Arts and Humanities Commons^™

A Crisis Of Friendship: Calculation And Betrayal In Shakespeare’S The Merchant Of Venice And Othello, The Moor Of Venice, Kristi Rene Sexton

Masters Theses

The idea that friendship is an illusory connection that may only exist in philosophers’ writings was a subject of interest for many of the early modern writers. Writers like Thomas Elyot, Thomas Churchyard, and Michel de Montaigne attempted to uphold idealized traditions of friendship; conversely, Shakespeare, along with writers such as Francis Bacon, presented early modern perceptions of idealized friendship only to confront and challenge the precepts. In The Merchant of Venice and Othello, the Moor of Venice, Shakespeare expresses a sometimes cynical yet realistic approach toward idealized friendship. He exposes the problem of upholding the idealized early modern …

Twelfth Night And The Philology Of Nonsense, Adam Zucker

Adam Zucker

No abstract provided.

"What's The Use Of Trying To Read Shakespeare?": Modes Of Memory In Virginia Woolf's Fiction And Essays, Sara Remedios Bloom

Dissertations, Theses, and Capstone Projects

This dissertation maps the relationship between Virginia Woolf’s fiction and essays, and William Shakespeare’s person and plays. I argue that Woolf’s writing is intended as an interactive practice of cultural memory, challenging her readers to become responders and to engage critically with the canon. I further argue that Woolf offers herself as inheritor of a literary practice that actively seeks to shape the values and social ideology of the time. The introduction defines three modes of memory operating in Woolf’s work: memory as opiate; memory as political instrument; and memory as dialectic. The first chapter shows the cultural memory of …

"Bring Out Your Dead!": Cashing In On Shakespeare In The First Folio, John M. Bowers

Special Collections Events

William Shakespeare wrote his plays for box-office profits at the theater, not for a reading public. When his old colleagues John Hemings and Henry Condell published his plays seven years after his death, they too were looking for financial profit and "packaged" the dramas -- as well as the dramatist himself -- to boost income by appealing to a new market of readers, thus making Shakespeare the subject of literary studies ever since.

21st Century Shakespeare, Evelyn Gajowski

Special Collections Events

Why do Shakespeare's texts resonate so powerfully for us at the outset of the twenty-first century? Why is Shakespeare more popular today than ever before? What are the various ways in which we consume Shakespeare's texts 400 years after he produced them? Professor Gajowski aims to suggest answers to these questions by elucidating the current state of the art of analyzing Shakespeare

The Merchant Of Venice In Shakespeare 400 Chicago, Verna Foster

English: Faculty Publications and Other Works

Verna Foster, City Desk 400 staff member, reviews Shakespeare's Globe's 2016 production of The Merchant of Venice.

A Natural History Of Teasing: British Women Writers And The Shakespearean Courtship Narrative, 1677-~1818, Mary Vance

UNLV Theses, Dissertations, Professional Papers, and Capstones

This dissertation considers the complex roles that nascent Bardolatry, the rise of women

writers, and the persistence of satiric impulses played in engineering the teasing relationships of eighteenth-century courtship fiction. I argue that in a period reputedly dominated by sentiment, women’s comedy largely hinged on anti-sentiment, particularly in its appropriation of the antithetical wooing practices so pervasive in Shakespeare’s romantic comedies. Such a perspective endows female authors (and their protagonists) to assume control of the discursive field and resituates the love story into a love game. I begin by tracing the continued influence of the Elizabethan culture of jest, aligning …

Shadows Of Empire: The Displaced New World Of Antony And Cleopatra, Christopher Kane

Masters Essays

No abstract provided.

Familiar Creatures: Witchcraft, Female Bodies, And Early Modern Animals, Christopher Clary

Early Modern Culture

No abstract provided.

"Famine And No Other Hath Slain Me": Jack Cade In The Garden Of Iden, Emily Gruber Keck

Early Modern Culture

No abstract provided.

Desdemona's Dildo: Fetish Objects And Transitional Sex In Othello, Perry Guevara

Early Modern Culture

No abstract provided.

