Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons

Open Access. Powered by Scholars. Published by Universities.®

Art and Design

Drawing

James Madison University

Articles 1 - 5 of 5

Full-Text Articles in Arts and Humanities

Not For All To Know: Translating The Possibilities And Mysteries Of Miracle Inhabitation, Kara R. Hannibal May 2018

Not For All To Know: Translating The Possibilities And Mysteries Of Miracle Inhabitation, Kara R. Hannibal

Senior Honors Projects, 2010-2019

The project speculates on the architectural possibilities and mysteries of miracle inhabitation. Luke 5: 35-43 describes a young child’s miraculous transition from death to life. The narrative encapsulates indiscriminating elements of the human condition. The descriptive Greek language, emotional conditions, and thematic elements of love and healing suggest architectural outcomes.

The architecture becomes a threshold to unlock the inaccessible. Not For All to Know, investigates components of the narrative’s emotion and language through representational devices and processes. Discoveries found in the process are articulated and translated through the architectural language of pathway, threshold and communal space.

The vision of the …


Remembering Virtual Worlds: Painting And Video Games, Nathaniel M. St. Amour May 2017

Remembering Virtual Worlds: Painting And Video Games, Nathaniel M. St. Amour

Masters Theses, 2010-2019

Video games create the feeling of great achievement and place the player into a role that turns them into a great hero. These experiences feel significant because they require great time and emotional investment. The monumentality of these experiences, however, are at odds with the transience of the electrical virtual worlds. The medium of oil painting helps overcome the sense of transience because of oil painting’s durable permanent way of image making and stillness. Painting’s inherent nod to history also creates a dissonance between the newness of the video game medium and the antiquity of painting, a contrast exacerbated by …


Tried It With Glasses Off Too; Sometimes., Nolan John Fedorow May 2014

Tried It With Glasses Off Too; Sometimes., Nolan John Fedorow

Masters Theses, 2010-2019

I use a small wedge of wood as a tool to pick out food scraps that find themselves lodged between my teeth. I also use a small wedge of wood as a tool to keep a straight door from swinging freely on a crooked house. The small wedge of wood I stuff in between the floor and door as a tool is a controlling apparatus, much like landowners who use fencing to keep people from walking repeatedly through their land and inadvertently creating a path where they shouldn’t. A wooden door stopper will come to adorn a perpendicular-patterned patina across …


Kaczynski Is To Walden As A Predator Drone Is To Batman., Evan Fitzgerald May 2013

Kaczynski Is To Walden As A Predator Drone Is To Batman., Evan Fitzgerald

Masters Theses, 2010-2019

I can see an image of Darth Vader making graphs that describe the Singularity with his left hand while tightly rendering Odysseus gouging out the eye of Polyphemus with his right hand. At the same time Vader is reciting philosophy and critical theory in both English and binary code through a speaker in a mask that filters his true voice. The written portion of my thesis provides perspective into my artistic practice while elaborating on the ideas behind the two-dimensional allegorical panel paintings from my thesis exhibition, Kaczynski is to Walden as a Predator Drone is to Batman. I use …


Where Feet Are As Light As Feathers (A World Of Things), Katie Zickefoose May 2013

Where Feet Are As Light As Feathers (A World Of Things), Katie Zickefoose

Masters Theses, 2010-2019

Where feet are as light as feathers (a world of things) is a combination of 2D work including painting, drawing, and prints, in conjunction with a written monograph that supports and gives insight into the work. Through a series of short stories, both fictional and nonfictional, fleeting thoughts, as well as research in critical theory and art history, I make connections between my art, my process, and my own earthly living.