Arts and Humanities Commons^™

Behold, Steve Bannon’S Hip-Hop Shakespeare Rewrite: 'Coriolanus', Daniel Pollack-Pelzner

Faculty Publications

In this opinion piece originally published in the New York Times, Daniel Pollack-Pelzner examines The Thing I Am (a contemporary rewrite of Coriolanus, as envisioned by Steve Bannon and Julia Jones) in the context of Shakespeare's original play. Pollack-Pelzner argues that Bannon's political playbook is evident in the script for The Thing I Am — namely, a violent macho conflict to purge corrupt leaders and pave the way for a new strongman to emerge.

A Crisis Of Friendship: Calculation And Betrayal In Shakespeare’S The Merchant Of Venice And Othello, The Moor Of Venice, Kristi Rene Sexton

Masters Theses

The idea that friendship is an illusory connection that may only exist in philosophers’ writings was a subject of interest for many of the early modern writers. Writers like Thomas Elyot, Thomas Churchyard, and Michel de Montaigne attempted to uphold idealized traditions of friendship; conversely, Shakespeare, along with writers such as Francis Bacon, presented early modern perceptions of idealized friendship only to confront and challenge the precepts. In The Merchant of Venice and Othello, the Moor of Venice, Shakespeare expresses a sometimes cynical yet realistic approach toward idealized friendship. He exposes the problem of upholding the idealized early modern …

Twelfth Night And The Philology Of Nonsense, Adam Zucker

Adam Zucker

No abstract provided.

Introduction To "Early Modern To Postmodern Shakespeares: Three Approaches To Staging Romeo And Juliet", Ann M. Shanahan, Anne Fliotsos

Department of Fine & Performing Arts: Faculty Publications and Other Works

No abstract provided.

"What's The Use Of Trying To Read Shakespeare?": Modes Of Memory In Virginia Woolf's Fiction And Essays, Sara Remedios Bloom

Dissertations, Theses, and Capstone Projects

This dissertation maps the relationship between Virginia Woolf’s fiction and essays, and William Shakespeare’s person and plays. I argue that Woolf’s writing is intended as an interactive practice of cultural memory, challenging her readers to become responders and to engage critically with the canon. I further argue that Woolf offers herself as inheritor of a literary practice that actively seeks to shape the values and social ideology of the time. The introduction defines three modes of memory operating in Woolf’s work: memory as opiate; memory as political instrument; and memory as dialectic. The first chapter shows the cultural memory of …

"Bring Out Your Dead!": Cashing In On Shakespeare In The First Folio, John M. Bowers

Special Collections Events

William Shakespeare wrote his plays for box-office profits at the theater, not for a reading public. When his old colleagues John Hemings and Henry Condell published his plays seven years after his death, they too were looking for financial profit and "packaged" the dramas -- as well as the dramatist himself -- to boost income by appealing to a new market of readers, thus making Shakespeare the subject of literary studies ever since.

21st Century Shakespeare, Evelyn Gajowski

Special Collections Events

Why do Shakespeare's texts resonate so powerfully for us at the outset of the twenty-first century? Why is Shakespeare more popular today than ever before? What are the various ways in which we consume Shakespeare's texts 400 years after he produced them? Professor Gajowski aims to suggest answers to these questions by elucidating the current state of the art of analyzing Shakespeare

The Merchant Of Venice In Shakespeare 400 Chicago, Verna Foster

English: Faculty Publications and Other Works

Verna Foster, City Desk 400 staff member, reviews Shakespeare's Globe's 2016 production of The Merchant of Venice.

A Natural History Of Teasing: British Women Writers And The Shakespearean Courtship Narrative, 1677-~1818, Mary Vance

UNLV Theses, Dissertations, Professional Papers, and Capstones

This dissertation considers the complex roles that nascent Bardolatry, the rise of women

writers, and the persistence of satiric impulses played in engineering the teasing relationships of eighteenth-century courtship fiction. I argue that in a period reputedly dominated by sentiment, women’s comedy largely hinged on anti-sentiment, particularly in its appropriation of the antithetical wooing practices so pervasive in Shakespeare’s romantic comedies. Such a perspective endows female authors (and their protagonists) to assume control of the discursive field and resituates the love story into a love game. I begin by tracing the continued influence of the Elizabethan culture of jest, aligning …

Shadows Of Empire: The Displaced New World Of Antony And Cleopatra, Christopher Kane

Masters Essays

No abstract provided.

Familiar Creatures: Witchcraft, Female Bodies, And Early Modern Animals, Christopher Clary

Early Modern Culture

No abstract provided.

"Famine And No Other Hath Slain Me": Jack Cade In The Garden Of Iden, Emily Gruber Keck

Early Modern Culture

No abstract provided.

Desdemona's Dildo: Fetish Objects And Transitional Sex In Othello, Perry Guevara

Early Modern Culture

No abstract provided.

