films were compared and contrasted to the scholarly literature regarding higher education. The analysis of the films also included juxtaposing the film narratives to the work of postmodern theorists such as Michel Foucault in order to inform the claims made by the …

Neglected Masterpieces Of Cinema, Louis Proyect

Class, Race and Corporate Power

This article will acquaint you with ten of the more important leftwing films I have reviewed over the past sixteen years as a member of New York Film Critics Online. You will not see listed familiar works such as “The Battle of Algiers” but instead those that deserve wider attention, the proverbial neglected masterpieces. They originate from different countries and are available through Internet streaming, either freely from Youtube or through Netflix or Amazon rental. In several instances you will be referred to film club websites that like the films under discussion deserve wider attention since they are the counterparts …

The Prison System And The Media: How “Orange Is The New Black” Engages With The Prison As A Normalizing Agent, Eunice Louis

FIU Electronic Theses and Dissertations

The purpose of this project is to ascertain the ways in which Orange is the New Black uses its platform to either complicate or reify narratives about the prison system, prisoners and their relationship to the state. This research uses the works of Giorgio Agamben, Colin Dayan, Michelle Alexander and Lisa Guenther to situate the ways the state uses the prison and social narratives about the prison to extend its control on certain populations beyond prison walls through police presence, parole, the war on drugs and prison fees.

From that basis, this work argues that while Orange does challenge some …