Arts and Humanities Commons^™

Lds Women And The Teton Dam Disaster Of 1976, Emily Willis

The Thetean: A Student Journal for Scholarly Historical Writing

June 5, 1976, started like any other spring day in southeastern Idaho. After the cold winter, most of the residents of the numerous farming towns that lie throughout the Upper Snake River Valley found the beautiful Saturday ideal for farm work, gardening, or spring cleaning. About twenty miles northeast of Rexburg, the largest town in the area, the Teton Dam neared completion. A Bureau of Reclamation project, the dam promised to stop the annual flooding that so often decimated portions of farmers' fields along the Teton River. Around 11 o'clock that morning, however, came a terrifying report: the Teton Dam …

Laurel: Narrative Poems Of A Life, Rebecca Arabian

Senior Theses and Projects

No abstract provided.

Love, Ladies, And Lucretius, Stacey Kaliabakos

Parnassus: Classical Journal

No abstract provided.

The Sanctuary Of Demeter And Kore: The Portrayal Of Corinthian Gender Ideologies In Ritual Landscape, Kaia C. Brose

Dissertations and Theses

The Sanctuary of Demeter and Kore on Acrocorinth reflects gender ideologies and concerns within the larger region of Korinthia. Archaeological finds particularly serve to illustrate the sanctuary’s role in maintaining these gender ideologies and concerns. This thesis focuses on the depiction of gender ideologies that reflect a shift toward a wealthier material culture in sixth-century Corinth with themes of feminine virtue and fertility prevalent in the sanctuary. The study of certain ceramics shapes and iconography serves to reveal the sanctuary’s role within the larger religious landscape it was located in. The kalathos, pyxis/Frauenfest scene, and the liknon illustrate the presence …

Circe And The Necessity Of The Female Voice, Mairead O'Hara

Parnassus: Classical Journal

No abstract provided.

Elders, Make Room For Social Media, Alexandra Berardelli

Parnassus: Classical Journal

No abstract provided.

Lavinia: The Weaver And The Mother Wolf, Anne-Catherine Schaaf

Parnassus: Classical Journal

No abstract provided.

Aeneid: A Depiction Of Dido In Dutch Golden Age Art, Rebecca R. Kaczmarek

Parnassus: Classical Journal

No abstract provided.

Nature, Glory, Lineage In Iliad 6.145-151, Anne-Catherine Schaaf

Parnassus: Classical Journal

No abstract provided.

Sexual Objectification Of Women: What Can Ancient Rome And Modern Psychology Teach Us?, Noa Raskin

Honors Theses

Sexual objectification (SO) is an omnipresent experience for women that decreases their quality of life. Researching why SO occurs and is perpetuated can help us understand how to decrease the interpersonal, mental health, and safety consequences women face from being sexually objectified. This presentation looks at sexual objectification through the lenses of two different disciplines: psychology and classics. The psychology component involved an empirical study aimed at better comprehending women’s perceptions of their own SO and the connection SO has to Greek life. Nineteen men from Union College completed two scales to assess their direct and indirect SO of women, …

Heroines And Murderers The World Of Sophoclean Women, Nathan Debar

Honors Theses

This thesis will examine the female characters of the extant and fragmentary plays of the 5th-century BC Athenian poet Sophocles. These plays’ composition date ranges from the second half of the 5th century BC. Not every play will be considered for this study, as some do not contain female characters or female characters cannot be ascribed to a fragmentary play. Only plays that feature female characters or plays in which female characters and their actions can be reasonably estimated will be used in this study. For the fragments and their information, I shall default to Hugh Lloyd-Jones’ 1996 Sophocles: Fragments. …

By The Power Vesta-Ed In Me: The Power Of The Vestal Virgins And Those Who Took Advantage Of It, Elena M. Stanley

Classical Mediterranean and Middle East Honors Projects

Vestal Virgins were high ranking members of the Roman elite. Due to the priestesses’ elevated standing, Romans made use of their inherent privileges. Through analyses of case studies from ancient authors and archaeology, I identify three ways Romans wielded Vestal power: familial connections, financial and material resources, and political sway. I end by exploring cases of crimen incesti, the crime of unchastity, which highlight all three forms. The Vestals were influential women who shared access to power in different ways. The Vestals were active participants in the social and political world of Rome.

