Arts and Humanities Commons^™

Conceptions Of Flight, Sandra Reed

Art & Design Student Research

Conceptions of Flight is a thematic invitational group exhibition. The artwork exhibited here reveals a diverse and individual engagement with the theme. Some of the featured artists interpret flight as a rising up; a moving forward; a breaking free from struggle. Others have captured the thrill and wonder of travel; of the movement of clouds; of building new wings, mythopoetically. Whatever the interpretation, Conceptions of Flight provides an arresting look at the ways this age-old preoccupation continues to move the imagination and stretch the limits of our reach.

Dandy/Robin/Gardener By Sadie Pressman, Sadie Pressman

ART/RSP 299: Gathering in the Garden: Poetry and Studio Art

Dandy

I’ll be so direct by saying, if I may, that here is simply, absolutely, the best place to be. Here,
where the rolling hill plunges towards the ocean. Here, where the sight of the Bavarian blue sky
makes my insides feel endless. Here, where, watching as I so often do, as the white cotton
shape-shifts before my eyes, summer-time in suspense. The sun’s rays suspend from the sky,
dangling like the hands of time. They caress me. A pocket watch in the sky, the sky's the best
accessory. Here, where I am more popular than I could ever have …

Three Garden Visitors By Vivien Russe, Vivien Russe

ART/RSP 299: Gathering in the Garden: Poetry and Studio Art

Three Garden Visitors

Beside a cup of tea, I am a spotted leopard on pajamas.
Outside in the garden, this early summer morning,
Staying sly, quiet, not wanting to draw any attention from the neighbors.

A birdie is hidden in the Emerald Green Arborvitae,
After lunch, Owen comes over, asking politely if he can come into the yard to find it.
I reply, “Certainly, you can retrieve anything that lands in the yard without asking”.

Coming unannounced, no matter when, full of presumption
It comes with the lightest, gentle touch or the hardest hit, knocking flowers off center.
Below the …

Ilja By Paula Shevenell, Paula Shevenell

ART/RSP 299: Gathering in the Garden: Poetry and Studio Art

ILJA

I remember you
sitting in the woods,
Gathering in the children
Gathering in the
sights and sounds.
You’re expression
warm, kind patient
as the children crawl over you.

I remember
Sitting on this rock
breathing in the scent of the woods
Trying to bring in
the calm I see in you
Amid the chaos
Of children befriending you
Of parents attempting
To capture the moment
With their devices
Of plastic, wires and glass.

We, Three By Ginny Majka, Ginny Majka

ART/RSP 299: Gathering in the Garden: Poetry and Studio Art

We, Three

I am the soil, the mountains and oceans of life.
Mycellium colonies beneath my surface plunge up
up, up through the peat and the moss, the decaying leaves. They pray for the rain, the fruit of my earth.
Plantae nestle in, fragile and comfortable,
seeds sprout to eagerly gulp rain,
animalia flourish, consuming what I provide
only to come home, at the end, to me
to rejoin my earth;
we are one
I am the atmosphere, the sunny clouds and storms producing bounty to those below
I am the chaos in the lightning
I am the rainbow after …

Floral Beauty By Sophia Squire, Sophia Squire

ART/RSP 299: Gathering in the Garden: Poetry and Studio Art

Floral Beauty

An appreciation for chrysanthemum
Took bloom within her soul during
Her early years of life and began
To flourish as time went on

Passing slowly, the years whisked
By and things would grow all around
Her as her hair drifted down past
Her slim shoulders – long brown

“I wish to grow my roots, soon,
In one place where I can stay
Becoming stronger within myself
Until it is time for me to wither away

I’ll make this body a lovely space
For my spirit of flora to grow and
Thrive, with windows all around to
Let sunshine …

Illustrated Choreography Of Spirals, Kasey Britt

Selected Undergraduate Works

This independent project was created for the yearlong Anatomy component class in Dance. The author utilized movement practice, viewing video recordings, anatomical study and analysis, sketching and drawing, to develop and produce a detailed visual representation of Spirals, choreographed by Irene Dowd © 1991.

