Arts and Humanities Commons^™

Jane Austen And A Biographical Study Of The Historical Narrative Process, Serena Young

Electronic Theses, Projects, and Dissertations

Jane Austen, beloved national literary icon of Great Britain, is world-renowned for her fiction. Biographers have attempted to authentically piece together her life and often, try to connect her narrative to when and how her fiction was written, as well as point out circumstances within her personal life and speculate their influence on her work. Literary analysts and critics that have examined the historical narrative process, Hayden White and Kevin Gilvary, have found that the way in which a historical account is presented plays a significant role in how history is understood and perpetuated. When examining Jane Austen’s life, many …

Defining Elegant Taste In Emma And The British Housewife, Genevieve Brewer

Senior Theses and Projects

No abstract provided.

Austen's Realist Feminine Icon, Sean Mcconnell

Student Works

No abstract provided.

To Do Or Not To Do: Anne Elliot And Edith Hope’S Evolving Perceptions Of Marriage In Persuasion And Hotel Du Lac, Jillian Cook

English Senior Capstone

While Anita Brookner might deny a connection between her characters and those of Jane Austen, placing Brookner’s Hotel du Lac and Austen’s Persuasion in conversation with one another reveals how similarly their protagonists are shaped. Edith Hope and Anne Elliot are both characters who make choices based on a high opinion of love that has been cultivated through the various interactions they have with the single, married, and widowed people in their lives. This paper seeks to investigate these relationships to understand why the two women respond so differently to the marriage proposals they receive at the end of their …

From "Pictures Of Perfection" To "No Ideal Expression": How Jane Austen Reimagines And Reinvents Eighteenth-Century Heroines, Gretchen Picklesimer Kinney

Criterion: A Journal of Literary Criticism

No abstract provided.

The Impact Of Emma: Destroying Stereotypes Through Nuanced Characters In Text And Film, Julia Mccool

English MA Theses

This paper explores Jane Austen’s Emma as a response to stereotypes in 18th century novels and moral tales, and Autumn De Wildes’s Emma. from a feminist lens. Examining both of these works reveals that Emma was originally, and still is over 200 years later, transforming stereotypes in literature and film adaptations. The novel seems to be responding to a common stereotypical female villain found in many 18th century novels. In viewing Emma as a subversion of this stereotype, it is clear that Austen was responding to the sexist notions behind the character type, and writing a heroine more in line …

What, Then, Is The Walk?: Reflecting On Pedestrianism In Jane Austen’S Persuasion, Jasmine Redford

The Goose

Jane Austen’s Persuasion (1818) contains a surprising amount of social walking and leisurely walking parities undertaken by Anne Elliot and her upper-class compatriots. Viewed through an Austenian lens, a reflection of the walk highlights the similarities and differences between nineteenth-century and post-millennial walking for pleasure. What is the cultural history of nineteenth-century pedestrianism in England, and why was it so important in literature and polite society alike? What, then, is the walk? Why indulge in a stroll, a promenade, or a pastoral ramble? How does this sociocultural pedestrianism reinforce the distinction between the classes? Perhaps Austen’s walk, both an …

“Perfect In Her Eyes:” Domestic Retrenchment And Panoptical Resistance In Jane Austen’S Mansfield Park, Holden O. D'Evegnee

Criterion: A Journal of Literary Criticism

Mansfield Park features one of Jane Austen's most unique heroines, Fanny Price. Though Fanny is painfully shy—almost to the point of becoming the audience to her own story—she manages, by the end of the novel, to gain everything she wanted while the rest of her adopted family falls apart into disgrace or reform. Some critics see this as proof of Fanny’s monstrosity while others read Fanny’s ascent as a reward for her principled nature. Using recent postcolonial readings of Mansfield Park with Michel Foucault’s theory of panoptical surveillance, my goal is to show how Fanny Price subverts the colonial authority …

Women After Waterloo: Evolving Females In Jane Austen’S Persuasion, Madison Maloney

Criterion: A Journal of Literary Criticism

In Jane Austen’s last novel, Persuasion, she offers a glimpse into a character that breaks past the societal restraints women typically experience. Mrs. Croft, ostensibly, is the first Austen woman to find her way out of England; the Napoleon wars afford her the opportunity to travel the seas with her Admiral husband and participate in traditionally masculine experiences. Though other women in Austen novels do travel, they remain in-country, and they always find their way back to their original society. Throughout many wars in history, the absence of men as they fight in the military offers women the opportunity to …