Greco-Roman Paganism And Women Leaders: The Foundation Of Early Christian Art, Rowan Murry

Honors Theses

In this thesis, I explore the impact of Greco-Roman pagan motifs as well as women leaders and officials on the development of Early Christian art by analyzing catacomb paintings, sarcophagi, and minor arts such as finger rings and carved gemstones. I also discuss surviving primary sources written by Tertullian, Eusebius, St. Jerome, and Clement of Alexandria, to gain a better understanding of anti-art views in the first few centuries of the Church’s rise to power. These anti-art sentiments were often rooted in attempts to disassociate themselves from pagan practices while Early Christian art was emerging amongst the lower classes who …

Women In Livy And Tacitus, Stephen Alexander Prevoznik

Honors Bachelor of Arts

Although often neglected in Roman literature, women play important roles where they do appear. This is especially true in Livy's history called the Ab Urbe Condita or "From the Founding of the City" and Tacitus' work the Annals. For reasons I will clarify more in my presentation, Livy uses women as examples. Some are examples that the readers should follow. Lavinia, Lucretia, and the Sabine women all exemplify something good. Lavinia is noble in her aim, Lucretia is a model for chastity, and the Sabine women show the value of harmony. Livy also presents women who are bad examples. …

Feminine Agency In Shakespeare's The Merchant Of Venice And Antony And Cleopatra, Grace Gronowski

Conspectus Borealis

No abstract provided.

We're All A Little Bit Gay: Female Homoeroticism In Greek Art, Devon A. Matson

Senior Independent Study Theses

This study provides a close analysis of women in artwork from Archaic, Classical, and Hellenistic Greece (700-30 BC). Such images have traditionally been considered from exclusively heteronormative and androcentric perspectives. I employ queer and feminist theory in an attempt to provide a new understanding of the images present on these examples of ancient art which showcase women’s relationships. I examine a terracotta figure, a stamnos, a psykter, and a cup that display women interacting with one another. Their interactions demonstrate both homosocial and homoerotic relations. In an effort to reach a broader audience, I have curated a digital exhibit that …

Etruscan Biophilia Viewed Through Magical Amber, Greta Rose Koshenina

Honors Theses

In this thesis, I explore the usage and purpose of amber objects in burials from Etruria, specifically from the late Villanovan Period (ca. 800-720 BCE) to the Orientalizing Period (ca. 720-580 BCE). I have followed a combination of quantitative and qualitative research approaches as well as visual analysis of amber grave goods. While there has been extensive research on the medicinal and ritual purposes of amber grave goods from excavated Etruscan tombs, I show that there was likely a specific interest in amber that contains organic inclusions likely because of the Etruscans’ interest in nature. I examine the presence and …

The Exceptional Case Of Plancia Magna: (Re)Analyzing The Role Of A Roman Benefactress, Barbara F. Caceres-Cerda

Dissertations, Theses, and Capstone Projects

This thesis analyzes the extravagant renovation of the Hellenistic gate complex funded by Plancia Magna, an elite woman from Perge, a city in the Roman province of Pamphylia. By using Plancia Magna as a case study, I hope to use her patronage of an outstanding architectural program to examine the dynamic roles elite women held under the Roman Empire in the late 1st century to 2nd century CE. Euergetism played a key role in developing cultural standards and civic obligations. Predominantly a male dominated practice, Plancia Magna stands out as one of its active and independent participants by commissioning the …

Landay As The Voice Of Pashtun Women's Passion And Social Life, Fahim Rahimi

Journal of Research Initiatives

This paper explores Landay a form of folk poetry and consist of couplets; the first one consists of nine syllables and the second thirteen. This format of poetry is described by some to consist of one and one half verses. The author of such couplets is generally unknown. Some of them have names of authors or national figures and heroes attached.

In the study of a society various aspects of society can be discussed like historical background, cultural elements, cultural heritage, which are main points of a society. Furthermore, it gives importance to fundamental values and customs along with life …

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

Taking On The Man: Female Rebellion Against Gender Roles In Classical Greek Drama, Gabrielle Killough

Senior Honors Theses

The portrayal of women in Ancient Greek drama seems at times opposed to the societal gender roles within Classical Athens. In the plays, women are strong and dynamic figures who enact change and upheaval in their world. Ancient dramas, like Agamemnon, Medea, Antigone, and Lysistrata, portrayed women with strong autonomy and minds which matched their male counterparts; whereas the women in Classical Athens found themselves in more limited circumstances. In analyzing the nature of these disparities, it seems that the constant factor is that the plays concern the violation of the household. The female characters respond in one of …

The Treatment Of Women By Achilles And Agamemnon, Erica M. Cosgrove

Student Research

No abstract provided.

