Arts and Humanities Commons^™

A Journey To A Black Woman’S (Read Black Girl’S) Joy And Her Story Of Coming Home, Brittany Lauren Brock

Dissertations, Theses, and Capstone Projects

This is an auto/ethnography about the self-actualizing journey of reclaiming storytelling as my native tongue and my journey to joy. Throughout, using my story and the stories of so many others, I not only lay out the wounds (the pain, the loss, then the hope that comes) within the academy and outside in the world but I also use storytelling as a tool of healing—my tool of healing—to show how I wrote myself free.

When Black women (read Black girls) go through The Reckoning (the moment we realize something isn’t right with how we are perceived by others) …

Ekphrasis: An Exploration Of Poetry Inspired By Art, Caitlin Cacciatore

Dissertations, Theses, and Capstone Projects

“Ekphrasis: An Exploration of Poetry Inspired by Art” is an Open Educational Resource (OER) that occupies the underdeveloped niche of freely available teaching and learning materials about the interdisciplinary poetic medium of ekphrasis. Ekphrastic poetry is a form dating back to Book XVIII of the Iliad, experiencing a revitalization in the latter half of the 18^th century, when demand for written descriptions of paintings was in high demand, and again taking on a new, modern meaning in the early 19^th century, with poems like John Keats’ 1819 “Ode on a Grecian Urn.” Ekphrasis is …

Identität In Schwarz Und Weiß: Die Übersetzung Der Afro-Deutschen Identität In Den Werken Von May Ayim, Mia Ver Pault

Senior Theses and Projects

Many parts of our being are attached to how we identify and with whom we identify. Theoretically, how we identify is based largely on one’s own choices, but such freedom is not always the case. Unfortunately, identity is often imposed upon one by the surrounding racial and ethnic majority. Like many non-white people in a white environment, this was the case for the German poet and activist, May Ayim. May Ayim (1960-1996) was born to a white German mother and a black Ghanian father. Although Ayim spoke German, grew up in Germany, and was fully acculturated into German society, she …

Teleios, Sandra Edwards

All Graduate Reports and Creative Projects, Fall 2023 to Present

This thesis is a collection of poetry that mixes formal and free verse in order to convey the speaker’s spiritual journey in content as well as form. The work introduces a speaker who is deeply religious and who expresses her spirituality in the form of formal poetry such as sonnets as she adheres to certain principles of faith. The use of form in the thesis represents her adherence to those principles, while breaking form is symbolic of her breaking away from those principles. Through the work, the speaker experiences a shift from frustration with the world and its apparent obfuscation …

Visibility In The Redacted Space: What Censored Poetry Reveals About Guantanamo Bay Prison And The Individuals Trapped Inside, Chase Portaro

English Capstone Projects

This paper discusses what readers can understand about Guantanamo Bay and the larger setting of America's Islamophobic "War on Terror" through the poetry of individuals detained inside of Guantanamo Bay Military Prison. In 2002, Mark Falkoff, with the help of a team of lawyers, translators, and human rights advocates published a collection of twenty-two detainee-authored poems, titled Poems from Guantanamo: The Detainees Speak. This paper discusses the emerging neo-colonial subjectivity of America's War on Terror, as it analyzes the available writings of Guantanamo poets. The new language of subjectivity of victims of contemporary American empire is defined by suppression, as …

"The First Fruits Of A Woman's Wit": Reclaiming The Childbirth Metaphor In Aemilia Lanyer's Salve Deus Rex Judaeorum, Carolyn Mae Shakespear

Theses and Dissertations

The childbirth metaphor adopts imagery from female bodies carrying and delivering children to describe the effort and relationship of a poet to his/her poem. This was a commonly used trope in the renaissance, particularly by male authors. This thesis examines the way early modern woman poet, Aemilia Lanyer uses the childbirth metaphor in her poem, Salve Deus Rex Judaeorum. Lanyer ultimately considers not only the physical realities of childbirth in her use of the metaphor, but also the emotional, social, and theological consequences. By doing so, I argue that Lanyer reclaims the metaphor from her male contemporaries in order to …

"And No Birds Sing": The Environmental Ethics Of Carson, Keats, Sagan, And Oliver, Savannah Bloom

Undergraduate Theses

This project aims to create resonances and synchronicities between the works of science writers Rachel Carson and Carl Sagan and poets John Keats and Mary Oliver. It puts their environmental ethics in conversation with one another with a focus on shared literary practices and ecocritical and ecocentric sensibilities. Is the work of poetry, particularly poetry participating in the Romantic tradition, compatible with science writing? The ultimate goal is to demonstrate the symbiosis between science and literature and the necessity of bridging scientific and poetic discourse in regard to addressing climate and the environment. Each chapter pairs a science writer with …

Paul Celan And The Processes Of Survival In Post-Shoah Jewish Writing, Ari Savage

Theses

The following is a study of the poetry of Paul Celan as a representation of psychological and social processes present in the written works of Shoah survivors. It begins with an analysis of the place of writing in Jewish culture, then identifies three primary processes which operate in sequence: alienation, individuation, and integration. By examining Paul Celan’s highly personal and autobiographical texts in the context of his life experience as a Shoah survivor it is possible to discern the social and psychological forces at work which compel survivors to express their traumas in written form, and to gain a better …

Laurel: Narrative Poems Of A Life, Rebecca Arabian

Senior Theses and Projects

No abstract provided.

Conjuring The Moon, Ariella Berkowitz

Open Access Theses & Dissertations

Conjuring The Moon wrestles with the question of why we as women still submit to norms created by men who can't possibly understand our reality. Why should we support ideologies that claim to represent us while actively working against us? Why should we conform to a system that positions us as inessential Other? The speaker of this book aspires to liberate herself from such burdens. Conjuring the Moon encapsulates one woman's search for the feminine divine within herself, her religion, and her environment; but as empowering as this search may be, it remains inextricably connected to her social and historical …

Auden: Body/Mind, Basil Lloyd-Moffett

CMC Senior Theses

On one hand Auden appears the most cerebral of poets. It is said that when he arrived at school, aged eight, he professed himself excited to study the different psychological types, and the cryptic verse that was to emerge over a decade later bears the scars of his reading, psychological or otherwise, as clearly as the relentlessly analytical Dichtung und Wahrheit and other late works.Absorbing and repurposing philosophical, psychological, religious, and scientific works was an essential part of his artistic strategy, and led to credible accusations of plagiarism on a number of occasions.And just as his collaborators and friends mocked …

The Body Negotiating Unprecedented Movement, Mei Bock

Honors Projects

A collection of poems exploring threads including the Lower East Side, immigration, stray animals, art, and Chinese-American identity.

‘Poetry Is Not A Luxury’, Rage Should Not Be A Privilege: The Potential Power Of The ‘Racial Imaginary’, Georgia Mcgovern

CMC Senior Theses

Female rage exists outside of the constructed masculine ideal of anger. To examine female rage, one must analyze the intersections between gender and race. I examine white women's privilege and access to female rage in reality and the fictional world. I explore Black Feminist poetry as a form of storage for rage at gender-based prejudice, racial injustice, and their intersection. Using Myisha Cherry’s term “Lordean Rage”, I recognize this specialized manifestation of female rage as an artistic, intergenerational source of energy for change.

I examine Claudia Rankine’s term “racial imaginary” as an imaginative space in which white people draw lines …