Arts and Humanities Commons^™

Baily Risd Museum Bench, Risd Museum, Scot Bailey, Peter Walker

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This bench was made as part of a graduate class to design museum seating for the ancient Greek and Roman galleries in the RISD Museum. It aims to capture the quiet character of the space, while creating a seating surface that just asks for tactile interaction. The top surface allows for a variety of seating heights and configurations, catering to the many museum visitors.The undulating seat was made by a digital process called CNC (computer numerical control). The legs, which recall an attenuated lekythos (an ancient Greek oil flask) in shape, flare out below the seat to a sharp edge …

Kopp Risd Museum Bench, Risd Museum, Andrew Kopp, Peter Walker

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This bench in one of a pair made as result of a graduate class to design museum seating for the ancient Greek and Roman galleries in the RISD Museum. Each bench features a front seat made of bent, patinated steel that curves downward and back upward to form the back "leg." The two front legs are made of resawn ash, as is the majority of the seat. The benches were installed in the RISD Museum in October 2011. 2011

Still Life With Lemons (Whose Forms Correspond To A Drawing Of A Black Vase Upon The Wall), Risd Museum, Ellen Mcbreen

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Matisse used solid, vivid colors to render the simple forms and geometric background segments of this still life. Roughly outlined and intentionally flattened, each element shows evidence of the artist’s brushstrokes and his manipulation of pigment. An extended title, Still life with lemons whose forms correspond to a drawing of a black vase upon the wall, points to intentional relationships between shapes. The ovoid form of the pitcher echoes the curves of the plump lemons below; those of its neck and base are repeated in the foot of the blue glass compote at lower left. A book entitled “Tapis” (Carpet) …

The Supper At Emmaus, Risd Museum, Butch Rovan, Horace Ballard

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In this biblical scene Christ breaks bread to bless it and give it to his dining partners at Emmaus on the third day after his Resurrection. Jan Cossiers depicted the two companions of Christ at the moment when Christ’s divinity is revealed to them. The man at the far right throws up his hands in surprise, while the man in the center points in a gesture of identification. The cockle shells, crossed staffs, medal, and tall hat of the man at right designate him as a pilgrim to the shrine of Santiago de Compostela, the most important and popular pilgrimage …

Self-Portrait, Risd Museum, Fritz Drury

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This representation of an elegantly dressed lute-player is an intriguing variant on an artist’s self-portrait. It identifies the subject as the painter, seated before his own easel and palette, and expands on his cultural achievements by emphasizing his musical abilities. Although unsigned, this portrait has been attributed to Paul Bril (1553/4-1626), a Flemish artist who forged a highly successful career in Rome. The scene tacked to the easel is typical of Bril’s early compositions which were distinguished by small figures, deep, shaded foregrounds, and masses of silvery foliage, attributes that he shared with other Flemish painters. Bril’s Netherlandish roots helped …

Circle Of Life, Jhoon Oh, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

No abstract provided.

Rain On The River, Risd Museum, Fritz Drury

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George Bellows was critically acclaimed for the frank, even brutal manner of the urban landscapes he painted in the early years of the twentieth century. His view from a rockly ledge above Riverside Park surveys a freight train making its way along the New York Central’s famous Water Level Route. The string of railcars echoes the rushing diagonal that marks the near bank of the Hudson River. Aggressive brushstrokes indicate reflective surfaces that are animated by graphic observations: a lone pedestrian scurries acros a rain-slicked path, and a horse-drawn cart awaits a delivery of scavenged coal. Bellows called Rain on …

2nd Hand Reading, William Kentridge, Special Collections, Fleet Library

Illustration

1 volume (various pagings) : color illustrations. Reproduction of an altered book created by drawing and painting in a copy of The shorter Oxford English dictionary on historical principles, Second Edition, volume I, A-M, 1936. Curated title for Fleet Library Special Collections exhibition Stacked & Altered, summer 2022.

The Literature Of Political Things And Places: Reading And Writing Design, Susan Yelavich

Articles

No abstract provided.

Surprising Ourselves | Risd Interim President, Rosanne Somerson, Risd Xyz

RISD XYZ Fall/Winter 2014/2015: The Body

A message from Rosanne Somerson 76 ID, Interim President

The Living Torrents: Hokusai's "Journey Around The Waterfalls Of Various Provinces" (2014), Theory & History Of Art & Design Department, Elena Varshavskaya (H791 Instructor)

Ukiyo-e Prints Course | Exhibition Catalogs

"This book invites its readers to join RISD WS 2014 Japanese Prints class for an edifying expedition to Japan’s eight waterfalls portrayed by Katsushika Hokusai, an ukiyo-e preeminent artist, in his masterpiece print series “A Journey to the Waterfalls of Various Provinces.” In fact, this expedition is an academic endeavor undertaken by a collective of students who tried their hand at curating a museum exhibition as their art history course project. ..." -- Foreword, The Living Torrents: Hokusai's " Journey Around the Waterfalls of Various Provinces"

Contributing Authors

Jane Bak, Graham Bessellieu, Amy Chen, Julie Chon, Sofia Diaz de la …

Envisioning A Better Body, Samantha Dempsey 13 Il, Risd Xyz

RISD XYZ Fall/Winter 2014/2015: The Body

Virgil Wong 05 IL is building on a lifelong fascination with the human body to develop apps that help us manage our own health.