Women After War: Weaving Nostos In Homeric Epic And In The Twenty-First Century, Corinne Ondine Pache

Classical Studies Faculty Research

While women play a circumscribed role in ancient epic, Homer's Odyssey depicts both Helen and Penelope as undergoing their own forms of homecoming, or nostos, after the Trojan War: Helen returns to her husband Menelaus after experiencing the war firsthand at Troy and a ten-year separation; Penelope stays home, but Odysseus' return is in many ways as much a challenge for her as it is for him and the Odyssey portrays her domestic ordeal as a form of heroic nostos. In this essay, I explore female ways of homecoming in the Odyssey and draw connections between Homeric heroines …

Devastating Diva: Pauline Viardot And Rewriting The Image Of Women In Nineteenth-Century French Opera Culture, Rebecca Bennett Fairbank

Theses and Dissertations

Historically vilified, the vocalizing woman developed a stereotyped image with the emergence of the prima donna in eighteenth-century opera. By the nineteenth century, the prima donna became the focal point for socio-cultural polemics: women sought financial and social independence through a career on the operatic stage while society attempted to maintain through various means the socio-cultural stability now threatened by women's mobility. The prima donna represented both a positive ideal for women as well as a great threat to western patriarchy. A discourse emerged in which the symbol of female independence and success ”the prima donna" became the site of …

Ovid's Insight Into The Minds Of Abandoned Women, Rachel A. Bier

Honors Bachelor of Arts

Mythical heroines, such as Penelope of the Odyssey, often took minor roles in literature, ones in which their characters' complexities were not addressed. Ovid revived the heroines of tradition and gave them voices which expressed realistic feelings and thoughts in his Heriodes. In these fictional letters to absent lovers, Ovid creates realistic characters, each of whom reacts to her abandonment with an insightful feminine voice. By examining the heriones' voice and the ways in which the Heriodes differs from the literary tradition, and by considering the effects of the epistolary genre on the characters' voices, I argue that Ovid …

Gender Dynamics In Classical Athens, William Breitweiser

Honors Theses

To the modern reader, ancient Greece may seem like a highly male dominated culture. The writings that come from this period suggest that men had authority over the women in their lives and that women were subordinate to the men in their lives. However, there were many ways that women could gain a substantial amount of power in ancient Greece. In my thesis, I look particularly at the city of Athens during the classical period and discuss how strict gender inequality was implemented. The first section of my analysis deals with how young men and women were brought up in …

Literary Love(R)S: Recognizing The Female Outline And Its Implications In Roman Verse Satire, Kaitlyn Marie Klein

Theses and Dissertations

The existence of a metaphoric female standing in for poetic style was only plainly discussed in a paper from 1987 concerned with Roman elegiac poetry. This figure is given the title of scripta puella or written woman, since her existence depends solely on the writings of an author. These females often appear to have basis in reality; however there is insufficient evidence to allow them to cross out of the realm of fantasy. The term scripta puella in poetry refers to a perfected poetic form, one the author prefers over all others, and a human form creates the illusion of …

The Effect Of Misogyny On The Persecution Of Women As Practitioners Of Magic In Ancient Greece, Rome, Medieval And Early Modern Europe, Mark J. Mangione

Honors Bachelor of Arts

This paper will look at the history of magic from the time of the ancient Greeks, to its development and integration into the culture of the Romans, and finally its evolution, downfall, and outlawing in the Medieval and Early Modern Europe. More specifically, this paper intends to focus upon the gender of practitioners of magic. There is a discrepancy between classical literature and non-literary sources of who actually were practitioners of magic. Women prevail as practitioners in Greek and Roman literature but non-literary sources say that men too were practitioners of magic. Glimpses of misogynistic thoughts can be found in …

Pliny's Women: Constructing Virtue And Creating Identity In The Roman World, Jacqueline Carlon

Jacqueline Carlon

Pliny's Women offers a comprehensive consideration of the many women who appear in the letters of Pliny the Younger. Combining detailed prosopography with close literary analysis, Jacqueline Carlon examines the identities of the women whom Pliny includes and how they and the men with whom they are associated contribute both to this presentation of exemplary Romans and particularly to his own self-promotion. Virtually all of the named women in Pliny's nine-book corpus are considered. They form six distinct groups: those associated with opposition to the principate; the family of Pliny's mentor, Corellius Rufus; his own family members; women involved in …

Nietzsche/Pentheus: The Last Disciple Of Dionysus And Queer Fear Of The Feminine, C. Heike Schotten

Political Science Faculty Publication Series

This article examines the scholarly preoccupation with the hypothesis that Nietzsche was gay by offering a reading of Nietzsche's texts as autobiographical that puts them in conversation with Euripides's drama The Bacchae. Drawing a number of parallels between Nietzsche, self-avowed disciple of Dionysus, and Pentheus, the main character of The Bacchae and demonstrated antidisciple of Dionysus, I argue that both men experience their sexual attraction to women as somehow intolerable, and they negotiate this discomfort—which is simultaneously an unjustified paranoia and fear of the feminine—through the appropriation of feminine capacities and qualities for themselves. This appropriation ultimately expresses these men's …