Arts and Humanities Commons^™

Darling: An Adaptation Of "The Yellow Wallpaper", Dawniqueca A.L. Steele

FUSION

Based on Charlotte Perkins Gilman’s “The Yellow Wallpaper,” the following story depicts the vacation of a young woman and her fiancé to an isolated mountain cabin. Similar to the original text, the woman gains a fixation on a specifically colored item, this being the white snow outside. The intentions of this story were to depict how misogyny and female insanity have both evolved and remained stagnant throughout time. Even though the original text featured traditional concepts of misogyny while the following focuses on modern forms, the two show the same maddening fear of a woman in the presence of inequality. …

The Impact Of Emma: Destroying Stereotypes Through Nuanced Characters In Text And Film, Julia Mccool

English MA Theses

This paper explores Jane Austen’s Emma as a response to stereotypes in 18th century novels and moral tales, and Autumn De Wildes’s Emma. from a feminist lens. Examining both of these works reveals that Emma was originally, and still is over 200 years later, transforming stereotypes in literature and film adaptations. The novel seems to be responding to a common stereotypical female villain found in many 18th century novels. In viewing Emma as a subversion of this stereotype, it is clear that Austen was responding to the sexist notions behind the character type, and writing a heroine more in line …

Feminine Interiority And Social Protest In The Poetry Of Mary Leapor, Joanna C. Yates

ABO: Interactive Journal for Women in the Arts, 1640-1830

Mary Leapor (1722-46) is one of the many under-studied women poets of the eighteenth-century. She is often described as a laboring-class poet which, while historically accurate, implies her immediate marginalization as an writer by her class and gender. Her focus of enquiry explores a new female authorial interiority, embracing her own volition, personality, and aesthetic sensibility through the act of writing itself. This nascent individualism, arising from the examination of feeling, lies at the heart of her work and heralds the social protest that will erupt later in the century. This paper hopes to offer a broader perspective on Leapor’s …

Capacious Feminism: Intimacy And Otherness In Mina Loy's Poetry, Elise Ottavino

Electronic Thesis and Dissertation Repository

This dissertation explores Loy’s interest in the “woman’s cause” to interrogate how the poet was recaptured as an early feminist figure by the academy. After Virginia Kouidis “rediscovered” Loy’s work in the 1980s, the poet has been consistently drafted as a central feminist figure despite her lack of commitment to organized feminist movements of her time. This retrospective lens offers a catachrestic view of Loy’s feminism. I use “catachresis” to refer to the slightly inaccurate use of “feminism,” tinted by current perceptions of the term, but also to hint at Loy’s capacious feminine poetics. While the rise of feminist theories …

Cyberculture And Agency In Salmawy’S Butterfly Wings, Elkheshen’S SabʿAt Ayyām Fil Taḥrīr And Soueif's Cairo: My City, Our Revolution

Journal of the Faculty of Arts (JFA)

Mohamed Salmawy’s novel Butterfly Wings that was published in January 2011 predicted the 25 January Revolution in Egypt. As for Hisham Elkheshen’s novel Sabʿat Ayyām fil Taḥrīr which translates in Arabic to 7 Days in Tahrir, was written after the ousting of Mubarak. Both are political novels that revolve around socio-political conflict and upheavals in Egypt from 2010-2011. The third work, Soueif's revolutionary memoir Cairo: My City, Our Revolution was originally written in English in 2012. In her Memoir, she focuses on the eighteen days of the Egyptian Revolution and her active participation in it together with the participation of …

A Feminist Icon Or A Homicidal Coward: Medea’S Revenge On Patriarchy, Beyza Ertugrul

Criterion: A Journal of Literary Criticism

Medea, the alleged epitome of sophistication, does not deserve her title of the flawless feminist icon as she is praised to be. For context, Euripides’ Medea, first performed in 431 BC, portrays a young sorceress whose abusive husband abandons her for another woman and who takes revenge by murdering her own children to spite him. Throughout the tragedy, Medea speaks out on gender inequality, and by definition, such uncommon and advanced statements can be described by the modern term of feminism as the “belief in and advocacy of the political, economic, and social equality of the sexes” (Merriam-Webster). Especially …

Witchy Politics: Witches And Witchcraft As Political Tropes From Malleus Malleficarum (1487) To Les Sorcières De La République (2016) And The Mercies (2020), Mallaury Joëlle Marie Gauthier