Something Is Rotten In The Unreal City: Hamlet In The Waste Land, Aimee Valentine

The Hilltop Review

T.S. Eliot’s poem of 1922, “The Waste Land,” lays philosophical and stylistic ground for the Modern literary movement in which human experience takes the performative shape of inner dialog (or soliloquy) for the benefit of the reader/audience. This essay will argue that Eliot’s poem is an existentialist work that is not merely informed by Shakespeare’s Hamlet (the earliest example of British existentialism), but is directly modeled after it, in Eliot’s attempt to rectify the play’s perceived failings. Existentialism as a key to unlocking the mood of Modern literature is overlooked by those critics who relegate existentialist literature to the …

"The Sense Of An Ending": The Destabilizing Effect Of Performance Closure In Shakespeare's Plays, Megan Lynn Selinger

Electronic Thesis and Dissertation Repository

What makes a good ending? How do we know when something ends? In performance, it is difficult to characterize that nebulous and highly subjective — yet nonetheless theatrically powerful — “sense” of an ending. Previous scholarly work on Shakespearean endings, even when emphasizing performance, has largely focused on understanding endings from a narrative viewpoint, questioning how endings reach textual closure. These works examine the lingering questions or problems at the end of Shakespeare’s texts, and discuss how performance tackles these issues.

This dissertation takes performance as its starting point. It argues that Shakespearean performance endings naturally trouble textual conclusiveness, as …

Shakespeare, Orson Welles, And The Hermeneutics Of The Archive, Benjamin Lynn Wagner

Theses and Dissertations

This paper examines certain theoretical underpinnings of the historical processes by which Shakespeare's history plays became the de facto collective memory of the events they depict, even when those events are misrepresented. The scholarly conversation about this misrepresentation has heretofore centered on Shakespeare's potential political motivations. I argue that this focus on a political, authorial intent has largely ignored the impact these historical distortions have had over the subsequent 400 years. I propose that, due to Shakespeare's unique place in the historical timeline of the development of collective memory, Shakespeare's historical misrepresentation in the history plays is a byproduct of …

Mark Twain, Argumentation Theorist, Chris Campolo

OSSA Conference Archive

Commentators have read Twain’s Is Shakespeare Dead? as the strained work of a man worried about his own literary legacy. But it is actually an essay about argumentation. Twain writes about the burden of argument, premise relevance, understanding and inference, and norms and practices of argumentation. I will argue that what is taken to be a thoroughgoing cynicism on Twain’s part is best understood as a thoughtful scepticism about the scope of reasoning.

One With The Toad: Bejeweled But Venomous Nature, Lisa Fisher

Seton Hall University Dissertations and Theses (ETDs)

This thesis explores the paradoxical connection in As You Like It, King Lear and The Tempest between instances of human surrender to nature and the redemption that occurs in the human realm despite nature's apathy toward the human existence.

Behind The Stakes, Between The Lines, Beyond The Pun: A Critical Deconstruction Of Humor In William Shakespeare's A Midsummer Night's Dream, And Other Popular Comedies, Jaime Libby

Dissertations, Masters Theses, Capstones, and Culminating Projects

Humor is a powerful rhetorical device employed at all levels of human discourse—from casual banter to political debate. Still, despite humor’s global prevalence, its historical transgressiveness, and its distinct potential both to neutralize and critically engage highly fraught issues, humans do not often pause to ask how humor works. And what does its working tell us about our humanness? This thesis explores the operation of humor in literature and performance, using tools provided by structuralist, deconstructive, and postmodern critical arenas, to reveal how humor’s fundamental structures invite humans to entertain new perspectives and practice empathy. The study considers irony, the …

Lovable Rogue: The Shenanigans Of Sir Toby Belch In William Shakespeare's "Twelfth Night", William Clark Rogers

Graduate Theses and Dissertations

This thesis documents and explores the actor’s approach to and discovery of the values, methods and motivations of Sir Toby Belch in the Fall 2015 University Theatre production of William Shakespeare’s “Twelfth Night.” In addition, the author’s second thesis role was as Andrew Makepeace Ladd III in A. R. Gurney’s, “Love Letters” produced and performed in Kimpel Hall Studio during Spring 2016. The thesis also includes a personal statement of artistry, programs for the thesis related performances, a headshot, resume, production photos and a link to the actor’s website.

The Day I Walked Off The Motherf**King Stage: Shakespeare To Stephen Adly Guirgis, Christopher Markus Hecke

Graduate Theses and Dissertations

This thesis represents the culmination of my craft as an actor, through the collection of production material from Twelfth Night, and The Motherfucker With The Hat, headshot, resume, website link and my personal statement of artistry.

