Arts and Humanities Commons^™

Lives In Motion: Depaul's All-Star Cinema Arts Faculty Teach The Art Of Documenting Life On Film

DePaul Magazine

This article highlights the award-winning female documentarians on faculty at DePaul University's School of Cinematic Arts and their various projects with students, including a program for female high school students living in Chicago Housing Authority housing. Sidebar by DePaul Law School graduate Chaz Ebert.

Fall 2016

In The Loop

Dean David Miller and CDM Through the Years; The New ABCs of Digital Literacy; The Younger Generation: Computer Scientists of the Future; The Final Hurdle: Thesis Talk; Telling Stories in Cuba with Abbas Kiarostami with James Choi; Collegiate Cyber Defense Competition; TEDxDePaulUniversity Conference; Tim Nedow, Olympian; Omnibus Crowdfunded Game; News Briefs; The Social Technocrat: Andrew Ruginis; When Computing and Biology Collide; Tori Meschino: Campus Leader and All-Around Superstar; Degrees Offered at CDM

Creating Knowledge, Volume 8, 2015

Creating Knowledge

Dear reader,

I am delighted to introduce this eighth volume of Creating Knowledge: The LAS Journal of Undergraduate Scholarship. This volume features 19 essays and 14 art works, representing advanced coursework produced in twenty different departments and programs during the 2014-2015 academic year. Several of the essays have been honored with department awards and several draw on research supported by undergraduate research grants. Many were originally written in senior capstone seminars, research-intensive seminars, and independent studies, and many were presented in some form at one of the numerous conferences and showcases sponsored by departments and programs throughout the year. All …

Big Questions Travels The World For Answers To Human Need

DePaul Magazine

"Big Questions" is a 13-episode series of stories from around the world that highlights impoverished and stressed communities and those who have come to their aid. The series if based on the question, "What can on person do to change the world?" It was produced cooperatively by four colleges at DePaul--Business, Communication, Liberal Arts and Social Sciences, and Computing and Digital Media, by faculty and students and aired on local PBS stations.

Hamza Salim Interview, Julian Coleman

Asian American Art Oral History Project

Bio: Hamza J. Salim is a Palestinian artist, architect, and community based activist from Chicago, Illinois. He earned his masters in Architecture from the University of Illinois at Chicago and his work has been exhibited nationally and internationally in New York, Chicago, Los Angels, London and Dubai. He is currently serving as the Project Director of the 12th Chicago Palestine Film Festival and is the Immigrant Community Coordinator at a non-for-profit social service agency, Arab American Family Services.

Bio from facebook.com/HamzaJSalimStudio/info

See also: http://www.hamzajsalim.com/

Tim Hugh Interview, Matthew Holmes

Asian American Art Oral History Project

Bio: Tim Hugh loves what he does. For the past 12 years he has been the Executive Director for Asian American Showcase hosted by the Foundation for Asian American Independent Media (FAAIM). As a director Tim has kept the founding goals alive and at the center of everything the showcase is about. He finds happiness in helping others achieve their life time goals and in enriching and educating audiences. Tim treats the Foundation much like Herb Tam treated the Asian American artist collective Godzookie in the late 1990’s; with respect and altruism in the groups actions. Tim has steered …

Jonathan Laxamana Interview, Kevin Galanto

Asian American Art Oral History Project

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Bio: Jonathan Laxamana is the Program Director for the Chicago Filipino American Film Festival. To learn more about CFAAF visit: www.cfaff.org

Selling True Stories: A Cultural Analysis Of Manufactured Realism In The Docudrama Crime Film, Jamie Schleser

College of Communication Master of Arts Theses

This paper examines the cultural function of docudrama crime films. The docudrama is a hybrid of the conventional Hollywood fiction film and the documentary. Blurring fact and fiction, these films manufacture an illusion of realism around the framework of the standard feature film using visual and narrative appeals to real life and real events. By asserting that they are "based on a true story," these films are able to shape and enhance a desired reading of the text in order to convey a particular social message to audiences. To understand the initial development of the docudrama crime form and how …