Facing Facts, Liisa Silander, Simone Solondz, Risd Xyz

RISD XYZ Fall/Winter 2014/2015: The Body

Andrew Freiband 95 FAV and a team of alumni work with USAID to humanize the impact of extreme poverty.

Risd Fact Book 2014, Institutional Research

RISD Fact Books

The Office of Institutional Research is pleased to present the Rhode Island School of Design Fact Book 2014. The Fact Book is a summary of institutional data gathered from many areas of the College, compiled to capture the 2013 Fiscal and Academic Year, as well as the beginning of Academic Year 2013-14. Where appropriate, multiple years of data are provided for historical perspective. While not all-encompassing, the Fact Book provides pertinent facts and figures and is made available as a reference to administrators, faculty, staff and students.

Annual Report Of The Risd Fleet Library 2013-2014, Fleet Library, Carol Terry

Annual Reports

No abstract provided.

Yearbook, 2014, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.

Desiging Quality Care, Francie Latour, Risd Xyz

RISD XYZ Fall/Winter 2014/2015: The Body

Though they’re going about it differently, both Will Harris 10 ID and Sloan Kulper MID 06 are fully committed to improving health care in the developing world.

Exposed, Liisa Silander, Risd Xyz

RISD XYZ Fall/Winter 2014/2015: The Body

In photographing his own body over the course of decades, Arno Minkkinen MFA 74 PH surfaces timeless truths about the nature of being.

Risd Xyz Fall/Winter 2014/15: The Body | Full Issue, Liisa Silander, Risd Xyz

RISD XYZ Fall/Winter 2014/2015: The Body

"LOVE THEM, HATE THEM, feed and obsess about them as we do, our bodies are our interface with each other and the physical world. They’re the often astonishing and perpetually intriguing vessels that hold who we are. When you think about the body in the context of art, it’s almost impossible to separate one from the other— just as it’s impossible to separate the body from considerations of health and health care. They’re all inextricably intertwined. . .". From the editor's message by Liisa Silander

New Horizons, Bruno Van Den Elshout, Special Collections, Fleet Library

Artists' Books

212 pages : all color illustrations. Title from case. Edition of 2012 numbered copies. Flatbook. Issued in paper wrapper and slipcase. Book design: Rob van Hoesel. On New Years Eve 2011 artist Bruno van den Elshout launches his camera-machine on the roof of a hotel on the beach in The Hague (NL). His goal is to capture the North Sea-horizon one year round. The camera-machine takes a picture of the horizon once every hour of 2012. That is 8,785 images. When these images start to arrive from the machine, the horizon suddenly reveals his surprisingly overwhelming appearance. Gray, grim, ordinary, …

Goddard Bookcase And Desk, Risd Museum, Robert Emlen, Timothy Philbrick

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This lustrous mahogany desk and bookcase represents a pinnacle of achievement for American cabinetmakers. One of nine known examples, this block-front desk and book-case with six carved shells is associated with the Goddard/Townsend family of cabinetmakers in Newport. The desk exemplifies their superb craftsmanship in the delicate dovetailed construction of the drawers. Their mastery of proportions is evident in the piece’s well-balanced broken-scroll pediment, alternating convex and concave surfaces, and integrated flame finials. In a Rhode Island house of the period, the desk and bookcase was the most expensive piece of case furniture. A combination office, safe, and library, it …

Abecadarian, Ashley May, Special Collections, Fleet Library

Artists' Books

volumes : color illustrations . Vol. 1. A-M. Using high quality scans of vintage postcards, artist Ashley May creates kaleidoscopic digital collages. She re-purposes the traditional use of post-cards into a 21st century communiqué: the GIF animation. In collaboration with Endless Editions, Ashley May designed an artist book inspired by her GIF animations. This 14-page, accordion-bound book spirals outwards into a 28 x 28 inch circle, mimicking an animation in physical space. -- Limited Editions website. Accordion variation, fan binding. Book can be folded into a carousel variation structure.