Spirals is a complex and comprehensive warm up and cool down choreographic sequence for dancers, built upon functional anatomy and neuromuscular training principles. During the fall semester and for the first eight weeks of the spring semester, the author learned and refined their performance of this material, as well as making anatomical drawings and engaging in …

Katie Hopkins, Senior Art Exhibition Portfolio, Katherine Hopkins

Senior Art Portfolios

This document archives the senior art exhibition of Katie Hopkins ‘19. A reception for the 2019 Senior Art Exhibition occurred on Friday, April 12, 2019 in the Bush Art Center Galleries to celebrate the accomplishments of the graduating art class. Contained in the portfolio is Hopkins’ artist statement that accompanied her exhibition, a photo of her work in the context of the Baer Gallery taken on the night of the reception, and close ups of her three pieces: the oil painting Space Dog, four film stills and the tagline of the short film Withdrawn in lieu of the actual media, …

Lauren Rice's Senior Art Portfolio, Lauren M. Rice

Senior Art Portfolios

No abstract provided.

Johannes Speaks: Blog 2016, Johannes H. Von Gumppenberg, Janet Von Gumppenberg

Johannes von Gumppenberg Books

In 2016 Johannes provided two Blogs on his personal website, Johannes-von-Gumppenberg.com: Johannes Speaks (weekly reflections) and Johannes Writes (longer essays). This Johannes Speaks collection contains his current expressions during the year 2016, with illustrations he selected mostly from his unpublished work.

The Land Scouts: Guide Book, Katie D. Ries

Faculty Creative and Scholarly Works

The Land Scouts promote modern land stewardship and are open to all. The Guide Book gives an overview of the scouts as well as information on getting started earning badges and hosting a troop.

Jim Starrett: Drawings, Brian Mains, Patrick E. White

Exhibit Catalogues

This exhibition and catalog have had the close cooperation of the artist, Jim Starrett, to whom must go the first thanks. His professional experience and dedication as an artist and teacher has helped shape this exhibition. Brian Mains' design of the catalog and his essay contribute valuable perspectives for our audience. Starting with "Impersonations: Scott Greiger" in 2007, then "Bobby Ross: Drawings" in 2010, the Nora Eccles Harrison Museum of Art began a tradition of presenting ideas and objects that stimulate discussion, challenge the audience, encourage open-mindedness and expand perspectives.

A Lexicon Of Drawing Problems And Solutions, Johannes H. Von Gumppenberg

Johannes von Gumppenberg Books

Not so much a "how-to" on drawing, this book of unique art plates adds new insights to modern concepts of composition and design. Its beautiful presentation seeks to please the art collector as well as the student.

A single theme, whose nuggets are scattered throughout, unifies these varied and original drawings done over a period of ten years: Understanding fundamentals enables the modern artist to present "all things in all ways," making the most of both observation and inventiveness.

This volume consists only of images. While including "teaching text" handwritten into the illustrations, at the same time the artist crafted …

On Island: Women Artists Of Monhegan, University Of New England Art Gallery

Exhibition Catalogues

On Island: Women Artists of Monhegan is the catalogue from the University of New England Art Gallery’s July 26 - September 23, 2007 exhibition featuring works by 36 women artists who capture the essence of Monhegan Island and its role in the history of American fine art. There is a powerful sense of place, from dramatic, swift changes in light, color and nuance, to giant cliffs, swirling tide pools, and rocks that come in all sizes and hues, as well as island life and people. Their art covers the most recent 50 years on an island that has attracted artists …

Commonthought Vol.7 (1996), Commonthought Staff

Commonthought

This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.

Commonthought Vol.6 (1995), Commonthought Staff

Commonthought

This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.

Words & #S, Museum Of Contemporary Art At Wright State University

Exhibition and Program Catalogs

The gallery guide discusses the exhibition Words and Numbers shown at Wright State University from April 7 through May 10, 1991. The exhibition focused on the combination of art and text.

