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Articles 151 - 156 of 156
Full-Text Articles in Arts and Humanities
Grupo Ubú: El Edificio De La Identidad En Barriendo Sombras, Cesar Valverde
Grupo Ubú: El Edificio De La Identidad En Barriendo Sombras, Cesar Valverde
Cesar Valverde
No abstract provided.
Disturbing The Guests With That Racket: Music And Twin Peaks, Kathryn Kalinak
Disturbing The Guests With That Racket: Music And Twin Peaks, Kathryn Kalinak
Kathryn M Kalinak
No abstract provided.
Settling The Score: Music And The Classical Hollywood Film, Kathryn Kalinak
Settling The Score: Music And The Classical Hollywood Film, Kathryn Kalinak
Kathryn M Kalinak
Beginning with the earliest experiments in musical accompaniment carried out in the Edison Laboratories, Kathryn Kalinak uses archival material to outline the history of American music and film. Focusing on the scores of several key composers of the sound era, including Erich Wolfgang Korngold's Captain Blood, Max Steiner's The Informer, Bernard Herrmann's The Magnificent Ambersons, and David Raksin's Laura, Kalinak concludes that classical scoring conventions were designed to ensure the dominance of narrative exposition. Her analyses of contemporary work such as John Williams' The Empire Strikes Backand Basil Poledouris' RoboCopdemonstrate how the traditions of the classical era continue to influence …
The Classical Hollywood Film Score: Max Steiner And The Informer, Kathryn Kalinak
The Classical Hollywood Film Score: Max Steiner And The Informer, Kathryn Kalinak
Kathryn M Kalinak
No abstract provided.
Hilltop Happenings [Writer/Producer/Director/Videographer], John Duvall
Hilltop Happenings [Writer/Producer/Director/Videographer], John Duvall
John Duvall
One-hour, two-part mental health documentary about a poetry therapy program at Madison State Hospital in Madison, Indiana.
Literary Analysis Of The Special Form Of Satire Swift Invented For A Modest Proposal, Charles Kay Smith
Literary Analysis Of The Special Form Of Satire Swift Invented For A Modest Proposal, Charles Kay Smith
Charles Kay Smith
Some of Swift's more conventional classical figures of speech have already been noted, though more or less in isolation to one another as well as to larger designs and aesthetic aims. Swift's genius in A Modest Proposal is to create a speaker whose monologue keeps two distinct styles operational at all times. The style of which the speaker is aware is constantly opposed by covert and innovative verbal and grammatical techniques which the proposer sets in motion but of which he remains unaware, which slowly but surely turns a reader's sympathies against him and against those who share his callous …