Arts and Humanities Commons^™

Separation Anxieties: Representations Of Separatist Communities In Late Twentieth Century Fiction And Film, Brett Alan Riley

LSU Doctoral Dissertations

In the late 20th century and beyond, American social movements advocating equality have increased national attention to issues of exclusion, inclusion, and multiculturalism within communities. As a result, studying the nature of communities—how the term "community" might be defined, who belongs to a given group or social structure, who does not belong, and why—has become increasingly important. American artists have responded by exploring these sites of social, political, and personal change in their works. Separation Anxieties: Representations of Separatist Communities in Late Twentieth Century Fiction and Film analyzes seven fictional works in which some group is philosophically and/or geographically isolated—sometimes …

Newspaper Editors’ Attitudes Toward The Great Awakening, 1740-1748, Lisa Smith

Humanities and Teacher Education Division Faculty Scholarship

No abstract provided.

Prophecy And Anti-Popery In Victorian London: John Cumming Reconsidered, Robert Ellison, Carol Herringer

English Faculty Research

John Cumming (1807-1881) was the popular minister of the Crown Court Church of Scotland in London's Covent Garden. This article examines his views on the end times and the Roman Catholic Church, two of the favorite subjects of his preaching.

The Detrimental Effects Of Organized Religion On Women In Lee Smith's Fiction., Jennifer Renee Collins

Electronic Theses and Dissertations

This study examines the detrimental effects of religion on characters in Smith's fiction, with special attention to three general areas of religious influence on women. It considers Smith's illumination of the social, psychological, and artistic harm that organized religion can inflict on the lives of women.

This study includes library research of religion and Lee Smith's fiction. The study also concludes that Smith's seemingly casual fiction raises unsettling questions about the negative effects that religion often has on individuals.

Disintegration And Despair In The Early Fiction Of John Mcgahern, Eamon Maher

Articles

No abstract provided.

An Interview With John Mcgahern: Introduction, Eamon Maher

Articles

No abstract provided.

Moses And The Egyptian: Religious Authority In Olaudah Equiano's Iteresting Narrative, Eileen Razzari Elrod

English

From the first image that greeted readers of his book, Olaudah Equiano presented the self of his 1789 autobiographical narrative as a pious Christian, one whose religious conversion meant a kind of freedom as significant as his manumission from slavery. In the striking frontispiece portrait Equiano sits with biblical text in hand, insisting-in his visual as in his textual presentations of himself-that the Christianity he embraces is the defining feature of his life-story. He responds, as Susan Marren has suggested, to two paradoxical imperatives: one, to write himself into creation as a speaking subject and, two, to write an antislavery …

Belfast: The Far From Sublime City In Brian Moore's Early Novels, Eamon Maher

Articles

No abstract provided.

Arthurian Wantons: Language, Lust, And Time In Victorian Poetry And Drama, M. K. Louis

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Compares several Victorian treatments of the Matter of Britain. Includes Tennyson’s moralistic version as well as “theologically and linguistically subversive” works of later Victorians.

Play, Death, And Apotheosis, Kirby Farrell Prof

kirby farrell

This chapter develops the argument in "Self-Effacement and Autonomy in Sx," extending it to fantasies of apotheosis in the poems and plays.

Milton And The Doctrine Of The Synod Of Dort Arminianism In Christian Doctrine And Paradise Lost, Robert James Fagg

Master's Theses

In order to understand the similarities or areas of agreement between Milton's theology and that of the Arminians one not only has to understand thoroughly the five Arminian articles but also must be familiar with the theologies which produced them. [I] will attempt to show why a few scholars and theologians refer to Milton's Christine Doctrine and Paradise Lost as being Arminian by simply comparing the two theologies and pointing out the areas of definite agreement between them.

Milton And Socinianism, Joseph Johnson Collins

Master's Theses

The seventeenth century was a period of enormous scholarship and erudition. In the wake of the Reformation and the Humanist movements great interest was awakened in the field of Biblical scholarship, Many of the scholars, lay­ men, and divines began to devote much of their time and energy to the new Biblical exegesis. The doctrine which was receiving much attention during this period suggested that one might assure that the strongholds of the reformed religion were sufficiently fortified through improved trans­lation and qualified Biblical exegesis.

This was the era which produced John Milton 's method­ ical and learned tractate of …

John Milton : Religious Independent, Allen Herbert Scott

Master's Theses

In the preface to -De Doctrina Christiana John Milton makes it clear that his religious views underwent a continual process of revision throughout his lite, and he assures us that at no time during his life did he follow any heresy or sect. During the century and a half prior to the discovery of !!! DOctrina Christiana in 1823, however, Milton was regarded as one of the highest figures in English literature, passing as an orthodox Protestant of the Calvinistic faith.

Religion In The Life And Works Of Longfellow, Morris Edward Cather

Master's Theses

An author's work is generally colored by the presence or the lack of religious convictions. The poetry and prose of Henry Wadsworth Longfellow indicate a deep-seated faith in God. Although this faith is most clearly manifested in the works of the man, its source is found in the life and character of the poet himself. It is the aim of this paper to discover the various contributing factors, to ascertain their effect upon the poet and his writings, and to draw certain conclusions concerning his religious faith.

The Catholic Spirit In Modern Poetry, Anna Lacaze

Electronic Thesis and Dissertation

No abstract provided.