Francis Cunningham: Painting And Drawing, University Of Richmond Museums

Exhibition Brochures

Francis Cunningham: Painting and Drawing

March 14 to April 5, 1989

Marsh Art Gallery

Introduction

Realism is an attitude toward life that affirms the beauty and significance of the visible world. Realism starts outside with the surfaces of things and travels inward to their meaning. Everything in this process has to do with selection. What has the object told a particular artist about itself, about its relationship to other objects and to the surrounding space?

In life one takes in things at a glance, but the artist looks at an object for hours, weeks, months, even years. Premier coup painting …

Mark Rhodes/Ephraim Rubenstein: Sculpture, Painting, And Drawing, University Of Richmond Museums

Exhibition Brochures

Mark Rhodes/Ephraim Rubenstein: Sculpture, Painting, and Drawing

November 29 to December 18, 1988

Marsh Art Gallery

Introduction

The art of Ephraim Rubenstein and Mark Rhodes is art about the human figure, born out of personal experience and nourished by the great tradition of the figure in western culture. Indeed, the persistence of the human form in art from prehistoric times into the 20th Century, demonstrates not only the infinite variety of interpretations and expressions possible through the body, but our consistent need for self-realization and re-creation through the figure. The particular pieces in this show convey a remarkable cumulative visual …

Janet Fish: Paintings And Drawings Since 1975, University Of Richmond Museums

Exhibition Brochures

Janet Fish: Paintings and Drawings Since 1975

September 10 to October 3, 1987

Marsh Art Gallery, University of Richmond Museums

Introduction

The Marsh Gallery takes pride in opening its 1987-88 season with the first Virginia exhibition of paintings and drawings by Janet Fish, acknowledged master of the contemporary still life according to art critic Gerrit Henry.

While this exhibition is intended to emphasize her current work it is also slightly retrospective, including work dating from 1975 to 1987, so that the viewer will understand the progression as well as the increasing depth of the artist's oeuvre.

In the midst …

Street Journals: An Exhibition Of Paintings And Drawings By Robert Birmelin, University Of Richmond Museums

Exhibition Brochures

Street Journals: An Exhibition of Paintings and Drawings by Robert Birmelin

September 5 to September 29, 1985

Marsh Art Gallery

Introduction

It is with great excitement and anticipation that the Marsh Gallery presents this exhibition of Robert Birmelin's work, STREET JOURNALS. We recognize his work as having a significant place in the tradition of art, and have seen the need to introduce the man and his art to the Richmond community. We eagerly await the reverberations from this event and the impact that Robert Birmelin will make on our students and colleagues.

Like Cezanne, Picasso, and Braque, Birmelin is …

John Baldessari, The New Museum, New York, Wright State University Art Galleries

Exhibition and Program Catalogs

The wit, intelligence, irreverence, and breadth of knowledge manifest in John Baldessari's work have made it important to many others, artists and public alike. This is the first museum exhibition, however, to show in depth the work Baldessari has done over the past fifteen years.

When The New Museum learned that an exhibition of Baldessari's photographic works was being planned at the University Art Galleries at Wright State University, the two organizations decided to join forces. While the scope and nature of our respective exhibitions differed, we felt that by jointly sponsoring the catalog, more information about Baldessari's work could …

16 Projects / 4 Artists, Wright State University Art Galleries

Exhibition and Program Catalogs

During the spring and summer of 1975 Wright State University organized a cooperative workshop/exhibitions program with three other schools and, in 1976, received the support of the National Endowment for the Arts. The program consisted of sending four prominent contemporary artists to the four colleges and universities during the 1976-1977 academic year. The artists selected to participate in the program were Siah Armajani of Minneapolis, Larry Bell of Taos, Lloyd Hamrol of Santa Monica, and Pat Steir of New York, each of whom works in diverse media and materials, and all of whom represent a range of artistic and aesthetic …

Risd Press September 27, 1974, Students Of Risd, Risd Archives

All Student Newspapers

RISD press was a student newspaper published weekly in the early 1970s, a self-described attempt at consolidating all the information outlets of the school, including the previous student newspaper, Montage. The issue of September 27, 1974 had an article about the RISD Building Study report that took place in the summer. Also the RISD student board meeting for the activities budget outline was in this issue. Information about student health services, ads, classifieds, events listed for RISD students were mentioned.

