Arts and Humanities Commons^™

Narratives Of Incarcerated Women, Kaceylee Klein

Honors Scholar Theses

Our criminal-justice system mandates the silencing and disappearing of 2.3 million people, a consequence of its historical context as an inherently violent institution, carrying on traditions of slavery, oppression, and extortion. While any voice that makes it out of a prison cell is resisting the effort to silence, smother, and make compliant the voices of those labeled criminal, the form of publication of that voice allows more or less agency to the author depending on its conventions and structures. There is a spectrum from more controlled or mediated forms of publications to more author-directed ones and they vary over the …

The Simultaneous Book: Women's Writing In Contemporary Art, Maryse Lariviere

Electronic Thesis and Dissertation Repository

Novels written by women authors who don’t adhere to the classification “visual artist” are nonetheless gaining momentum in today's contemporary art world. Yet works by authors such as Chris Kraus or Catherine Millet are often not recognized as artist’s novels because their authors are not or/and do not consider themselves to be visual artists. I contend that we can usefully situate their work within the genre of the artist’s novel by addressing how they invent artistic postures and artistic alter-egos within the autofictional worlds of their texts. My dissertation The Simultaneous Book proposes to open up the definition of the …

Contradictory Shakespeare: An Investigation Of Female Protagonists In Othello, Measure For Measure, And Pericles, Mingyue Xu

Student Theses and Dissertations

Unlike the stereotyped image of women in the Elizabethan era, in which women should submit to men’s control, Desdemona in Othello, Isabella in Measure for Measure, and Marina in Pericles present their powerful and brave characteristics when facing male dominance. More specifically, all three young women — Desdemona, Isabella and Marina — negotiate sexual and marital arrangements with their language intelligently, despite the fact that they sometimes lack self-determining power in the plays. That is to say, Shakespeare gives women rhetorical power while in certain circumstances, men cannot be persuaded. Such contradiction within how Shakespeare depicts his female …

How Do You Stage A Problem Like Kevin Spacey? Reflections On Performance And Consent, With Help From Ellie Moon And Adam Lazarus, Kim Solga

Department of English Publications

How can theatre and performance open avenues for a nuanced exploration of consent in the wake of #MeToo? What aesthetic, generic, and dramaturgical choices may best contribute to this kind of exploration? As audience members, do we need to be made properly uncomfortable in our seats in order to think deeply about consent at the theatre? What are the ethical boundaries of such discomfort? Kim Solga investigates these questions and more as she revisits her experiences seeing Ellie Moon’s Asking for It and Adam Lazarus’s Daughter shortly after the Weinstein allegations broke in late 2017.

The Position Of A Woman: A Poetics Of Grace Paley’S Political Storytelling, Jamie Zabinsky

Dissertations, Theses, and Capstone Projects

While literary critics have long shown modest interest in writer-activist Grace Paley’s short fiction, no scholarship has yet focused on her extensive record of nonfiction writing. This thesis concentrates on Just As I Thought, an anthology of Paley’s essays, articles and speeches organized by Paley herself in lieu of any memoir or autobiography. Hannah Arendt’s theorizations of time, thought and standpoint serve as frameworks to establish the essay collection, arranged according to Paley’s political life along a timeline of feminist history, as a political storytelling project. Political storytelling, in the Arendtian sense and in context of this thesis, aims …

Once Upon A Time On Mango Street, Drake Deornellis

Montview Journal of Research & Scholarship

This paper examines how the use of fairytale allusions in Sandra Cisneros’ The House on Mango Street critiques and recreates standard constructions of female identity. Narrated by the young main character Esperanza, the novel explores the experiences of a variety of Latina women living on Mango Street. As Esperanza retells these stories, she frequently compares these women to fairytale characters, such as Cinderella and Rapunzel. These fairytales often define women as either “angels” or “monsters”: either they are perfect, or they are evil. Furthermore, this perfection for women is associated with dependence and passivity. As the women in the novel …

Are Postmodernism And #Metoo Incompatible?, Seo-Young J. Chu

Publications and Research

If postmodernism renders the replicant Rachael legible as a glossy simulacrum, then #MeToo renders her brutally legible as a victim of sexual violence.

