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Full-Text Articles in Arts and Humanities
By The Power Vesta-Ed In Me: The Power Of The Vestal Virgins And Those Who Took Advantage Of It, Elena M. Stanley
By The Power Vesta-Ed In Me: The Power Of The Vestal Virgins And Those Who Took Advantage Of It, Elena M. Stanley
Classical Mediterranean and Middle East Honors Projects
Vestal Virgins were high ranking members of the Roman elite. Due to the priestesses’ elevated standing, Romans made use of their inherent privileges. Through analyses of case studies from ancient authors and archaeology, I identify three ways Romans wielded Vestal power: familial connections, financial and material resources, and political sway. I end by exploring cases of crimen incesti, the crime of unchastity, which highlight all three forms. The Vestals were influential women who shared access to power in different ways. The Vestals were active participants in the social and political world of Rome.
Women In Livy And Tacitus, Stephen Alexander Prevoznik
Women In Livy And Tacitus, Stephen Alexander Prevoznik
Honors Bachelor of Arts
Although often neglected in Roman literature, women play important roles where they do appear. This is especially true in Livy's history called the Ab Urbe Condita or "From the Founding of the City" and Tacitus' work the Annals. For reasons I will clarify more in my presentation, Livy uses women as examples. Some are examples that the readers should follow. Lavinia, Lucretia, and the Sabine women all exemplify something good. Lavinia is noble in her aim, Lucretia is a model for chastity, and the Sabine women show the value of harmony. Livy also presents women who are bad examples. …
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
Student Scholar Symposium Abstracts and Posters
The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I discuss pre-historical …
Taking On The Man: Female Rebellion Against Gender Roles In Classical Greek Drama, Gabrielle Killough
Taking On The Man: Female Rebellion Against Gender Roles In Classical Greek Drama, Gabrielle Killough
Senior Honors Theses
The portrayal of women in Ancient Greek drama seems at times opposed to the societal gender roles within Classical Athens. In the plays, women are strong and dynamic figures who enact change and upheaval in their world. Ancient dramas, like Agamemnon, Medea, Antigone, and Lysistrata, portrayed women with strong autonomy and minds which matched their male counterparts; whereas the women in Classical Athens found themselves in more limited circumstances. In analyzing the nature of these disparities, it seems that the constant factor is that the plays concern the violation of the household. The female characters respond in one of …
The Treatment Of Women By Achilles And Agamemnon, Erica M. Cosgrove
The Treatment Of Women By Achilles And Agamemnon, Erica M. Cosgrove
Student Research
No abstract provided.
Women After War: Weaving Nostos In Homeric Epic And In The Twenty-First Century, Corinne Ondine Pache
Women After War: Weaving Nostos In Homeric Epic And In The Twenty-First Century, Corinne Ondine Pache
Classical Studies Faculty Research
While women play a circumscribed role in ancient epic, Homer's Odyssey depicts both Helen and Penelope as undergoing their own forms of homecoming, or nostos, after the Trojan War: Helen returns to her husband Menelaus after experiencing the war firsthand at Troy and a ten-year separation; Penelope stays home, but Odysseus' return is in many ways as much a challenge for her as it is for him and the Odyssey portrays her domestic ordeal as a form of heroic nostos. In this essay, I explore female ways of homecoming in the Odyssey and draw connections between Homeric heroines …
Ovid's Insight Into The Minds Of Abandoned Women, Rachel A. Bier
Ovid's Insight Into The Minds Of Abandoned Women, Rachel A. Bier
Honors Bachelor of Arts
Mythical heroines, such as Penelope of the Odyssey, often took minor roles in literature, ones in which their characters' complexities were not addressed. Ovid revived the heroines of tradition and gave them voices which expressed realistic feelings and thoughts in his Heriodes. In these fictional letters to absent lovers, Ovid creates realistic characters, each of whom reacts to her abandonment with an insightful feminine voice. By examining the heriones' voice and the ways in which the Heriodes differs from the literary tradition, and by considering the effects of the epistolary genre on the characters' voices, I argue that Ovid …
The Effect Of Misogyny On The Persecution Of Women As Practitioners Of Magic In Ancient Greece, Rome, Medieval And Early Modern Europe, Mark J. Mangione
The Effect Of Misogyny On The Persecution Of Women As Practitioners Of Magic In Ancient Greece, Rome, Medieval And Early Modern Europe, Mark J. Mangione
Honors Bachelor of Arts
This paper will look at the history of magic from the time of the ancient Greeks, to its development and integration into the culture of the Romans, and finally its evolution, downfall, and outlawing in the Medieval and Early Modern Europe. More specifically, this paper intends to focus upon the gender of practitioners of magic. There is a discrepancy between classical literature and non-literary sources of who actually were practitioners of magic. Women prevail as practitioners in Greek and Roman literature but non-literary sources say that men too were practitioners of magic. Glimpses of misogynistic thoughts can be found in …
Nietzsche/Pentheus: The Last Disciple Of Dionysus And Queer Fear Of The Feminine, C. Heike Schotten
Nietzsche/Pentheus: The Last Disciple Of Dionysus And Queer Fear Of The Feminine, C. Heike Schotten
Political Science Faculty Publication Series
This article examines the scholarly preoccupation with the hypothesis that Nietzsche was gay by offering a reading of Nietzsche's texts as autobiographical that puts them in conversation with Euripides's drama The Bacchae. Drawing a number of parallels between Nietzsche, self-avowed disciple of Dionysus, and Pentheus, the main character of The Bacchae and demonstrated antidisciple of Dionysus, I argue that both men experience their sexual attraction to women as somehow intolerable, and they negotiate this discomfort—which is simultaneously an unjustified paranoia and fear of the feminine—through the appropriation of feminine capacities and qualities for themselves. This appropriation ultimately expresses these men's …