Foreign Languages & Literatures ETDs

The focus of this thesis are two recent novels featuring witches: Chloé Delaume’s Les Sorcières de la République(The Witches of the Republic, 2016) and Kiran Millwood Hargrave’s The Mercies (2020). The first is a futuristic dystopia set in 2062, during the witch trial of the Sibyl of Cumae. The second is a work of historical fiction based on witch trial records and set in seventeenth-century Finnmark (Norway). Both are feminist novels, and both emphasize the political valence of the witch as a gendered figure. This figure emerged from the misogyny of early modern demonology but acquired its contemporary contours …

Mrs. Dalloway (1925) Vs. The Hours (2002): How Does The Patriarchy Infringe On The Autonomy Of Marginalized Characters?, Mary E. Belton

2023 Symposium

Fans of Virginia Woolf know that her literature, such as A Room of One’s Own and Mrs. Dalloway, cover feminist themes. In adaptations of Virginia Woolf’s work, the same feminist themes are present. For example, Michael Cunningham’s The Hours, based on three women whose lives are connected through Virginia Woolf’s novel Mrs. Dalloway, carries similar feminist themes. In the 2002 adaptation of The Hours, directed by Stephen Daldry, the relationships between men and women in the film illustrate how the patriarchy operates socially.

To those who don’t know Virginia Woolf’s work well or are unaware of how …

Fragments Of A Writer’S Mind: Virginia Woolf In Her Own Words, Baheya Zeitoun

Theses and Dissertations

This thesis provides a thematic reading of select autobiographical and theoretical works by Virginia Woolf. It utilizes Deleuze and Guattari’s philosophy of the rhizome as a methodological framework. The rhizome does not have a hierarchal structure but is rather interconnected. In the same way, the chapters interweave the multi-disciplinary theoretical approaches to connect the disparate factions of the modernist writer’s mind and life.

The early twentieth century saw the rise of post-suffrage writers with narratives that diverged from male-centric values. Woolf is one of the writers who makes a clear distinction between male and female values by championing women’s experiences …

Dinesen’S Diana: The Transformative Power Of Symbols In Ehrengard, Aishwarya A. Marathe

Anthós

This analysis of Dinesen's Ehrengard aims to illuminate the subversive transformation of the titular character of the novel, using the literal and symbolic application of artistic power.

Angels Of Many Houses: Reconciling Domesticity In 19th-Century Victorian Literature, Amanda Vierra

College Honors Program

The rise of the Victorian middle class is known for solidifying a separation of gender roles, with women operating in the private, domestic sphere and men in the public sphere. This historical value placed on domesticity is reflected in the rise of domestic fiction, the dominant genre of Victorian literature, which commonly depicts young, middle-class women making their way in the world. The plot of these narratives revolves around women perfecting or contending with their place in the domestic sphere through courtship, marriage, and family. Scholars on domestic fiction have continued to argue over whether domestic fiction reflected the oppressive …

Mothering As Feminism, Meera Patel

MFA in Illustration & Visual Culture

This critical essay proposes the concept of mothering-as-feminism, with the intention of interrogating American ideals of mothering and caregiving. Reforming the way we view mothering, as it relates to feminism, requires a re-evaluation of the American role of women and mothers—and how they are portrayed (and therefore seen and understood), valued, and supported. Focusing on the evolution of feminist theory throughout the past 70 years, as well as personal and secondary experiences, I demonstrate how political and social change occurs generationally and is dependent on the education of our children. Ultimately, I show the important role children’s literature plays …

Gender And Colonialism: An Intergenerational Conversation In African Literature, Khadizatul Kubra

Department of English: Dissertations, Theses, and Student Research

It is thought that African literature tends to be dominated by the masculine-oriented politics that also characterizes African public political life. In some cases, this is true, but there is a feminist movement in Africa, and many African women writers are using global feminist principles and global anti-colonial principles to write a different kind of literature. As a consequence, recent novels such as Yvonne Vera’s Nehanda (1993), set in Zimbabwe, and Petina Gappah’s Out of Darkness, Shining Light (2019), revise past, often male, African writers’ approaches to depicting the genders, even as they also criticize, implicitly or explicitly, still-widespread colonialist …

Owning The Body: Bodily Autonomy And Consent In The Works Of Octavia Butler, Korryn Plantenberg

Theses/Capstones/Creative Projects

During the 1980’s the Second Wave feminist movement provided more interest in interdisciplinary movements towards equity in the case of gender. One movement that slowly grew was Womanism, which included the intersection between race and gender. Specifically, the experiences of black women in the United States. Inspired by this movement authors such as Octavia Butler was a black science fiction author who wrote literature focused on black women. Alongside her preoccupation, with race in science fiction, Butler explores the nature of consent and bodily autonomy in utopian and dystopian futures. Within her novels, she uses Womanism to engage with futuristic …

Heurodis's Body: Reading "Sir Orfeo" With Three Significant Losses, Grace J. Bromage

The Criterion

No abstract provided.

