Arts and Humanities Commons^™

Say Luv: Reimagining The Black Female Body, Jer'lisa Devezin

Art Theses and Dissertations

From hottentot venus to Cardi B, the influence of the white representation and the treatment of the black female body has shaped a culture of oppression amongst Black women, having surpassed the white community and trickled into the black community. In hip hop culture, reality television, and social media, black women are portrayed as angry and are stereotyped as ghetto and ignorant. On the music scene woman are always sexualized under the male gaze, however now that we are in the twerk era Cardi B is giving a new perspective to the representation of women in hip hop. By using …

Seeing Through Feeling, Christopher Mitchell Rodgers

Graduate Theses and Dissertations

The purpose of this paper is to describe both the inherent formal qualities and conceptual framework that are addressed within the exhibition, Seeing Through Feeling. The exhibition is centered around the methodology of making, collection, and display all through the one singular positioning, the object. The objects within the exhibition are either handmade or collected fragments that weave together around the singular position of craft and history under the pretense of how our understanding of time may not always be true. The thesis breaks down key components through specific themes into the categories of the hand, eye, symbol, object, value, …

Finding Balance, Quinn Maher

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

Exhibition Statement

Finding Balance is my exploration into the relationship between form, firing, and utility.

In the studio I pay close attention the silhouette of each piece, looking for strong continuous lines in both the positive and negative space accentuating the volume created on the potter’s wheel. I spend time with each piece combing the surface to create texture and reveal the course particles below the surface. As I apply white slip to this textures surface, the high points allow the fluid slip to break and pool in recessed areas creating a layer of depth and variety. The white slip …

Entangled, Katherine Cox

School of Art, Art History, and Design: Theses and Student Creative Work

I create objects to incite wonder through their exuberance, inviting one to explore the beauty found in the strange and offering the viewer a way to interact with the discomfort of the unknown. Mysculptures are an assembly of engaging surfaces and forms revealing varying texturesandvibrant colors referencing natural and fabricated worlds. Each sculpture is entangled within its own environment or narrative and each is adorned for its own role, finding a balance between discord and harmony, captivation and repulsion.

Each is an individual exploration of the distinct qualities inherent within each object. They are precious in scale and stimulate …

Constraint And Control, Patricia Ayres

Theses and Dissertations

I have long considered themes of the body. Drawing on my knowledge as a fashion designer, I bring materials and hardware from the fashion industry into my artwork transforming and rendering them non-functional. My sculptures relate to stories of isolation, separation, and confinement. The following pages will analyze how the United States penal system controls, constrains and restricts the body through physical and psychological wounds. Furthermore, they will examine how the Catholic Church controls people’s minds and behavior through a ritualistic belief system.

Generative Movements, Cabbage Juice, & Habitats Of Selfhood, Jason Michael Rondinelli

Theses and Dissertations

The content of this essay is a reflection on my practice as an artist. A summary of text includes an analysis of my attraction to certain materials such as drywall, cabbage juice and coconut oil, all materials are the extensions of my memory, intention and pleasure. From warm memories of bathhouses and the flesh of others to managing illness at home, my artwork distills a lived experience into material reality. These materials take the shape of sculptural networks that serve as biographical biomes. The architectural and organic components of the work are sourced from my own experience and the surreal …

The Alchemical Vessel, River Soma

MFA Statements

My work comes from a place of deep feeling on a bodily level. Amidst the decorative play, there is a sense of the primitive and primordial, and also a certain humanity and clumsiness through struggle. Through the hermetic tradition I relate the alchemical vessel and its symbolic process of interior development to my artistic practice. Focusing in mixed media sculpture, I discovered a concentrated accumulation of symbolism specific to my practice, but also the full recognition of my practice as a ritualized psychological undertaking.

A Spectacle And Nothing Strange, Taylor Z. King

Theses and Dissertations

Working through methods of abstraction and comedic mimicry I choreograph awkwardly balanced sculpture with objects of adornment as a means to defuse personal sensitivities surrounding my experiences of gender, desire, and home. The research that follows is concerned with the adjacent, the in between, above and underneath, because I feel that this kind of looking means that you are, to some degree, aware of what lies at the edges. Maybe this is what Gertrude Stein means to act as though there is no use in a center—because this concerns a way of relating, though there are many things in the …

Narratives Of Place: Reasons To Look Up, Dean Justice Leeper, Dean J. Leeper

Graduate Student Theses, Dissertations, & Professional Papers

Narratives of Place: Reasons to Look Up, is and exploration and reflection of Dean Leeper's personal interaction and relationship to the landscape of Missoula Montana, while as a graduate student at the University of Montana. This paper explores his thoughts, definitions, influences, reflections and descriptions of his most recent work created for his Masters of Fine Art Thesis Exhibition. Leeper presents his work and ideas as a small part of a lager ongoing dialog of how humans understand ideas of place as they relate to finding a sense of self identity.

