Arts and Humanities Commons^™

Dramaturgy For Miss Bennet: Christmas At Pemberley, Samantha Stringham

Fall Student Research Symposium 2021

The aim of this dramaturgical research was to explore and understand Miss Bennet: Christmas at Pemberley by Lauren Gunderson and Margot Melcon within the context of Jane Austen and Pride and Prejudice, the sociohistorical and contextual norms of Regency England, and within the world of the play itself. The goal was for this research to be utilized by the cast and production team of Utah State University’s production of Miss Bennet (directed by Tarah Flanagan) as a resource to inform production, performance, and design. This was achieved through strictly textual, and performance-focused analysis of the play. The research was compiled …

Is It ‘A Marriage Of True Minds’? Balanced Reading In Northanger Abbey And Persuasion, Lynda A. Hall

English Faculty Books and Book Chapters

Jane Austen often uses reading as a way to develop her characters. For instance, in Persuasion, Captain Benwick‘s melancholic disposition is revealed through his partiality for Romantic poetry, but Anne Elliot’s value for balance is expressed when she recommends moral essays. Other times, and not unfrequently, characters’ reading choice falls on the works of William Shakespeare—such as Hamlet, which Willoughby reads to Marianne Dashwood in Sense and Sensibility, and the excerpts from Elegant Extracts we learn that Northanger Abbey’s Catherine Morland has memorized.

Some of Austen’s characters read Shakespeare with seductive intent, but others show their …

Emma Adapted: Jane Austen’S Heroine From Book To Film, Marc Dipaolo

Faculty Books & Book Chapters

"This work of literary and film criticism examines all eight filmed adaptations of Jane Austen’s Emma produced between 1948 and 1996 as vastly different interpretations of the source novel. Instead of condemning the movies and television specials as being «not as good as the book,» Marc DiPaolo considers how each adaptation might be understood as a valid «reading» of Austen’s text. For example, he demonstrates how the Gwyneth Paltrow film Emma is both a romance and a female coming-of-age story, the 1972 BBC miniseries dramatizes Emma’s world as claustrophobic and Emma herself as suffering from depression, and the modern-day teen …