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Full-Text Articles in Arts and Humanities
The Prison-Televisual Complex, Allison Page, Laurie Ouellette
The Prison-Televisual Complex, Allison Page, Laurie Ouellette
Communication & Theatre Arts Faculty Publications
In 2016, the A&E cable network partnered with the Clark County Jail in Jeffersonville, Indiana, to incarcerate seven volunteers as undercover prisoners for two months. This article takes the reality television franchise 60 Days In as a case study for analyzing the convergence of prison and television, and the rise of what we call the prison-televisual complex in the United States, which denotes the imbrication of the prison system with the television industry, not simply television as an ideological apparatus. 60 Days In represents an entanglement between punishment and the culture industries, whereby carceral logics flow into the business and …
Sound Commodity: Contemporary Public Radio And Podcasting, Casey R. Kelly
Sound Commodity: Contemporary Public Radio And Podcasting, Casey R. Kelly
Electronic Theses and Dissertations
Podcasting is both a disruption and an opportunity for public radio. It’s disruptive in that it marks a shift in how public radio organizations connect with listeners, who increasingly seek on-demand content. For traditional broadcast outlets like public radio this has raised a host of questions around how to allocate resources and deal with new workflow and labor demands in the digital age. It also has exacerbated ever-present commercial pressures in public media. As for opportunities, podcasting is a platform for public radio to reach new listeners, elevate underrepresented voices, and experiment with new sounds and storytelling techniques. It also …
Beauty Boys: The Aesthetic Labour Of Transformation, Keer Wang
Beauty Boys: The Aesthetic Labour Of Transformation, Keer Wang
Theses and Dissertations (Comprehensive)
Under the advertising banner of recognizing gender fluidity, the past year has seen global makeup brands announcing male spokesmodels for campaigns that seek to be more diverse in capturing the emerging Generation Z by promoting makeup for boys. The media has described the rise of the “boy in makeup” as propelled by male social media influencers known as beauty boys who are destabilizing the traditional boundaries of gender roles. I turn my attention to the necessary interrogation of the corporeality of these socially mediated bodies in manner of a Foucauldian genealogy approach to trace the power relations of subjectification and …