The Maternal Body Of James Joyce's Ulysses: The Subversive Molly Bloom, Arthur Moore

Lawrence University Honors Projects

This paper provides a feminist criticism of Ulysses in an attempt to understand the relevance of Joyce and this novel today, as academia is experiencing a welcome pressure to move away from the study of ‘old white men.’ The interest of this paper is an interest in the alterity of the bodies of Ulysses. While once these bodies challenged the common discourse because they were ruled obscene, the bodies of the text continue to challenge both critics and a male literary tradition. As Joyce said about Ulysses, “my book is the epic of the human body.” Ulysses itself …

Does Money Indeed Buy Happiness? “The Forms Of Capital” In Fitzgerald’S Gatsby And Watts’ No One Is Coming To Save Us, Allie Harrison Vernon

English (MA) Theses

Looking primarily at two critically acclaimed texts that concern themselves with American citizenship—F. Scott Fitzgerald’s The Great Gatsby and Stephanie Powell Watts’ No One is Coming to Save Us—I analyze the claims made about citizenship identities, rights, and consequential access to said rights. I ask, how do these narratives about citizenship sustain, create, or re-envision American myth? Similarly, how do the narratives interact with the dominant culture at large? Do any of these texts achieve oppositional value, and/or modify the complex hegemonic structure? I use Pierre Bourdieu’s “The Forms of Capital” to investigate the ways in which economic, cultural, …

Mansfield Park By Kate Hamill (And Jane Austen), Christopher Nagle

ABO: Interactive Journal for Women in the Arts, 1640-1830

This article reviews the world premiere of Kate Hamill's Mansfield Park directed by Stuart Carden and produced for the Northlight Theatre in Chicago in November and December 2018. Hamill’s bold new adaptation is notable for foregrounding the contexts of empire and the slave trade undergirding the novel, and in ultimately offering a feminist fairy-tale of radical self-assertion and self-determination for its heroine.

Jane Austen Camp, Devoney Looser

ABO: Interactive Journal for Women in the Arts, 1640-1830

Austen camp has become prevalent, even omnipresent, today, in visions and versions of her and her fiction, using them as a canvas for zombies, porn, or roller derby. Some of it may be kitsch, but it’s arguably camp. Investigating Austen as camp is a valuable way to understand her humor and her social criticism, as we now understand camp as a positive literary and social practice. But rather than asking if and when camp is “there,” for Austen or for her past readers, we might instead investigate what aspects or elements of her reputation or her writing we notice differently …

Eighteenth-Century Camp Introduction, Ula Lukszo Klein, Emily Mn Kugler

ABO: Interactive Journal for Women in the Arts, 1640-1830

A blend of the silly and the extravagant that puts the serious into conversation with the ridiculous, camp today is often signified by elements of eighteenth-century Europe with its elaborate hairstyles, exaggerated silhouettes, affected courtiers, and a rise in the consumption of exotic goods, candelabras, masks, and other markers of elite excess (often with a nod to the era’s demise in the form of either the French Revolution or subsequent Victorian strictures). Camp’s relation to queer modes of performance and its prioritization of style over (or in conjunction with) substance offers a queer aesthetic lens to re-evaluate the eighteenth century …

Decentering The Dictator: ‘In The Time Of The Butterflies’ And The Mirabal Sisters’ Outspoken Challenge, Elise Coombs

English

Julia Alvarez’s portrayal of the Mirabal sisters from In the Time of the Butterflies centers the novel around the sisters’ speech and humanity. This decenters the dictator, a figure who was often central to Latin American dictator novels. The first chapter will provide background on the dictator’s characteristics to demonstrate how the Mirabal sisters’ speech draws attention away from his power. The four times the sisters encounter the dictator Rafael Trujillo in the novel, their speech decenters him because Alvarez emphasizes their experience. In the second chapter, I examine the gaps between each encounter, focusing on Minerva’s speech development towards …