Unbound, Jessica Peterson, Special Collections, Fleet Library

Artists' Books

1 volume (unpaged) : color illustrations. Cover title. Limited edition of 100 numbered copies. "'Unbound' was designed and produced in a single month. The typefaces are Sabon and Scala Sans. The text is letterpress-printed on handmade cotton and abaca paper."--colophon. "Unbound is a limited edition artists' book which honors the veterans of Prince Edward County's 1959 school lock out ... The book was conceived and designed by artist Jessica Peterson and recounts the closing of the public schools in Prince Edward County, Virginia, from 1959 to 1964. Unbound tells this story of these events with timelines, archival evidence, and collected …

The Square, Islam Aly, Special Collections, Fleet Library

Artists' Books

Red oak wooden covers, laser cut, fore-edge laser etching, coptic binding, orange linen thread. "Tahrir Square in Cairo became the focal point and the most effective symbol of the protests in January and February 2011. For 18 days Egyptians repeated the slogan: The People Want to Bring down the Regime (al-sha'b yurid isqat al-nizam) until the regime stepped down on the 11th of February 2011. This book focuses on the revolution slogan. Using Arabic Kufic script the words of the slogan are repeated in an ascending sequence. Section 19 contains the English translation for the slogan The People Want to …

The Riso Book: Portland, Colpa Press (San Francisco, Calif.), Publication Studio Portland, Special Collections, Fleet Library

Artists' Books

103 unnumbered leaves . Title from publisher. "Copyright Luca Antonucci and David Kasprzak"--Title page. "Colpa, in collaboration with Publication Studio Portland presents 'The Riso Book: Portland', the fourth installment of a traveling publication project and exhibition between Los Angeles, Marfa, San Francisco, New York, and Portland.The series standardizes the conditions of production underlying artist publications and presents the book as exhibition. 'The Riso Book', inspired by the format of Seth Siegelaub and Jack Wendler's 1968 'Xerox Book', is a geographic survey of contemporary artists with similar practices across several cities. In Portland, 5 artists will work over the course of …

Change = Anything Can Happen Next!, Bob Pliny, Special Collections, Fleet Library

Artists' Books

1 volume, 27 pages. Publication information from 23 Sandy Gallery website. "A meditation upon the nature of change. Change is everywhere and always. It is the ceaseless motion of things continually being transforming into other things."--23 Sandy Gallery website. Text and illustrations were handpainted using graphite and colored pencil, acrylics, photo copies and composition gold leaf. Layers of recycled book pages and wallpaper. Altered book, re-used hardcover book binding. Unique artists' book. Accordion fold, attached to back cover. Text extends out to 148.5 inches.

1 In 3: Women Have Been Slapped, Pushed, Or Shoved, Jaime Shafer, Special Collections, Fleet Library

Artists' Books

1 volume unpaged. Cover title. Limited edition of 25 copies, signed and numbered by the artist. "Printed at the Black Rock Press using a Vandercook Universal I and inkjet pigments. Letterpress printed from metal type and polymer plates on Stonehenge paper. Inkjet printed on Hahnemuhle Duo and Epson UltraSmooth Fine Art paper. Found and altered photographs"--Colophon. Hedi Kyle's flag book structure, bound in paper over boards. An outline of a woman's head is printed on the back of the accordion spine. Text letterpress printed in red and grey on flags and cover boards. Flags feature inset altered portraits of female …

Shift, Shift-Lab, Special Collections, Fleet Library

Artists' Books

1 box, contains 5 books and 3 folded cards. Each artist created a small book of identical dimensions to reflect her interpretation of the word "SHIFT". Edition limited to 20 copies, numbered and signed by artists. Five books issued in drop-lid box, covered in grey fabric with paper title label and magnetic closure. CONTENTS 1825-1862-1918 (Shift) / K. Baldwin -- Shape shifting / Denise Bookwalter -- Shift in position / Sarah Bryant -- A shift in perspective / Macy Chadwick -- Redirecting shift / Tricia Treacy.

Memories Of Science, Dorothy A. Yule, Special Collections, Fleet Library

Artists' Books

Limited edition of fifty copies, signed and numbered by the artist. "Typeset in Garamond, Latin Condensed and Copperplate, designed with Adobe CS5 and letterpress printed on Mohawk Superfine. Engravings are from the Dover Pictorial Archives and 'The complete encyclopedia of illustration' by Johann Georg Heck. Star maps.. by Susan Hunt Yule. Music.. by Doug Yule. lyrics.. by Dorothy A. Yule"--Colophon. "Recorded, mixed and mastered at: Avast! Studio, Seattle, Washington. Engineer: Jonny Mendoza; Produced by Doug Yule and Jonny Mendoza. Performed by Big Red Dog. Doug Yule: Guitar, Vox, Shakers. Cary Lung: Mandolins. Tom Collicott: Guitar. Dan Yule: Violin, Bass"--Audio disc. …

A Field Guide To Weeds: With Illustrated Taxonomy Of The Most Pernicious And Troublesome Plants, Kim Beck, Special Collections, Fleet Library

Artists' Books

1 volume, 96 unnumbered pages. "Third edition of 1500 copies, 2014."--Title page verso. A Field Guide to Weeds masquerades as a 19th century pocket guide, but a guide in which the weeds themselves have taken over. Becks innovative project uses the physical form of the book as a metaphor for a crack in the city sidewalk: printed in luscious five-color printing, the common dandelion, pigweed, and poison ivythe very plants we ignore, step over, ignore, dig up, or scrupulously avoidcreep out of the gutter, up pages, and overrun the book. Multiple silhouettes overlap and repeat, drawing the readers attention to …