In Between, Wansoo Kim

School of Art, Art History, and Design: Theses and Student Creative Work

In my eyes, the world is composed of both revealed things and hidden things. I interpret my surroundings based on this idea, seeking to realize my ignorance and awareness. With this in mind, I create objects in which dichotomous ideas are present, and use their physically revealed and hidden aspects in order to represent the greater human struggle to see and understand what is hidden from us.

The notion of inside and outside is one of my particular subjects. Upon observing an object or a structure, we see only its external reality. I aim to present the unobservable, often presenting …

2018 Forces, Scott Yarbrough

Forces

No abstract provided.

Ceramic Vessel: Blue Binary 1, Brenda Roveda

The Graduate Review

No abstract provided.

Ceramic Vessel: Connected Ii, Brenda Roveda

The Graduate Review

No abstract provided.

On The Cover: Artist’S Statement For B-Phone, Brenda Roveda

The Graduate Review

No abstract provided.

Ceramic Vessel: All Blue Binary, Brenda Roveda

The Graduate Review

No abstract provided.

Ceramic Vessel: Color Binary, Brenda Roveda

The Graduate Review

No abstract provided.

From 3d To 3d, Erik O. Lozano, Lauren B. Selden, Robert Z. Selden Jr.

CRHR: Archaeology

From 3D to 3D is a research project that involves traditional ceramics and technology to re-create a clay vessel at different scales and in different materials while trying to understand aesthetic and perceptions of value. With a background in Industrial Design, I have always been interested in technology and fabrication methods, three-dimensional (3D) printing being one of them. However, this often implies repetition and standardization, and as an artist I strive to create one-of-a-kind objects that include evidence associated with the making process. Part of my work is based on traditional forms that incorporate small alterations. I use one or …

Misfits, Hanna Newman

All Graduate Theses, Dissertations, and Other Capstone Projects

My figurative ceramic sculptures are comprised of deconstructed, fragmented and simplified renderings of the human form. Within these sculptures I integrate materials such as human hair, fabric, wood and plaster cast body parts to mimic limbs and body mass, creating diversity in the tactile surface quality. The pastel tones, bright colors and additions of hair further obscures the realistic appearance of these beings. Clay's malleability fuels my intuitive creative process and allows me to replicate the human form in ranges from anatomical accuracy to biomorphic abstraction.

I am inspired by the relationship between interiority and exteriority, between the mind and …

Indirect Measure, Nicholas Boismenu

Electronic Theses and Dissertations

This paper is in support of my thesis exhibition “Indirect Measure” May 5th – June 3rd 2017, at the Reece Museum, located on the campus of East Tennessee State University. This document is an account of my examination into what constitutes art and the change in my perception of the utilitarian ceramic vessel during my research into the perceived difference between craft and art. Using broad definitions, I define what I believe art to be and how it is different from, and the same as craft.

Anthropo-Scenes, Ibel M. Sinohuiz

Electronic Theses, Projects, and Dissertations

ARTIST

My work is a melding of mythology and personal experience. Growing up in the harsh desert of the Coachella Valley, I found refuge in music and art. My desire to become a drummer has leaded me to create a persona called Baby Lamb. Baby Lamb is a symbolic representation, as well as a physical manifestation of this desire and she is slowly evolving, eventually becoming my alter ego. Currently, the artwork that I create is a chapter in the life story of Baby Lamb.

BABY LAMB

Baby Lamb's art shows have included a collection of relics that have been …

The Difference Between A Duck, Shelby D. Meier

Art Theses and Dissertations

. In this paper I will address each work from my exhibition the difference between a duck individually to address concepts and references in each work to elucidate some of the connections I have made between the all the works. Concepts and references range from the irony of the 19^th century arts and crafts movement, the possibilities of a blackholes, the subjective value of souvenirs, Tibetan prayer wheels and much more. And they all seem to add up to nothing, which for me is a respite in the comedy of trying to make sense of a world that doesn’t …

2017 Forces, R. Scott Yarbrough

Forces

No abstract provided.

Object Landscape, Stuart B. Gair

School of Art, Art History, and Design: Theses and Student Creative Work

The ceramic objects I create possess a particular buoyant volume and subtle organic surface variation that enable each piece to stand-alone and yet to allure the viewer in for closer examination. A particular articulation of each form creates an aesthetic that allows the object to occupy a space in such a way that evokes a sense of balance and harmony with a minimal domestic setting. Interests in historical forms that possess a full sense of volume provide a framework me to explore proportion, line, edge, silhouette, and transitions. I pare down these qualities to their true essence while still evoking …

Crystal Jars 2, Kathryn Mcguire

The Anthology

Artwork

Dentata, Erica Hoelper

The Anthology

Artwork

Full Issue, The Anthology

The Anthology

This is the entirety of the 2013 Winthrop Anthology issue.

Small Pitcher And Tea Bowl, Samantha Oliver

The Anthology

Artwork

Medal To Art Nouveau, Nathan Dodds

The Anthology

Artwork

Full Issue, The Anthology

The Anthology

This is the entirety of the 2014 Winthrop Anthology issue.

Dragon Bottle, Sarah Stokes

The Anthology

Artwork