An Unfaithful Feminist : Neoliberal Feminism, Identity, And Postmodernism In Jenny Offill’S Dept. Of Speculation, Anne Bobis

Theses, Dissertations and Culminating Projects

Jenny Offill’s novel Dept of Speculation explores the life of a female college professor who looks back on her marriage after her husband has an affair. Events are told through brief fragments. Much of the critical discourse surrounding the novel is concerned with its fragmentary form or postfeminism. In this essay, I assert that Dept. of Speculation is a reaction to neoliberal feminism because of the narrator’s multiple challenges throughout the novel. Some vocal figures within neoliberal feminism assume a woman can balance upward mobility in a career and life as a mother. The ability to maintain this work-life balance …

“Too Good To Kill”: Literary Gerontology And Late Style In Margaret Atwood’S Gilead Novels, Serina Item

Electronic Theses, Projects, and Dissertations

Margaret Atwood’s 1985 novel, The Handmaid's Tale, and her 2019 sequel, The Testaments, illuminate the author’s continued interest in the connection between a woman’s age and the notion of her usefulness and complicity within a hegemonically masculine society. Focusing on literary gerontology and the author’s late style, this essay highlights Atwood’s persistent rejection of patriarchal representations of older women in literature. I analyze the ways in which Atwood’s “ustopian” (Atwood’s literary genre invention, combining “dystopia” and “utopia”) novels develop older women characters beyond “old age as motif and metaphor” by removing age and gender as significant barriers to …

The Postmodern And The Personal In Edna St. Vincent Millay’S Aria Da Capo, Roxanne Rankin

Munn Scholars Awards

Aria Da Capo, Edna St. Vincent Millay’s 1919 play, has thus far been largely ignored in literary criticism. This essay, through a historical survey of Millay’s previous critical reception followed by a close reading of Aria Da Capo, attempts to explain and then bridge this gap in academic scholarship. A postmodernist reading of the play will then illustrate why Millay’s work still confounds scholars today and how Aria Da Capo specifically continues to be relevant more than 100 years after it was first produced.

Neither Meek Nor Docile: An Analysis Of Margaret Hale And Jane Eyre In Elizabeth Gaskell’S North And South And Charlotte Brontë’S Jane Eyre, Mckell Ferguson

English Department Theses

The Victorian period was an era of societal change in Great Britain. Viewing gender in hetero- and CIS- normative terms, the “woman question” – what to do with unmarried women – became a topic that was widely debated. Activists such as Barbara Leigh Smith, Francis Power Cobbe and Josephine Butler advocated for better education and employment opportunities for women emphasizing the need for women to find dignity and fulfilment outside of the private sphere to which they were relegated. Jane Eyre by Charlotte Brontë and North and South by Elizabeth Gaskell reflect the issues facing middle-class women during this period, …

Adrienne Rich And Women's Confinement, Marissa Weber

Student Writing

Adrienne Rich's poems "Snapshots of a Daughter-in-law," "Living in Sin," and "From a Survivor" weave a tale of the average American housewife expressing her discontent with her day-to-day and searching for a way out. All three poems contain themes of societal oppression scaled to a personal level, and the varying conclusions speak to the harsh reality of being a woman in the mid-twentieth century. Rich's career as an activist defined her poetic style, and her feminist pieces have remained relevant decades after they were originally published.

Gender Stereotypes And Representation Of Women In Roald Dahl's Books, Sarah Hunt

Senior Theses and Projects

The purpose of this qualitative study is to examine the role and representation of women in Roald Dahl’s children’s novels. To do this, I conducted a document analysis of five of Dahl’s books - “James and the Giant Peach” (1961), “Charlie and the Chocolate Factory” (1964), “Danny, The Champion of the World” (1975), “The Witches” (1983), and “Matilda” (1988) - in order to answer the following questions: How does Roald Dahl portray women and girls in his novels? What gendered stereotypes are present, and how does this portrayal change over time? I was able to answer this question through utilizing …

The Feminist Gothic Journeys Of Shirley Jackson, Grace Sanko

Senior Theses and Projects

No abstract provided.

