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Queer Representation: Revitilizing F. Scott Fitzgerald’S Place In The American Literary Canon, Olivia Wallace
Queer Representation: Revitilizing F. Scott Fitzgerald’S Place In The American Literary Canon, Olivia Wallace
Honors Theses
F. Scott Fitzgerald is colloquially known as one of the great American writers. His acclaim is most commonly attributed to his depiction of heterosexual romances set during the Jazz Age. However, under the surface, many of the male characters that he represents display queer behaviors that subvert this idea. The texts analyzed here include “The Rich Boy” (1926), Tender is the Night (1934), and The Great Gatsby (1925). These men commonly avoid perpetuating heteronormative culture, projecting a general air of cynicism towards the institution of marriage, and a subtle inclination towards feminine characteristics and queer love. Overall, the inclusion of …
Byron And Don Juan: A Case Study And Queer Reading Of The Closeted Libertine, Caitlin Stanfield
Byron And Don Juan: A Case Study And Queer Reading Of The Closeted Libertine, Caitlin Stanfield
Honors Theses
This thesis explores the major theme of homosexuality throughout the poetry of Lord George Gordon Byron, ultimately focusing on his 1819 iteration of Don Juan. It presents historically relevant information regarding the sodomy laws, religious sermons, anti-sodomite publications, and other obstacles that, I argue, prevented Byron from expressing his sexuality openly. The queer Byron, of course, exists elsewhere. Through close readings of Byron’s correspondence and of his verse, my thesis argues that we can read Byron’s highly coded, homoerotic jargon for what it is, shedding new light on the active but concealed homosexual community of nineteenth-century England.
Devising Performance & Queer Futurity, Brendan F. Leonard
Devising Performance & Queer Futurity, Brendan F. Leonard
Honors Theses
This project argues that devising performance is an inherently queer and utopian form. In response to recent political movements, such as Occupy Wall Street and Black Lives Matter, which seek to stage dissatisfaction with the systems of late capitalism, I turn to devising performance as a site. Informed by the queer and performance theories of Jose Esteban Munoz, Lee Edelman, and Jill Dolan, I argue that devised theater allows us to process disillusionment, rehearse collectivity, and stage futurity. In conversation with Munoz, I define futurity as an imaginative site that considers what will follow what some scholars suggest will be …