Contour Line Self Portrait, Thomas A. Thayer Mr

Open Educational Resources

No abstract provided.

Convenient Camouflage, John Alleyne

LSU Master's Theses

ABSTRACT

Major influences in my work are most notably derived from the collages of Romare Bearden, paintings done by abstract expressionists Jackson Pollock and Mark Rothko, and the multidisciplinary practice of Rashid Johnson. This list of artists has been my influence for the past academic year as a result of personal research, some of which was conducted at the Museum of Modern Art, the TATE Modern in London and Musée du Louvre in Paris. My aim in my artwork and in this thesis is to change the perception of Black people, specifically Black men and boys, and to challenge stereotypes …

Left Hand Stories, Saif Mhaisen

Masters Theses

I draw people and paint things. Sometimes I paint people and draw things, but mostly I draw people and paint things. I work from life. The process – painting or drawing – is not mediated. That is the primary fact concerning the current work.

I see a mediator as anything forced in between a subject and myself. Following that, the work doesn’t involve Internet searches or photography or printing or projection or tracing or elaborate set ups or still lives or prep drawing or under painting.

The current work is defined by the current context: a graduate school art studio …

Invisible Territories, Lydia Seaman

Bachelor of Fine Arts Senior Papers

Layering geography, space and time, my work urges viewers to embrace the equivocal and create a desire for the impossible. To explore this notion, Invisible Territories is an analysis of my practice, examining how I mediate specific references into abstract and universal interpretations. My work employs subjects that document the world by analyzing the layers and simulacra that form our visual information; focusing on the intervals between “things” as the subject matter themselves. Looking to the words of Italo Calvino as a conceptual guide, this paper discusses the practice of mapping through drawing, etching and painting.

A Shift In Silence, Bailey Idom

Electronic Theses and Dissertations

A Shift in Silence is a body of work that emerged because of a key shift in my life. Using the formal components of line, shape, and value, I create a space representing an intimate moment in time. Physically, the medium can be any material, but I process all of this as an expression of line. Each piece shares the commonality of lines and lineage, while the layering embodies the record of my relationships from the past that directly affect the present. The abstraction and unpredictability within my own relationships require openness and vulnerability. This honest dialogue sustains and informs …

Not For All To Know: Translating The Possibilities And Mysteries Of Miracle Inhabitation, Kara R. Hannibal

Senior Honors Projects, 2010-2019

The project speculates on the architectural possibilities and mysteries of miracle inhabitation. Luke 5: 35-43 describes a young child’s miraculous transition from death to life. The narrative encapsulates indiscriminating elements of the human condition. The descriptive Greek language, emotional conditions, and thematic elements of love and healing suggest architectural outcomes.

The architecture becomes a threshold to unlock the inaccessible. Not For All to Know, investigates components of the narrative’s emotion and language through representational devices and processes. Discoveries found in the process are articulated and translated through the architectural language of pathway, threshold and communal space.

The vision of the …

Primal Matter, Lucas Allen Bush

LSU Master's Theses

Abstract

Primal Matter is a physical representation of the intuitive process, through two and three dimensional forms. The pieces convey motion and tension while telling the story of their own creation. Working instinctively has always fascinated me, in the way of allowing our subconscious mind to make decisions in the place of preconceived planning. My work is heavily influenced by Intuition and the transformation of energy. I am constantly searching for the underlying image or object through scraps of wood and pieces of charcoal, and this body of work is the visible evidence. It explores the curiosity of our unknown …

Title., Douglas Miller

Electronic Theses and Dissertations

Title is a series of drawings that explores the aspects of failed projects and the complications of representation within literary and visual practices. This series is informed by preliminary drawings, marginalia, and written notations that are inherent in the formulation processes of both visual and literary compositions. Through an investigation of the 19th Century Russian author Nikolai Gogol’s unfinished novel Dead Souls, I situate this series of drawings as a means to conflate literary theories with visual representation. In this way, the Title series presents fragmentary images, texts, and digressive narratives that demonstrate intermediaries between propositional states and reconciled …

It Can't Leave You The Way It Finds You, Kyle Nobles

School of Art, Art History, and Design: Theses and Student Creative Work

There’s a beautiful innocence in childhood where, although the world is large and new, it feels as though your place in it and the roles that you play are stable and unchanging. In our youth, outside of extraordinary circumstances, we are unburdened by the awareness that everything and everyone is subject to radical change—including our own sense of self. As we grow older though, looking back it becomes clear that this was never the case. In a matter of years, you can change so dramatically that you did not even notice as you became an entirely new person. For me, …

Time And Lines, Richard Pecos Pryor

School of Art, Art History, and Design: Theses and Student Creative Work

“How we spend our days is, of course, how we spend our lives.” -Annie Dillard

I want to make art that is worthwhile, that shares something important. This desire often overwhelms and hinders me from starting projects. I find myself questioning the purpose of art altogether. Yet, once I relinquish control into action—just simply start and keep going—the unforeseen meaning eventually presents itself.

Drawings begin with lines. Partnered with curiosity, I began this series by exploring the potential of drawing materials. How far and for how long can a single sharpened pencil last? What does a mile of lines look …

Lauren Rice's Senior Art Portfolio, Lauren M. Rice

Senior Art Portfolios

No abstract provided.

Security Blankets: The Art Of Maladaptation, Megan Stobaugh

Williams Honors College, Honors Research Projects

In times of stress or trauma, each person has their own means of coping. There are countless ways to deal with stressors in a positive way, such as journaling, problem solving, or meditation. However, many distressed individuals turn to negative, or maladaptive, coping mechanisms. These are behaviors which seem to help ease distress in the moment, but prove to have negative consequences. While they vary greatly, some common maladaptive coping mechanisms include substance and tobacco use, self-harm, disordered eating, violence, and isolation.

This project aims to shed light on the subject of maladaptive coping mechanisms, as it is an increasingly …