Something Is Rotten In The Unreal City: Hamlet In The Waste Land, Aimee Valentine

The Hilltop Review

T.S. Eliot’s poem of 1922, “The Waste Land,” lays philosophical and stylistic ground for the Modern literary movement in which human experience takes the performative shape of inner dialog (or soliloquy) for the benefit of the reader/audience. This essay will argue that Eliot’s poem is an existentialist work that is not merely informed by Shakespeare’s Hamlet (the earliest example of British existentialism), but is directly modeled after it, in Eliot’s attempt to rectify the play’s perceived failings. Existentialism as a key to unlocking the mood of Modern literature is overlooked by those critics who relegate existentialist literature to the …

"The Sense Of An Ending": The Destabilizing Effect Of Performance Closure In Shakespeare's Plays, Megan Lynn Selinger

Electronic Thesis and Dissertation Repository

What makes a good ending? How do we know when something ends? In performance, it is difficult to characterize that nebulous and highly subjective — yet nonetheless theatrically powerful — “sense” of an ending. Previous scholarly work on Shakespearean endings, even when emphasizing performance, has largely focused on understanding endings from a narrative viewpoint, questioning how endings reach textual closure. These works examine the lingering questions or problems at the end of Shakespeare’s texts, and discuss how performance tackles these issues.

This dissertation takes performance as its starting point. It argues that Shakespearean performance endings naturally trouble textual conclusiveness, as …

Shakespeare, Orson Welles, And The Hermeneutics Of The Archive, Benjamin Lynn Wagner

Theses and Dissertations

This paper examines certain theoretical underpinnings of the historical processes by which Shakespeare's history plays became the de facto collective memory of the events they depict, even when those events are misrepresented. The scholarly conversation about this misrepresentation has heretofore centered on Shakespeare's potential political motivations. I argue that this focus on a political, authorial intent has largely ignored the impact these historical distortions have had over the subsequent 400 years. I propose that, due to Shakespeare's unique place in the historical timeline of the development of collective memory, Shakespeare's historical misrepresentation in the history plays is a byproduct of …

Behind The Stakes, Between The Lines, Beyond The Pun: A Critical Deconstruction Of Humor In William Shakespeare's A Midsummer Night's Dream, And Other Popular Comedies, Jaime Libby

Dissertations, Masters Theses, Capstones, and Culminating Projects

Humor is a powerful rhetorical device employed at all levels of human discourse—from casual banter to political debate. Still, despite humor’s global prevalence, its historical transgressiveness, and its distinct potential both to neutralize and critically engage highly fraught issues, humans do not often pause to ask how humor works. And what does its working tell us about our humanness? This thesis explores the operation of humor in literature and performance, using tools provided by structuralist, deconstructive, and postmodern critical arenas, to reveal how humor’s fundamental structures invite humans to entertain new perspectives and practice empathy. The study considers irony, the …

“But I Must Also Feel It Like A Man”: Redressing Representations Of Masculinity In Macbeth, Caitlin H. Higgins

The Review: A Journal of Undergraduate Student Research

The most popular characters in William Shakespeare’s Macbeth, second only to Macbeth himself, are the Weird Sisters. Despite being called “Sisters” the women are oddly androgynous and there is very little in their physical appearance or behavior to indicate their gender. Even more importantly, there is nothing to indicate their place in the Scottish patriarchy of which Macbeth and Banquo are firmly established. As the first actors to appear on stage and arguably the manipulators of Macbeth’s fate, the genderless Weird Sisters would have disturbed deeply rooted understandings of gender definition and hierarchy in viewers. This disturbance allows Shakespeare …

Shakespeare's Blush, Or "The Animal" In Othello, Steven Swarbrick

Publications and Research

This essay examines how the rhetoric of animalization in Shakespeare’s Othello compels us to think early modern categories of race in connection with early modern discourses of “human” versus “animal.” Beginning with Shakespeare’s representation of Iago, I suggest that it is the potential for sameness conditioned by Iago’s counterfactual statement (“Were I the Moor, I would not by Iago”) that is most significant about his relation to Othello. From there I consider the overlap between the play’s representations of animality and black skin. Read in the context of Jacques Derrida’s reflections on animals, I consider the deconstructive value of linking …

Proceduralizing Privilege: Designing Shakespeare In Virtual Reality And The Problem With The Canon, David M. Frisch

FIU Electronic Theses and Dissertations

This thesis focuses on the development of the first project for FIU’s ICAVE, The Globe Experience, presented as part of the “First Folio! The Book That Gave Us Shakespeare” exhibit during February, 2016. The thesis is divided into two parts. The first part is the project itself: a virtual reality recreation of going to The Globe Theater to see a play by William Shakespeare. The second part examines the digital project and outlines how Walter Benjamin and postcolonial theorists influenced the design of The Globe Experience, resulting in, what I call, a “temporally and spatially disjointed London.” From this examination, …

Othello In Shakespeare 400 Chicago, Verna Foster

English: Faculty Publications and Other Works

Verna Foster, City Desk 400 staff member, reviews a performance of Othello at the Chicago Shakespeare Theater.