The Art Institute Of Boston Course Catalog (1973), The Art Institute Of Boston

Art Institute of Boston (AIB) Course Catalogs

The Art Institute of Boston maintains, and always has maintained throughout the course of its long history, that the artist holds a unique position of responsibility in his society. Because the weight of his contribution is so widely felt in this age of the expanded media, the artist is expected to be not only innovator, but also arbitrator. The decisions which affect his life and his work influence a wide body of people who look to him for illumination.

Art cannot be taught as a development of certain visual talents separate from a larger awareness of life. The Art Institute …

Pennsylvania Folklife Vol. 20, No. 4, Earl F. Robacker, Ada Robacker, Christian B. Newswanger, Wayne E. Homan, Robert I. Schneider, John E. Stinsmen, Martha S. Best, Cecelia Whitman, Edna Eby Heller, David W. Thompson, Edward S. Gifford Jr.

Pennsylvania Folklife Magazine

• Flight of the Distelfink
• The Newswangers, Interpreters of Amish Life
• The Sorrow Song of Susanna Cox
• Country Butcher: An Interview with Newton Bachman
• "Swing Your Partner": Folk Dancing at the Festival
• Festival Highlights
• Folk Festival Program
• Leaving the Festival with Thoughts of Food
• Spindrift: The Old Dog Churn
• Candy Making in the Dutch Country
• Gee, Haw and Geehaw
• The Evil Eye in Philadelphia
• The Country School: Folk-Cultural Questionnaire No. 20

The Art Institute Of Boston Course Catalog (1971-1972), The Art Institute Of Boston

Art Institute of Boston (AIB) Course Catalogs

The Art Institute of Boston maintains, and always has maintained throughout the course of its long history, that the artist holds a unique position of responsibility in his society. Because the weight of his contribution is so widely felt in this age of the expanded media, the artist is expected to be not only innovator, but also arbitrator. The decisions which affect his life and his work influence a wide body of people who look to him for illumination.

Art cannot be taught as a development of certain visual talents separate from a larger awareness of life. The Art Institute …

The Art Institute Of Boston Course Catalog (1969-1971), The Art Institute Of Boston

Art Institute of Boston (AIB) Course Catalogs

In January of 1968 The School of Practical Art changed its name to The Art Institute of Boston as an outward sign of the diversity of ideas and interests that had generated during the past decade. The combined efforts of students, teachers, and administrators have produced a broad program which attracts students with a variety of goals, and affords an opportunity to study in several different disciplines.

The Art Institute of Boston seeks talented young people who wish to make art their lifetime career. The school offers a three-year program leading to diplomas in advertising design, illustration, photography, and fine …

The Art Institute Of Boston Course Catalog (1968-1969), The Art Institute Of Boston

Art Institute of Boston (AIB) Course Catalogs

It is the purpose of the School of Practical Art to train students so thoroughly in the various phases of commercial art, that they may upon completion of the course earn a good living in their chosen career. Earnest effort and thorough preparation are necessary if the student is to become successful professionally. Enthusiastic and excellent working habits must be developed early and maintained throughout the course. Deadlines must be given and met punctually. Good design, composition, color and technical skill must be evident in all finished work. In preparation for this high standard the beginner receives a thorough foundation …

School Of Practical Art Course Catalog (1967-1968), School Of Practical Art

Art Institute of Boston (AIB) Course Catalogs

It is the purpose of the School of Practical Art to train students so thoroughly in the various phases of commercial art, that they may upon completion of the course earn a good living in their chosen career. Earnest effort and thorough preparation are necessary if the student is to become successful professionally. Enthusiastic and excellent working habits must be developed early and maintained throughout the course. Deadlines must be given and met punctually. Good design, composition, color and technical skill must be evident in all finished work. In preparation for this high standard the beginner receives a thorough foundation …