The Woman We Don’T Want To Be: The Anti-Heroine In American Women’S Modernisms, Madison Priest

Dissertations, Theses, and Capstone Projects

Anita Loos’ Lorelei has a baby because “a kid that looks like any rich father is as good as money in the bank.” Edith Wharton’s Undine uses hers as a pawn in divorce negotiations with the child’s father. Jessie Redmon Fauset’s Angela abandons her sister so her boyfriend won’t guess she’s black, and Nella Larsen’s Helga frustrates and alienates everyone she loves. Yet these protagonists were subject not just to gleeful mockery and sanction, but to furtive pity, uncomfortable recognition, even envy. Each age calls for its own bogeys; and the anti-heroine was, I contend, the perfect instantiation of American …

From Terrorism To Feminism: Live-Action Superhero Films As Reflections Of American Social Problems Post 9/11, Lindsey Poe

English MA Theses

Superheroes have always been used as tools of escapism. From their insurgence into popular culture in the 1930s, to their animation in television programs, and appearance in films in the late 1970s until now, superheroes have allowed audiences an avenue through which they could imagine an alternate, utopian reality. Through the analyses of modern superhero films, audiences are able to connect how the genre reflects larger social and political fears in the wake of such unexpected realities: fear of annihilation after the 9/11 attacks and existing in a potentially unsafe America following the election of Donald Trump. The superhero film …

Women Who Fly: Goddesses, Witches, Mystics, And Other Airborne Females By Serinity Young, Felicity Gilbert

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.

Children's Literature As A Catalyst For Social Change, Lyndsey Reynolds

Senior Theses

This thesis is the amalgamation of a creative writing project and an exploration of the ways that children’s literature influences and draws from social justice causes. It started after reading Good Night Stories for Rebel Girls and realizing that children’s books are not as simple as I remember them being. This book inspired me to consider the power of children’s literature to push young readers to be aware of and thoughtfully engaged with political, social and cultural conversations. The first phase of my thesis was exploring the relationship between social justice and children’s books by reading scholarly materials. In these …

Monsters, Marines, And Feminism In The 1980s: A Look At Ellen Ripley From Aliens, Summer Reardon

Spring Showcase for Research and Creative Inquiry

The battle between Ripley and the alien mother symbolizes how women of the 1980s were grappling with their changing roles of motherhood brought about in part by their increased power over their own reproductive health, as well as broadening career options for women. During this time, more women began to take on non-traditional gender roles in the workplace, the family, and in society. Ripley's character reflects this the growing wave of feminism, and presaged a more assertive and adaptable woman, while still demonstrating devotion to her adoptive offspring.

Francis Gregg And Horror Feminism, Sarah Jensen

Modernist Short Story Project

For centuries, humankind has been fascinated with horror. From the cruel arenas where gladiators fought to the death in Ancient Rome, to todays Halloween blockbusters, there is no short history for a genre that can creep into any particular story, with just a few ingredients. I believe that horror captures attention through the storytelling mode of relatability. Horror asks of its readers and viewers “what would you do?” Horror is inherently scary because it triggers human empathy and fear for the characters. Experiencing a horror movie or listening to a true crime podcast today can be a validating experience as …

Paralysis And Patriarchy: Moult’S “Stucco” And The Burden Of Responsibility, Elena Arana

Modernist Short Story Project

“Stucco” is a story about paralysis. A single man, around 50 years old, lives with and provides for his aging mother and spinster-sister. He is a blue collar factory employee who works six days a week, from dawn until dusk, humoring his family’s gossip around the dinner table each night in return for his weekend escapes to the country. When he finally gets the chance to retire, he pleads with his mother and sister to leave the city and move to the little cottage that he has always dreamed of owning. They refuse. He drops the subject. The end. “Stucco” …

