Arts and Humanities Commons^™

Capacious Feminism: Intimacy And Otherness In Mina Loy's Poetry, Elise Ottavino

Electronic Thesis and Dissertation Repository

This dissertation explores Loy’s interest in the “woman’s cause” to interrogate how the poet was recaptured as an early feminist figure by the academy. After Virginia Kouidis “rediscovered” Loy’s work in the 1980s, the poet has been consistently drafted as a central feminist figure despite her lack of commitment to organized feminist movements of her time. This retrospective lens offers a catachrestic view of Loy’s feminism. I use “catachresis” to refer to the slightly inaccurate use of “feminism,” tinted by current perceptions of the term, but also to hint at Loy’s capacious feminine poetics. While the rise of feminist theories …

Bodies Of Silence And Space: Victimhood, Complicity, And Resistance In Margaret Atwood's The Handmaid's Tale, Sana H. Mufti

Electronic Thesis and Dissertation Repository

This thesis examines the complexity of resistance and the conditions of power for women in The Handmaid’s Tale by Margaret Atwood. Using feminist theory, theories of neoliberalism, and Dominionism, this thesis works to understand the ways in which victimhood and complicity influence resistance in totalitarian regimes. I argue that neoliberal ideologies skew understandings of freedom, agency, and power in a way that ensures individuals, specifically women, remain trapped in the system. Focusing on reproduction, I examine how Gilead controls women’s bodies and reproductive abilities to ensure a future for itself. The Eve-Complex is one way that the state integrates itself …

The Simultaneous Book: Women's Writing In Contemporary Art, Maryse Lariviere

Electronic Thesis and Dissertation Repository

Novels written by women authors who don’t adhere to the classification “visual artist” are nonetheless gaining momentum in today's contemporary art world. Yet works by authors such as Chris Kraus or Catherine Millet are often not recognized as artist’s novels because their authors are not or/and do not consider themselves to be visual artists. I contend that we can usefully situate their work within the genre of the artist’s novel by addressing how they invent artistic postures and artistic alter-egos within the autofictional worlds of their texts. My dissertation The Simultaneous Book proposes to open up the definition of the …

Fatal Attraction: The Fetishized Image Of The Fatal Woman As Gothic Double, Margaret Anne Young

Electronic Thesis and Dissertation Repository

The Gothic heroine is often doubled by an image – a painting, statue, costume, drawing, projection, or mental image – that is preternaturally powerful and endowed with an antagonistic sexual presence. This image of the fatal woman, unlike portraits of the heroine, is a representation without a referent: a fetish object, both for fictional characters and critics.

I argue that the simulacrum of dangerous femininity is a shifting signifier rather than a one-dimensional representation of – as previous critics have argued – ‘male fears and desires’ or female empowerment. Following the work of sociologist Bruno Latour and narratologist Mieke Bal, …

Talking Nonsense: Spiritual Mediums And Female Subjectivity In Victorian And Edwardian Canada, Claudie Massicotte

Electronic Thesis and Dissertation Repository

This study traces the development of mediumship in Canada in the late nineteenth and early twentieth centuries. Especially popular among women, this practice offered them an important space of expression. Concealing their own identities under spiritual possession, mediums ubiquitously invoked well-known historical figures in séances to transmit their opinions on current issues. As such, they were able to promote new ideas to interested audiences without claiming responsibility for their potentially controversial words.

While many studies have been conducted in the United States, Britain, and France regarding the significant role of mediumship in the emergence of women on the political scene, …