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English Language and Literature

Feminism

East Tennessee State University

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Victim Or Villain: Female Resilience And Agency In The Face Of Trauma In Chimamanda Adichie’S, Purple Hibiscus (2003) And Tsitsi Dangarembga’S, Nervous Conditions (1988), Adaobi Juliet Chukwuma May 2024

Victim Or Villain: Female Resilience And Agency In The Face Of Trauma In Chimamanda Adichie’S, Purple Hibiscus (2003) And Tsitsi Dangarembga’S, Nervous Conditions (1988), Adaobi Juliet Chukwuma

Electronic Theses and Dissertations

As long as disparities persist in the way women are treated as compared to their male counterparts, the issue of gender will continue to call forth literary productions. For this reason, female writers are on a mission to dismantle the stereotypes that keep women confined to societal roles. Grounded in a feminist framework, this study focuses on the gender disparity theme in Chimamanda Adichie’s Purple Hibiscus and Tsitsi Dangarembga’s Nervous Conditions. The aim is to examine how these writers represent the trauma of women living in an African patriarchal system. The traumatic experiences of the female characters in both texts …


Gentleman Death In Silk And Lace: Death And The Maiden In Vampire Literature And Film, Emily Wilson May 2024

Gentleman Death In Silk And Lace: Death And The Maiden In Vampire Literature And Film, Emily Wilson

Electronic Theses and Dissertations

This thesis contains an examination in the psychosocial significance of Hans Baldung Grien’s “Death and the Maiden” art motif, created during the Renaissance period following the Black Death, and its resurgence in the vampire fiction genre of both literature and film. I investigate the motif in Bram Stoker’s Dracula (1897) and Anne Rice’s Interview with the Vampire (1976) as well as their film adaptations by Francis Ford Coppola (1992) and Neil Jordan (1994), respectively. By examining the presence of the motif in art, literature, and film, I found that the common threads across all investigated works were the dominant social …


Accepting Or Opposing The Status Quo: A Look At The Women Characters In Mariama Bâ’S So Long A Letter (1981) And Chimamanda Adichie’S Purple Hibiscus (2003), Omolola Giwa May 2022

Accepting Or Opposing The Status Quo: A Look At The Women Characters In Mariama Bâ’S So Long A Letter (1981) And Chimamanda Adichie’S Purple Hibiscus (2003), Omolola Giwa

Electronic Theses and Dissertations

What exactly is the status quo of women in Africa? Women’s selfhood has been systematically subordinated or outright denied by law, customary practices, and cultural stereotypes. Scholars like Judith Bennet suggest that religious practices and colonial rule subjugate African women. Patriarchal ideologies guide the society’s discrimination against women and this has influenced the status of women, especially married women and the way they respond in times of affliction.

Authors like Chimamanda Adichie and Mariama Ba in their fictional novels The Purple Hibiscus and So Long a Letter focus on capturing the struggles and conditions of women in the Western African …


“It Could Have Happened To Any Of You”: Post-Wounded Women In Three Contemporary Feminist Dystopian Novels, Abby N. Lewis May 2021

“It Could Have Happened To Any Of You”: Post-Wounded Women In Three Contemporary Feminist Dystopian Novels, Abby N. Lewis

Electronic Theses and Dissertations

My goal for this thesis is to investigate the concept of (mis)labeling female protagonists in contemporary British fiction as mentally ill—historically labeled as madness—when subjected to traumatic events. The female protagonists in two novels by Sophie Mackintosh, The Water Cure (2018) and Blue Ticket (2020), and Jenni Fagan’s 2012 novel The Panopticon, are raised in environments steeped in trauma and strict, hegemonic structures that actively work to control and mold their identities. In The Panopticon, this system is called “the experiment”; in The Water Cure, it is personified by the character King and those who follow him; …


With Great Power: Examining The Representation And Empowerment Of Women In Dc And Marvel Comics, Kylee Kilbourne Dec 2017

With Great Power: Examining The Representation And Empowerment Of Women In Dc And Marvel Comics, Kylee Kilbourne

Undergraduate Honors Theses

Throughout history, comic books and the media they inspire have reflected modern society as it changes and grows. But women’s roles in comics have often been diminished as they become victims, damsels in distress, and sidekicks. This thesis explores the problems that female characters often face in comic books, but it also shows the positive representation that new creators have introduced over the years. This project is a genealogy, in which the development of the empowered superwoman is traced in modern age comic books. This discussion includes the characters of Kamala Khan, Harley Quinn, Gwen Stacy, and Barbara Gordon and …


Wrestling With Father Shakespeare: Contemporary Revisions Of King Lear And The Tempest., Erin Melinda Denise Presley May 2004

Wrestling With Father Shakespeare: Contemporary Revisions Of King Lear And The Tempest., Erin Melinda Denise Presley

Electronic Theses and Dissertations

In Shakespeare’s The Tempest and King Lear, the relationship between the father and his children affects the progression and outcome of events. Goneril and Regan oppose Lear after Cordelia’s untimely rebellion and disownment. In The Tempest, Caliban desires to overthrow Prospero for freedom. Similarly, the appropriative offspring also exhibit rebellious “children” challenging authority. In Jane Smiley’s revision of King Lear and Aimé Césaire’s rewriting of The Tempest, defiance renders the children fatherless. In Disney’s The Little Mermaid, Ariel initially disregards her father but ultimately accepts his rule. In Gloria Naylor’s Mama Day, the text itself becomes an orphan as the …


Social Influences On The Female In The Novels Of Thomas Hardy., Jessica D. Notgrass May 2004

Social Influences On The Female In The Novels Of Thomas Hardy., Jessica D. Notgrass

Electronic Theses and Dissertations

Many female characters in Thomas Hardy’s novels clearly illustrate one of the Victorian stereotypes of women: the proper, submissive housewife or the rebellious, independent dreamer. Hardy does not demonstrate how women should be, but rather how society pressures women to conform to the accepted image. Hardy progresses from subtly criticizing society, as seen in The Return of the Native and The Woodlanders, to overtly condemning gender roles and marriage in Tess of the d’Urbervilles and Jude the Obscure. The characters of Thomasin, Mrs. Yeobright, and Grace Melbury illustrate those who submit to society’s expectations; and Eustacia Vye, Felice Charmond, Tess …


A Portrayal Of Gender And A Description Of Gender Roles In Selected American Modern And Postmodern Plays., Bonny Ball Copenhaver May 2002

A Portrayal Of Gender And A Description Of Gender Roles In Selected American Modern And Postmodern Plays., Bonny Ball Copenhaver

Electronic Theses and Dissertations

The purpose of this study was to describe how gender was portrayed and to determine how gender roles were depicted and defined in a selection of Modern and Postmodern American plays. This study was based on the symbolic interaction theory of gender that suggests that social roles are learned over time and are subject to constant reinforcement. The significance of this study was derived from the broad topic of gender because gender issues are relevant to a variety of fields and exploring the effects of gender in one field contributes to the understanding of gender in another field.

The plays …