Chawton House And Its Library: Legacies And Futures, Kim Simpson

ABO: Interactive Journal for Women in the Arts, 1640-1830

In a review of Women’s Writing, 1660-1830: Feminisms and Futures, Paula Backscheider draws attention to “the miracle that is Chawton House, whose conferences nurtured these essays” in the collection. This essay will examine the legacy of this unique institution and explore the futures for the organization both as heritage site and as home to a substantial collection of women’s writing of the long eighteenth century. The community encouraged and nurtured by Chawton House since it opened to the public in 2003, as is so often the case with all things related to Jane Austen, complicates divisions between the academic …

Neurodiversity In Sense And Sensibility And Emma: Jane Austen’S Heroines And Their Cognitive Difference, Alexandra Sausa

Masters Theses

There is a dearth of criticism that analyzes Jane Austen’s characters through the lens of neurodivergence — that is, an umbrella term for neurological difference, or behavior and cognitive processing that differs from what is “typical”. Although Austen has male characters that have been read as neurodivergent, this thesis will principally focus on two of Austen’s neurodivergent heroines: Marianne Dashwood and Emma Woodhouse. To support neurodivergent interpretations of these heroines, I will supplement close readings of Sense and Sensibility and Emma with social science and psychological literature. Marianne exhibits numerous traits that characterize Autism Spectrum Disorder (ASD), and Emma exhibits …

Adapting The Classics: Making The Invisible Visible, Kate Isabel Foley

Theater Honors Papers

This project seeks to answer the question, “How can a writer use an old story to shine new light on modern issues and make the invisible visible?” My adaptation of Jane Austen’s Pride and Prejudice is a genderbent retelling with queer themes while my adaptation of J.M. Barrie’s Peter Pan is a dark reimagining of Mrs. Darling as an antihero protagonist who must become Captain Hook to try to save her children. Both my research and these two plays focus on bringing visibility to marginalized communities, specifically women and members of the queer community.

Love, Austen, And Lewis: How The Successful And Unsuccessful Romances In Jane Austen's Novels Correspond To C.S. Lewis The Four Loves, Lauren Bridgeman

Honors Theses

As any Jane Austen lover can confirm, the romances in Austen's books feel closer to life than any romance in other novels, even if the relationships and some of the settings are fictional. Of all the books in which romance plays a key role, why do hers rise above the mocking that most receive? Though she never married, she grasps the concept of love in all its complexity through plot, how her characters relate to one another, as well as these characters' development. Another author who sets out to deal with the complexity of love, albeit in more of a …

The Incurable Fanny Price: Disabled Perspective And Resistance To The Cure Narrative In Jane Austen’S Mansfield Park, Aurora C. Soriano

Dissertations and Theses

Improvement and cure are frequently on the minds of the characters in Jane Austen’s Mansfield Park. However, what happens when you introduce a chronically ill character like Fanny, who can’t ever be fully cured, into these curative plots? In order to better understand the ways Austen complicates curative discourse, this paper focuses on Fanny’s own perspective and embodied experience of chronic illness, in which she fatigues easily and experiences headaches and pain. Despite clear evidence in the novel of Fanny’s ill health, scholarship analyzing Fanny’s character has historically been fraught with ableist assumptions and subjective opinions. Ignoring the way …

A Close Analysis Into The Portrayal Of Female Protagonists Through The Lens Of Gendered Authorship: Specifically Looking Into The Works Of Jane Austen, Frances Burney, John Cleland, And Samuel Richardson, Isabella G. Beyloune

Honors Theses

I explore the difference in gendered authorship in 18th century English literature. Choosing to focus on authors such as Jane Austen, Frances Burney, John Cleland, and Samuel Richardson, I aim to see if gender of the author matters in giving a realistic portrayal of eighteenth century British female protagonists, and if there actually is a difference depending on that gender (male or female, specifically). To do this, I perform case study comparisons. All chapters include a close textual analysis of the authors’ use of dialogue and narrative style for depicting their characters. Chapter 1 focuses on the comparison between Austen’s …

"Concealing The Excess Of Her Pleasure": A Queer Reading Of Jane Austen's Northanger Abbey, Josie Anne Blubaugh

Cal Poly Humboldt theses and projects

This queer reading of Jane Austen's Northanger Abbey uses critical frameworks from queer theory, feminist theory, trans theory, and Black Romanticism to analyze female-female relationships between the characters in the novel as a product of the social norms, conventions, and discourses of Romantic-era Britain. By using literary analysis and close reading, I study the many ways in which Northanger Abbey can be read queerly, specifically where gender and sexuality intersect with race and ethnicity.