Strategies Of Liberation And Empowerment In Maya Angelou's And Audre Lorde's Black Feminist Literature, Lydia Jernigan

Student Works

The progression of second-wave feminism in America saw Black feminist writers such as Maya Angelou and Audre Lorde utilizing literature, and notably poetry, to resist against their oppression, due not only to their gender but also to their race. Lorde states in her 1977 essay, “Poetry is Not a Luxury,” that poetry, for women, “is a vital necessity of our existence. It forms the quality of light within which we predicate our hopes and dreams toward survival and change, first made into language, then into idea, then into more tangible action.” One of the aims of Lorde’s explicitly political poems—as …

Terry Pratchett’S Witches Novels And The Consensus Fantasy Universe: A Feminist Perspective, Clair J. Hutchings-Budd Ms

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Abstract

Between 1987 and 2015, Terry Pratchett published eleven novels and one short story within his Discworld universe that came to be known as his “Witches” sub-series. In these texts he engaged with the narrative imperatives, preoccupations, and tropes which together make up the consensus fantasy universe, and those deeper mythologies and legendarium with which the author necessarily has an intertextual relationship. This paper focuses upon one aspect of that consensus universe, which is the difference between male and female magical practitioners—witches and wizards—in the fantasy canon, and how Pratchett sought to challenge and subvert the stereotypes of the genre …

To Be Necessary: The Remarkable Life Of Mary Wollstonecraft, Elisabeth Phillips

Bound Away: The Liberty Journal of History

Although overshadowed by her daughter, Mary Shelley, in the public imagination, Mary Wollstonecraft (1759-1797) stands as a significant figure in her time who left a significant legacy. Her writings advocating for women’s education, equal rights, and career opportunities established her as the progenitor of the modern women’s rights movement. Wollstonecraft’s ideas resonated in the era of the Atlantic world revolutions and laid the foundation for later advances of women in the Western world; therefore, it is important to study her contributions in the present.

I, Discomfort Woman: A Fugue In F Minor, Seo-Young J. Chu

Publications and Research

No abstract provided.

A Critical Reading Of Nawal El Saadawi’S Woman At Point Zero, Sawsan Al-Darayseh

Association of Arab Universities Journal for Arts مجلة اتحاد الجامعات العربية للآداب

Women all over the world, and Egypt specifically, have been looked upon as second-class citizens for a long time in comparison to men. However, this paper argues that it is unethical for feminists, specifically here Nawal El Saadawi, to discuss this issue in an extreme way where the truth is lost. Hating men and holding them wholly at fault for the plight of women while giving alibis to and even praising women for their selfdestructive decisions is not a solution. The paper critically reads El Saadawi's Woman at Point Zero, discussing the very methods and elements that El Saadawi uses …

Bodies Of Silence And Space: Victimhood, Complicity, And Resistance In Margaret Atwood's The Handmaid's Tale, Sana H. Mufti

Electronic Thesis and Dissertation Repository

This thesis examines the complexity of resistance and the conditions of power for women in The Handmaid’s Tale by Margaret Atwood. Using feminist theory, theories of neoliberalism, and Dominionism, this thesis works to understand the ways in which victimhood and complicity influence resistance in totalitarian regimes. I argue that neoliberal ideologies skew understandings of freedom, agency, and power in a way that ensures individuals, specifically women, remain trapped in the system. Focusing on reproduction, I examine how Gilead controls women’s bodies and reproductive abilities to ensure a future for itself. The Eve-Complex is one way that the state integrates itself …

A Stylistic Analysis Of Adrienne Rich's "Planetarium" And "Power", Malek Zuraikat, Ekab Al-Shawashreh, Shrooq Awamleh

Association of Arab Universities Journal for Arts مجلة اتحاد الجامعات العربية للآداب

Adrienne Rich utilizes free verse to surprise her readers by covering the intertwined relationship between politics and society, which results in encapsulating everyday practices in most of her poems. She tries to articulate the depressed voice of women, thus making this group noticeable by people. The study discusses Rich's poems "Planetarium" and "Power", focusing on pronouns, spacing, enjambment, and diction. It explains how the change in pronouns, for instnace, serves the theme of uniting women's experience of oppression and resistance and how the enjambment and the choice of diction are used to add emphasis on women's suffering and their consequent …

Feminism And Identity In Victorian Novels Of Brontës, The Interchangeability Of The Binaries: Center And Margin, Reality And Appearance, Original And Copy, Mutsuko Takahashi

Theses and Dissertations

The dissertation approaches feminism and identity in the novels of the Brontë sisters, in which characters have struggled with the tension between outsider and insider. The study will discuss, in Part I, Charlotte Brontë’s Jane Eyre (1847) and Villette (1853), and in Part II, Emily Brontë’s Wuthering Heights (1847) and Anne Brontë’s The Tenant of Wildfell Hall (1848), seen through multiple lenses such as feminism, psychoanalysis, postcolonialism, etc. Various versions of powerless male protagonists in the Brontës are examined, for they help illuminate the situation of the female protagonists. Marginal males try to take over the central position by using …