Arts and Humanities Commons^™

A Journey To A Black Woman’S (Read Black Girl’S) Joy And Her Story Of Coming Home, Brittany Lauren Brock

Dissertations, Theses, and Capstone Projects

This is an auto/ethnography about the self-actualizing journey of reclaiming storytelling as my native tongue and my journey to joy. Throughout, using my story and the stories of so many others, I not only lay out the wounds (the pain, the loss, then the hope that comes) within the academy and outside in the world but I also use storytelling as a tool of healing—my tool of healing—to show how I wrote myself free.

When Black women (read Black girls) go through The Reckoning (the moment we realize something isn’t right with how we are perceived by others) …

“Caroline”: Deviance In Southern Women’S Poetry, Sage Aspyn Short

All Theses

Deviance in Southern women’s poetry can be characterized by uncertainty, religious images, and through the telling of stories often unheard of, forgotten, or erased, like racial and gendered violence. Glenis Redmond’s poetry in The Listening Skin and What My Hand Say both explore Southern womanhood alongside race, history, violence, illness, and legacy, among other themes and topics. In Caroline: Poems some deviances include religious metaphors alongside obsessive compulsive disorder, excessive cursing from a woman speaker, and historical graveyard musings. Critical texts about lyric theory and voice provide some background and historical significance to be used in this contemporary study and …

‘Poetry Is Not A Luxury’, Rage Should Not Be A Privilege: The Potential Power Of The ‘Racial Imaginary’, Georgia Mcgovern

CMC Senior Theses

Female rage exists outside of the constructed masculine ideal of anger. To examine female rage, one must analyze the intersections between gender and race. I examine white women's privilege and access to female rage in reality and the fictional world. I explore Black Feminist poetry as a form of storage for rage at gender-based prejudice, racial injustice, and their intersection. Using Myisha Cherry’s term “Lordean Rage”, I recognize this specialized manifestation of female rage as an artistic, intergenerational source of energy for change.

I examine Claudia Rankine’s term “racial imaginary” as an imaginative space in which white people draw lines …