The Mysteries Of A London Convent [Transcript], William H. Hillyard

Gothic Archive Chapbooks

Published in The London Miscellany and written by William Heard Hillyard (1811-1870), this 22 chapter story must have been considered a guaranteed blockbuster with the newspaper’s intended reading audience.

The Mysteries of a London Convent relies most immediately on the sensational categories that we saw delineated in The Mysteries of the Inquisition, as well as another and earlier penny dreadful production with an almost identical plot, Smiff’s The New Mysteries of London (1858), written in imitation of Reynolds’s blockbuster The Mysteries of London (1844-48).

The Affecting History Of The Duchess Of C**** Who Was Confined Nine Years In A Horrid Dungeon, Under Ground, Where Light Never Entered, A Straw Bed Being Her Only Resting Place, And Bread And Water Her Only Support, Conveyed By Means Of A Turning-Box, By Her Inhuman Husband; Whom She Saw But Once During Her Long Imprisonment, Though Suffering By Hunger, Thirst, And Cold, The Most Severe Hardships, But Fortunately She Was At Last Discovered, And Released From The Dungeon, By Her Parents. [Transcript], Stéphanie Félicité Genlis

Gothic Archive Chapbooks

The narrative is given in the first person by the Duchess of C**** herself. She relates the circumstances of her easy, wealthy upbringing and tells of how she fell in with a dangerous friend, the Marchioness de Venuzi. While staying with her friend, she becomes enamored of the exiled Count de Belmire, but is instead forced into a marriage with his villainous uncle, the Duke of C****, by her parents. When the Duke discovers incriminating letters from the Duchess of C**** to Belmire at the Venuzi residence, he locks the Duchess of C**** in a castle dungeon and takes their …

The Nun, Or Memoirs Of Angelique; A Tale [Transcript], Unknown

Gothic Archive Chapbooks

The Nun, or Memoirs of Angelique; A Tale begins as the written memoirs of Angelique. A young noblewoman, Angelique loves her cousin Ferdinand. However, when Angelique’s family’s fortune seems to have been lost at sea, Angelique’s father rashly vows that his daughter will become a nun should his ships safely return. When the ships return, Angelique is sent to a convent, where she takes her vows. Soon thereafter, Ferdinand sneaks into the convent dressed as a novitiate, and he quickly persuades Angelique to elope with him. After a midnight wedding, Angelique and Ferdinand escape the convent through a secret passageway. …

Ethelred & Lidania; Or, The Sacrifice To Woden [Transcript], Sarah Scudgell Wilkinson

Gothic Archive Chapbooks

The story is set in the medieval period and begins with Sir Ethelred, a superstitious but tolerant pagan knight, caught in a storm at sea with his Christian tutor and friend, Aribert. He was returning from a visit to a Count’s daughter, who his wealthy but overbearing pagan father wanted him to marry. Desperate to survive the storm, he invokes the Saxon god Woden to save him, promising to sacrifice the first person to greet him at his home. The weather calms, and Ethelred returns home. Happy to have survived, he immediately greets his wife. He quickly remembers his vow …

The Ruins Of The Abbey Of Fitz-Martin [Transcript], Thomas Isaac Horsley Curties

Gothic Archive Chapbooks

A corrupt Baron exploits the monks of St. Catherine's monastery by publicizing the acts of one Sr. St. Anna, a nun from the monastery that broke her vow of chastity. Under pressure from the scandal, the monks hand over the monastery to the Baron, who converts it into a secular property that swiftly falls into ruins. Many years later, Thomas Fitz-Martin and his daughter Rosaline, the last descendants of this Baron, move into these ruins and discover that the Baron himself seduced Sr. St. Anna under the name of Vortimer, leading her to her ruin and eventual death. The ghost …

The Distressed Nun [Transcript], Isaac Crookenden

Gothic Archive Chapbooks

Luvido di Brindoli, Florentine nobleman, had two children—a son, Vincentio and a daughter, Herselia. Vincentio bitterly envied Herselia believing that his father loved her more. One night Brindoli received two guests—Count Fovolli and his handsome young son, Henri Velasquez. Herselia instantly fell in love with Henry and confided the matter in his brother who contrived a plot to ruin her happiness forever. Accordingly, he encouraged Herselia to elope with Henry the next day, and, secretly informed Brindoli about it.

The next morning, Brindoli apprehended Herselia outside the palace, and condemned her to a life in a remote convent. After weeks …

The Gothic Story Of Courville Castle; Or The Illegitimate Son, A Victim Of Prejudice And Passion: Owing To The Early Impressions Inculcated With Unremitting Assiduity By An Implacable Mother Whose Resentment To Her Husband Excited Her Son To Envy, Usurpation, And Murder; But Retributive Justice At Length Restores The Right Heir To His Lawful Possessions. To Which Is Added The English Earl: Or The History Of Robert Fitzwalter, Unknown

Gothic Archive Chapbooks

The Gothic Story of Courville Castle begins with Alphonso de Courville returning to his ancestral castle after traveling through foreign lands. During Alphonso’s German travels, he had been attacked by banditti and fallen in love with Julia, a baron’s daughter. However, when Alphonso returns home to gain his uncle’s consent for his marriage, Alphonso is shocked to find Courville Castle entirely abandoned. Alphonso finds a note from his uncle explaining that Alphonso is the true owner of Courville Castle and that the uncle can no longer bear to reside there. Alphonso explores the castle and finds a decaying female corpse …