Arts and Humanities Commons^™

Imagining Woman Otherwise, Or Nothing: Sexuation As Discourse In Lacanian Thought, Rahna Carusi

Rahna M Carusi

My dissertation looks at the connections between Lacan’s four discourses and the sexuation graph in order to claim that sexuation is discursive and that, as Lacan presents it with the phallus as its quilting point, the sexuation graph is a narrative based on patriarchal hegemony, which is one of many possible narratives. I argue that through the hysteric’s discourse and a removal of the phallus as the Symbolic-Imaginary quilting point, we can begin to formulate new narratives of sexuated subjectivities. The textual objects I use for this project are literary and filmic works where women are the central topic or …

The Emergence Of Feminism During The Late Eighteenth And Nineteenth Centuries By Female Artists And Authors, Tracy S. Koubek

Master of Liberal Studies Theses

This thesis paper identifies the ways in which the painters Elisabeth Vigée-Lebrun and Mary Cassatt and the writers Charlotte Brontë and Elizabeth Barrett Browning challenged the limitations of their sex by engaging in professions outside of the domestic sphere during the late eighteenth and nineteenth centuries. This essay first focuses on the negative effects that a separation between the private and public spheres had on women, how these changes came about, the expectations society imposed on women, and how many women learned to cope and step forward into the public sphere. The emphasis shifts to an examination of the lives …

Modernism En Vogue: Popular Periodicals And Their Engagement With Modernist Culture, Natalie Kalich

Dissertations

My project investigates commercial magazines from the 1920s, including, The Saturday Evening Post, Ladies' Home Journal, Vogue, and Vanity Fair to reveal the frequency with which modernist writers contributed to these periodicals and the extent to which editors of these magazines found modernist discourse marketable to larger audiences, thereby undermining the assumption that modernists only spoke to a coterie audience. Furthermore, by investigating the similarities present in discourse on modernism and developments in popular culture such as jazz and film in a commercial context, I expand and complicate constructions of modernist and popular culture from both sides of the cultural …

“To Say Nothing”: Variations On The Theme Of Silence In Selected Works By Sor Juana Inés De La Cruz, Sandra Cisneros, And María Luisa Bombal, Hannah M. Frantz

Student Publications

This paper explores the various ways in which Sor Juana Inés de la Cruz’s La Respuesta, Sandra Cisneros’s “Woman Hollering Creek,” and María Luisa Bombal’s “The Tree” address the theme of silence. It interrogates how the female characters in each of these works are silenced as well as their responses to that oppression. Meaning is subjective, so writing is a safe outlet for the oppressed. These works each identify an oppressor, either a husband or the male dominated church, as well as an oppressed individual, who is the female lead. In La Respuesta, the Catholic church, and specifically …

Anticipative Feminism In F. Scott Fitzgerald’S This Side Of Paradise And Flappers And Philosophers, Andrew Riccardo

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Mediums Change, Fears Stay The Same, Lucy Wilhelms

Honors Theses

Although generally dismissed by scholars as being overly sentimental or superstitious, the gothic genre has survived for over four centuries and maintained significant cultural appeal, outlasting the sentimental novel and the travelogue as popular literature. What, then, makes this genre different? What is so special about the gothic?

In my thesis, I examine the evolving cultural appeal of the gothic genre that keeps it attractive and relevant for readers by tracing the gothic text, The Woman in Black by Susan Hill, through its initial inception and its subsequent adaptations. As a novel, The Woman in Black both repeats and revises …

Reverential Feminism: (Re) Considering The Status Of Women In The African Novel, Joseph M. Brogdon

The Corinthian

In assessing the African novel from a twenty-first century Western perspective, the tendency inevitably arises to interpret the culture as inherently bearing an excessive force of patriarchal subjugation against which all African women must struggle. Perhaps such a reading is not entirely unwarranted, but if this is the chosen lens for interpretation, it then becomes necessary distinguish the author’s beliefs from those represented in the cultural attitudes of their text. In failing to make this ideological distinction between the world of the novel and the world of the novelist, it becomes easy to err in the way of too readily …

Surviving The Waterless Flood: Feminism And Ecofeminsim In Margaret Atwood’S The Handmaid’S Tale, Oryx And Crake, And The Year Of The Flood, Karen Stein

Karen F Stein

No abstract provided.