Though queer readings of this novel have been done in the past, my own analysis focuses on female-female relationships and takes race into consideration when I …

Jane Austen: A Study On The Influences, World, And Character Of An Eighteenth-Century Novelist, Elisabeth Phillips

Bound Away: The Liberty Journal of History

Jane Austen is one of the most influential authors in history and her works are regarded as timeless classics. Her ability to harness the motif of the strong, independent woman in a time when society wanted women to have neither attribute is incomparable in contemporary works. This article examines Austen's life and the variety of factors (family, religious, intellectual, historical) that molded her mind and character and thus informed the characters she created and the stories she crafted.

Pride And Prejudice: A Modern, Queer Retelling For The Stage, Kate Isabel Foley

Theater Summer Fellows

In the course of studying LGBTQ topics in a queer drama class, I noticed that there was a glaring omission in our readings: the “B.” However, this lack of bisexual representation wasn’t due to a poor syllabus, but to a dismaying lack of bisexual representation in theatre as a whole. This observation, as well as my own experience as a bisexual woman, motivated me to use my love of writing and theatre to fill the void. After performing in Pride and Prejudice at Ursinus, I knew that Jane Austen’s story was the key to me bringing visibility to an underserved, …

Haunted Heroines: An Examination Of The Complication Of The Gothic Heroine, Molly S. Callison

Honors Projects

This undergraduate research thesis is an examination of two of the most significant evolutions of the literary figure of the Gothic heroine, focusing on innovations made by Jane Austen in Northanger Abbey (1817) and Charlotte Brontë in Jane Eyre (1847). It discusses the origins of the Gothic heroine, set up by Horace Walpole in The Castle of Otranto (1764), and examines the ways that Austen and Brontë make their heroines more internally complex, bringing not only realism to the Gothic heroine but a psychological depth to the feminine Gothic.

"Not What They Have Chapter And Verse For:" On Judgments, Assumptions, And Expectations In Austen And Eliot, Piper Dutton

Departmental Honors Projects

The nineteenth century left lasting impacts on our contemporary world, from political and economic developments to social and philosophical ones, and this extends to literature in the development of the novel as a major form. Jane Austen and George Eliot played integral roles in this maturation of the novel, as well as what Elizabeth Sabiston calls “the emerging female text and voice,” and thus both they and their art form merit continued reading and discussion (3). Novels are tools of social norms and revolution, and in the nineteenth century functioned as tools of the author in teaching their morals, worldviews, …

The Terrors Of Everyday Life: The Gothic Novel As A Woman's Conduct Guide To Survival, 1791-1817, Jessica Berg

Electronic Theses and Dissertations

The Gothic is often associated with the fantastical, with people and events that only take place within our darkest nightmares. In my thesis, I explore how, in the hands of Ann Radcliffe and Jane Austen, the Gothic exposes the hidden dangers of reality perpetuated by conduct literature. Within conduct manuals, thousands of regulations direct women’s behaviors and identify the perfect woman as one who exists passively within the safety of the domestic sphere. Radcliffe’s The Romance of the Forest (1791) and Austen’s Northanger Abbey (1817) engage in subterfuge against eighteenth-century conduct literature and expose the realities of the domestic sphere: …

Beyond What's Missing: Silence In Women-Authored Novels From Wollstonecraft To Shelley, Kelli Wilhelm

Graduate Theses, Dissertations, and Problem Reports

This dissertation responds to and intends to subvert binary interpretations of silence, particularly women’s silences, as representing either submission or resistance to oppressive institutions and societal expectations. I examine five women-authored novels from British Romanticism. The first half of this dissertation focuses on three radical works of the 1790s, Mary Wollstonecraft’s The Wrongs of Woman, Mary Hays’s The Victim of Prejudice, and Charlotte Smith's The Old Manor House. The second half discusses two well-known early nineteenth-century novels, Jane Austen’s Sense and Sensibility and Mary Shelley’s Frankenstein (1818). Through examinations of these novels, I discuss how silence functions …

Race And Racism In Austen Spaces: Eroticizing Men Of Empire In Austen, Kerry Sinanan

ABO: Interactive Journal for Women in the Arts, 1640-1830

No abstract provided.