A Storm In The Port: The Process Designing Twelfth Night, Jacquelyn Ryan Cox

Graduate Theses and Dissertations

The purpose of this thesis is to document the process and provide all the necessary materials for the realization of the lighting design for the University of Arkansas Department of Theatre’s 2015 production of Twelfth Night by William Shakespeare. This thesis consists of the following materials: designer’s script analysis, design concept statement, historical and evocative research, Vectorworks overstage plot, Vectorworks section plot, LightWright paperwork, cue sheet, final magic sheets, and process evaluation. The materials provided are necessary to the design team, the electricians who hang the light plot, and the designer in order program the cues. Archival photography is included …

Classical Masculinity In Shakespeare’S Antony And Cleopatra, Timothy N. Grams

All NMU Master's Theses

This thesis uses the formula of classical masculinity to examine Marc Antony’s value as a Roman man in Shakespeare’s Antony and Cleopatra. Examining Antony’s history as a Roman hero, I distinguish how his reputation is destroyed through his romantic involvement with Cleopatra. Furthermore, I consider the divine representations of Cleopatra and Octavian Caesar as they oppose each other, and how Antony’s role within their conflict defines his value as a classical Roman man. I then deliberate his sexual fetishism for the matriarch pharaoh, and how their relationship functions as sadomasochistic, defining Antony as the masochist and Cleopatra as the …

A Midsummer Night's Dream

Taylor Theatre Playbills

Taylor Theatre presents William Shakespeare’s A Midsummer Night’s Dream.

Performed April 29-30 and May 6-7, 2016 at the Mitchell Theatre. Mischief meets merriment in this fresh re-imagining of Shakespeare's most popular romantic comedy.

In just one night, four magical stories are cleverly woven together: the marriage of the Athenian duke to the Amazon queen; the battle of the king and queen of the fairies; the follies of four lovers in a forest; and the hilarious antics of amateur actors staging a play. Enter a vibrant world where fairies fly overhead, a donkey bursts into song, and love potion makes your …

“But I Must Also Feel It Like A Man”: Redressing Representations Of Masculinity In Macbeth, Caitlin H. Higgins

The Review: A Journal of Undergraduate Student Research

The most popular characters in William Shakespeare’s Macbeth, second only to Macbeth himself, are the Weird Sisters. Despite being called “Sisters” the women are oddly androgynous and there is very little in their physical appearance or behavior to indicate their gender. Even more importantly, there is nothing to indicate their place in the Scottish patriarchy of which Macbeth and Banquo are firmly established. As the first actors to appear on stage and arguably the manipulators of Macbeth’s fate, the genderless Weird Sisters would have disturbed deeply rooted understandings of gender definition and hierarchy in viewers. This disturbance allows Shakespeare …

Exploring Femme Fatale Through Lady Macbeth, Tori Hidalgo

Undergraduate Honors Thesis Projects

I performed the role of Lady Macbeth at a common hour presented to Otterbein University’s Department of Theatre and Dance students. The concept involved presenting a cut of Shakespeare’s Macbeth that highlighted the development of Macbeth and Lady Macbeth’s relationship. In scripting and performing this adaptation, I sought to fully incorporate my body into my acting style and to expand and apply my knowledge of the femme fatale archetype to a well known literary character: Lady Macbeth. Another goal of this project was to determine how and if the femme fatale fits into feminist ideologies.

Shakespeare's Blush, Or "The Animal" In Othello, Steven Swarbrick

Publications and Research

This essay examines how the rhetoric of animalization in Shakespeare’s Othello compels us to think early modern categories of race in connection with early modern discourses of “human” versus “animal.” Beginning with Shakespeare’s representation of Iago, I suggest that it is the potential for sameness conditioned by Iago’s counterfactual statement (“Were I the Moor, I would not by Iago”) that is most significant about his relation to Othello. From there I consider the overlap between the play’s representations of animality and black skin. Read in the context of Jacques Derrida’s reflections on animals, I consider the deconstructive value of linking …

Proceduralizing Privilege: Designing Shakespeare In Virtual Reality And The Problem With The Canon, David M. Frisch

FIU Electronic Theses and Dissertations

This thesis focuses on the development of the first project for FIU’s ICAVE, The Globe Experience, presented as part of the “First Folio! The Book That Gave Us Shakespeare” exhibit during February, 2016. The thesis is divided into two parts. The first part is the project itself: a virtual reality recreation of going to The Globe Theater to see a play by William Shakespeare. The second part examines the digital project and outlines how Walter Benjamin and postcolonial theorists influenced the design of The Globe Experience, resulting in, what I call, a “temporally and spatially disjointed London.” From this examination, …

Ms-192: Ariel's Way, Devin Mckinney

All Finding Aids

Musician and teacher James G. Henderson, '71 wrote a musical based on Shakespeare's The Tempest called The Tempest, Ariel's Way: A Musical of Betrayal Revenge, and Reconciliation. Written in 2003 and first performed in 2005, Ariel's Way was revised and restaged in October 2010 with professional performers and musicians. This second production was shot on multiple cameras and edited into a high-quality video.

This collection contains, in hard copy and digital form, all visual, musical, and written materials required to produce Ariel’s Way. These include the libretto, written scores for piano and conductor, lead sheets for musicians, guidelines …

Othello In Shakespeare 400 Chicago, Verna Foster

English: Faculty Publications and Other Works

Verna Foster, City Desk 400 staff member, reviews a performance of Othello at the Chicago Shakespeare Theater.