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Articles 3331 - 3335 of 3335
Full-Text Articles in Arts and Humanities
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Manuscripts
Front matter includes: cover, table of contents, and masthead.
Blazing The Real: Writing By Indiana Children, Susan C. Adamson, Julie Patterson
Blazing The Real: Writing By Indiana Children, Susan C. Adamson, Julie Patterson
Anthologies
I got my first camera when I was in third grade—a Brownie Hawkeye flash model with a snazzy little camera case. The instruction manual provided six simple steps for taking successful pictures.
Hold the camera steady, supporting it underneath. Then, with the sun behind your back or over your shoulder, locate the subject in the finder. At the instant of exposure, hold your breath and press the shutter release with a gentle squeezing action (Brownie Hawkeye Instruction Manual).
The camera came with two rolls of film, each with16 frames. I eagerly used them up and sent the exposed film off …
Art And New Media, Elizabeth K. Mix
Art And New Media, Elizabeth K. Mix
Scholarship and Professional Work – Arts
No abstract available.
The Utopian Mayeux: Henri De Saint-Simon Meets The Bossu A La Mode, Elizabeth Mix
The Utopian Mayeux: Henri De Saint-Simon Meets The Bossu A La Mode, Elizabeth Mix
Scholarship and Professional Work – Arts
MonsieurMayeux was a fictional hunchback dwarf found in visual and literary media during and after the period of the July Monarchy (1830-1848) in France. Many artists, among them Honoré Daumier, and writers, including Victor Hugo and Alfred de Musset, popularized the hunchback. Mayeux was a unique "type " capable ofaddressing a diverse public on several simultaneous levels. The ambiguities inherent in his physical and psychological characteristics aided individuals who "used" him to sell a product or advocate a political position. With Saint-Simonism we can witness Mayeux being used to address both sides of the same argument. Although he was an …
Potty-Talk In Parisian Plays, Elizabeth Mix
Potty-Talk In Parisian Plays, Elizabeth Mix
Scholarship and Professional Work – Arts
When Henry Somm and Alfred Jarry died in Paris in 1907, they were penniless and forgotten by all but their closest friends. However, the contrast between the life and work of these two artist/playwrights is graphically demonstrated by the conditions under which they passed away. Henry Somm, best known as a lesser-known Impressionist, was sixty-three years old when he died “of natural causes” in his atelier at 27 boulevard de Rochechouart. Alfred Jarry, friend of Picasso and a member of the avant-garde, died at thirty-four in indescribable filth within a closet-sized space between two floors in an apartment house. Since …