Diversifying Shakespeare, Ruben Espinosa

Ruben Espinosa

The Filial Dagger: The Case Of Hal And Henry Iv In 1 & 2 Henry Iv And The Famovs Victories, Kristin M.S. Bezio

Jepson School of Leadership Studies articles, book chapters and other publications

English culture and politics in the last decade of the sixteenth century were both patriarchal and patrilineal, in spite of— or, perhaps, in part, because of—the so-called bastard queen sitting on the throne. The prevailing political questions of the day concerned Elizabeth’s successor and the fate of the nation that, so many believed, hung precariously in the balance. Questions of legality, legitimacy, and fitness formed the crux of these debates, but almost all claimants attempted to justify their right by tracing their bloodlines back to either Henry VII or Edward III, the respective patriarchs of the Tudor dynasty and the …

The Scholar Magician In English Renaissance Drama, Ashley M. Minnis-Lemley

Scripps Senior Theses

In this paper, I will explore the rise and fall of the scholar magician or sorcerer, both as a popular dramatic subject and as an arc for individual characters, and the ways in which these figures tied into contemporary fears about the intersection of religion and developing scientific knowledge.

The Imperial Graft: Horticulture, Hybridity, And The Art Of Mingling Races In Henry V And Cymbeline, Jean Feerick

English

The Oxford Handbook of Shakespeare and Embodiment brings together 42 of the most important scholars and writing on the subject today. Extending the purview of feminist criticism, it offers an intersectional paradigm for considering representations of gender in the context of race, ethnicity, sexuality, disability, and religion. In addition to sophisticated textual analysis drawing on the methods of historicism, psychoanalysis, queer theory, and posthumanism, a team of international experts discuss Shakespeare's life, contemporary editing practices, and performance of his plays on stage, on screen, and in the classroom. This theoretically sophisticated yet elegantly written Handbook includes an editor's Introduction that …

“‘The Joys And Accessibility Of Shakespeare’S Theater’: Notes On The American Shakespeare Center’S Summer/Fall 2015 Season, Niamh J. O'Leary

Faculty Scholarship

No abstract provided.

Shakespeare And The Cultural Olympiad: Contesting Gender And The British Nation In The Bbc’S Hollow Crown, L Monique Pittman

Faculty Publications

As part of the 2012 Cultural Olympiad celebrating both the Queen's Diamond Jubilee and the London Olympics, the BBC launched a season of programs, entitled Shakespeare Unlocked, most notably presenting the plays of the second tetralogy in four feature-length adaptations released under the unifying title The Hollow Crown. These plays so obviously engaged with the question of English nationalism suited a year in which the United Kingdom wrestled with British identity in a post-colonial and post-Great Recession world. Through its adaptative and filmic vocabularies, however, The Hollow Crown advances a British nationalism unresponsive to the casualties — often women and …

The Performance Of Melancholy: Understanding The Humours Through Burton, Jonson, And Shakespeare, Lindsey N. Betts

CMC Senior Theses

This thesis aims to explore the relationships between dramatic texts and the Elizabethan topic of the humours. It covers Burton's Anatomy of Melancholy, Jonson's plays Every Man Out of His Humour and Every Man in His Humour, and Shakespeare's plays Hamlet and As You Like It. Each of these works provides a glimpse into society and its opinions specifically on melancholy, from its most basic and complex definitions to how it is perceived and addressed.

Mother Knows Best: The Overbearing In Coriolanus And Psycho, Mikaela Lafave

The Corinthian

Psychoanalytic critics have focused on the mother-son relationship throughout its criticism, stemming from Freud’s reinterpretation of the Oedipal myth. These relationships have dominated popular culture, showing up in modern contexts as recently as this year. With the current fascination with these relationships at the forefront, this paper chooses to examine two texts formative in establishing these relationships – Shakespeare’s Coriolanus and Hitchcock’s Psycho.

The Imperial Graft: Horticulture, Hybridity, And The Art Of Mingling Races In Henry V And Cymbeline, Jean E. Feerick

Jean Feerick