Dramaturgy For Miss Bennet: Christmas At Pemberley, Samantha Stringham

Fall Student Research Symposium 2021

The aim of this dramaturgical research was to explore and understand Miss Bennet: Christmas at Pemberley by Lauren Gunderson and Margot Melcon within the context of Jane Austen and Pride and Prejudice, the sociohistorical and contextual norms of Regency England, and within the world of the play itself. The goal was for this research to be utilized by the cast and production team of Utah State University’s production of Miss Bennet (directed by Tarah Flanagan) as a resource to inform production, performance, and design. This was achieved through strictly textual, and performance-focused analysis of the play. The research was compiled …

Story And Sorority: How Sisters Shape The Novels Of Jane Austen, Morgan Elizabeth Reid

Honors Theses

The purpose of this thesis is to examine the impact and use of sisters and sorority in the novels of Jane Austen, answering the question of how they are shaping the narratives of the stories. Focusing in particular on Pride and Prejudice, Persuasion, and Sense and Sensibility, I highlight the ways that Austen’s writing crafts plots that rely upon sisters to function. Austen also uses sister figures to reveal the characteristics of her main protagonists and to express the themes she is most concerned about within each story. I also show Austen’s pattern of affirming the value and importance of …

Candidates For L’Ecriture Feminine: Analyses Of Austen’S Pride And Prejudice, Woolf’S Night And Day, And Morrison’S Sula, Brooklyn J. Jongeling

Honors Thesis

This thesis discusses Hélène Cixous’ ideas on feminine literature, as expressed in her article, “The Laugh of Medusa,” and attempts to apply the goals that she sets out for what feminine literature must look like in order to develop the literary cannon to the novel. In an attempt to pull away from traditional patriarchal images and expectations of feminine lifestyles, I join Cixous’ call for the marginalized to inscribe their voices into the cannon for themselves, and argue that representation of such images in literature is necessary to the development of our biased perceptions to more authentically represent typically marginalized …

Visiting Jane: Jane Austen, Fan Culture, And Literary Tourism, Brianna Surratt

Senior Theses

People have been visiting sites associated with Jane Austen for two centuries now, and there have been fans of her work for even longer. Austen inspires unique devotion among her fans for an author about whose life we know very little. Furthermore, these fans have been fighting among themselves for as long as fans have existed over who loves her the right way – the academics or the amateurs? This work explores that unique fan culture in detail through the lens of literary tourism, going into detail about two sites in particular – Jane Austen’s House in Chawton, England, and …

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Playing With Noise: Anne Elliot, The Narrator, And Sound In Jane Austen's And Adrian Shergold's Persuasion, Brianna R. Phillips

The Corinthian

This paper pushes against the critical tradition that views silence or listening in relation to passivity and powerlessness by exploring the role of noise in Jane Austen’s Persuasion and in Adrian Shergold’s experimental 2007 film adaptation of that novel and how sound relates to Anne Elliot’s emotional legibility. Austen fills the narrative landscape with sounds that are filtered almost exclusively through Anne so that even when she is silent, she is “making noise” through her focalizations and through free indirect narration. Both Austen and Shergold align noise with Anne’s emotions such that Anne’s sensorial responses to shocking, loud, and disruptive …

Interiority And Narrative Temporality In Jane Austen’S Persuasion, Margaret Flahery

The Criterion

Jane Austen’s last completed work, Persuasion, explores protagonist Anne Elliot’s female agency through use of free indirect discourse and time shifts. In the novel, published in 1817, Austen mediates between different time periods — the present day and seven years prior — to demonstrate Anne’s maturity and the evolved perspective of a woman’s status in society. Anne’s shifting interiority reflects what it means to be a woman in the Regency era, and, perhaps, across time, as she breaks out of the mediated and subjective perceptions placed upon her by herself and other characters. The result is a revolutionary conception of …