“A Perfect Stranger”: The Domestic Power Struggle In “Samson And Delilah”, Shelby Shipley

Modernist Short Story Project

D.H Lawrence's short story “Samson and Delilah” was first published in vol. 21 no. 100 of The English Review, a modernist magazine that ran from 1908 to 1923 before it was absorbed into The National Review. According to the Modernist Journals Project, the magazine is described as “being more "modernist" than it actually was” however it was still “a major literary journal of the transitional period” (Modernist Journals Project). The English Review’s first editor, Ford Madox Hueffer, played an instrumental role in D.H Lawrence's literary career. In 1909, Impressed with Lawrence's talent, Heuffer published some of his poems in …

Hg Wells’ Anticipations : More “Perishable” Feminism, Kacey Sorenson

Modernist Short Story Project

In researching H.G. Wells’ evolving views on eugenics, race, anti-Semitism, and women, there was a noticeable absence of scholars referring to his last chapter of Anticipations of the Reaction of Mechanical and Scientific Progress upon Human Life and Thought. Regardless of why it has been overlooked, the aim of this study is to use the last chapter of Anticipations specifically to emphasize and confirm what feminist scholars have extracted as Wells’ view of women: what he proudly owned as feminism was dismissed by his contemporaries as “very perishable” (Kirchwey 308).

“The Price Of An Inspiration” And Feminism, Hana Buhler

Modernist Short Story Project

There is the saying, “Behind every great man is a great woman.” During the Victorian period, this saying could be considered the theme as women were supporting their husbands and children from within the home. Eventually though, women no longer wanted to be behind. Instead they wanted to be more involved with society by being alongside men. The short story “The Price of an Inspiration” by Ellen A. Smith published in The Argosy May 1900 volume demonstrates this eagerness through a woman named Kathleen Hayes alongside her classmate Carl Brenner. The two come to learn throughout the story that as …

Alchemical Feminism : The Power And Authority Of Women In Shakespeare's Pericles, Kathryn Corah

Legacy Theses & Dissertations (2009 - 2024)

William Shakespeare and George Wilkin’s romance play, Pericles, Prince of Tyre, is an example of a Renaissance narrative that includes alchemical subtext. There have been many academic articles and dissertations written on this subject; I seek to build upon these previous arguments to expand upon their premises to argue that this alchemical diction and iconography of alchemical emblems allows for Marina and Thaisa to promote the power latent in feminine-coded virtue as it resists against patriarchal violence and reforms a masculinist patriarchal system. The lens I utilized to analyze the text in my exploration of this topic, which I named …

Uncertain Inheritance: The Motherless Heiress In Big House Novels, Anna Bedsole

Theses and Dissertations--English

Thus, Uncertain Inheritance traces the heiress in Anglo-Irish Big House novels situated at key times of change for the Irish Ascendancy. The Gothic triad of orphaned heiress, dead mother, and sinister uncle does not belong exclusively to the realm of Irish Gothic authors, but rather this triad is used for different discursive purposes than in its English counterparts. Sheridan Le Fanu’s Uncle Silas (1864), Sommerville and Ross’s An Irish Cousin (1903), and Elizabeth Bowen’s The Last September (1929) use the Gothic trope of absent mothers both to address anxieties about and to question the Irish “half” of the Ascendancy Anglo-Irish …

The Chivalrous And Feminist King: How The Arthurian Legends Chronicled The Formation Of Two Gender Identities, Gary Andrew Pickle

Online Theses and Dissertations

Literature is often a product of its time, though some works can be said to be more indicative of the time period they came from than others. This thesis inspects Thomas Malory’s Le Morte D’Arthur and Marion Zimmer Bradley’s The Mists of Avalon, not only as products of their time but also as works that illuminate the formation of gender identity within their respective time periods. Malory’s unique experience as an acting knight throughout the fifteenth century influenced his version of the existing legends of Arthur and his court injecting then-current chivalric ideals into the text. Bradley worked to write …