Arts and Humanities Commons^™

Somewhere Between Distance And Intimacy: Vija Celmins In California 1962-1981, Jessie Lebowitz

Theses and Dissertations

During her nineteen years spent in California (1962-81), the young Vija Celmins formulated a distinct landscape informed by California’s physical topography as well as the stylistic and materialistic advances resulting from the city’s newfound cultural awakening. With an intimate technical application, Celmins engages viewers with the spatial and optical facets of desert, sea, and sky.

The Miss America Pageant Should Restore Prioritizing The Evening Gown Segment, Keishel Williams

Capstones

Evening gown in pageants, as in society, has always represented a woman's way of expressing her personality and femininity through fashion. Miss America's attempt to stop requiring evening gowns implies that wearing formal gowns does not equate to being a modern, empowered woman.

Instead of attempting to erase the evening gown as an outdated part of a modern woman’s wardrobe, the Miss America pageant should restore the original gown segment and use this opportunity to reshape America’s perspective on how modern women can choose to wear gowns and still be empowered.

https://keishelawilliams.wordpress.com/

Super, Brown And Queer, Carolyn Adams

Capstones

In response to policy seeking to turn back time for marginalized communities, characters and creators - standing at their intersections - are springing into action to change lives in their worlds and ours. Carolyn Adams explores the circumstances surrounding contemporary mainstream representation of women of color and queer superheroes on the big screen and bookshelves alike.

link to capstone: https://www.carolyn-adams.com/writing-updates/capstone

Little Egypt: A Critical Biography, Katherine Vecchio

Dissertations, Theses, and Capstone Projects

Structured as a biography, this thesis investigates the origins of Little Egypt—a stage name assumed by multiple women performing either the danse du ventre or the hoochie-coochie—and considers the character’s cultural legacy. The work draws on nineteenth and twentieth century newspapers, advertisements, photographs, and official publications and archival records from the 1893 World’s Columbian Exposition. Chapter one takes a new look at the World’s Columbian Exposition in Chicago and shows how the presence of dancers performing the danse du ventre on the Midway Pliasance was turned into a flashpoint of controversy by the popular press. This controversy would be key …

Infinity Wars: Post 9/11 Superhero Films And American Empire, Peter J. Bruno

Dissertations, Theses, and Capstone Projects

In the last two decades, superhero films have accounted for some of the most popular and financially lucrative films of all time. This thesis analyzes some of the aesthetic and ideological dimensions of various superhero films following their post 9/11 boom. Beginning with America’s response to the events of 9/11 and a subsequent retreat into a Manichean world of good versus evil, I introduce the term “empirical reality” in order to account for the ways daily American life is shielded from the worst effects of U.S. foreign policy. On screen this manifests by perpetuating the myth of the “clean war” …

Enacting Race And Class Online: Gatekeeping And Meaning Making On Reddit’S R/Brooklyn, Peter J. Sclafani

Dissertations, Theses, and Capstone Projects

In the following thesis I examine how race- and class-based power structures are conceptualized and actualized in the virtual sphere. The Internet as an “imagined community” upholds the historically embedded power structures that perpetuate deeply-rooted American hegemonic ideals as they relate to race and class.

To demonstrate the conceptualization of power structures in virtual space an analysis of discourse on the social media and news aggregate website, Reddit, that positions online conversations about race and class as an extension of the racial inequality present in social structures offline. Isolating gentrification, and topics related to gentrification such as new business openings …

In Her Own Hands: How Girls And Women Used The Piano To Chart Their Futures, Expand Women's Roles, And Shape Music In America, 1880–1920, Sarah F. Litvin

Dissertations, Theses, and Capstone Projects

American girls and women used the parlor piano to reshape their lives between 1880 and 1920, the years when the instrument reached the height of its commercial and cultural popularity. Newspapers, memoirs, biographies, women’s magazines, personal papers, and trade publications show that female pianists engaged in public-facing piano play and work in pursuit of artistic expression, economic gain, self-actualization, social mobility, and social change. These motivations drove many to use their piano skills to play beyond the parlor, by studying in conservatory, working as classical and popular music performers and composers, founding and teaching at schools, working as department store …

The Gen Z Zombie: Ya Takes On The Undead, Jason Mccormick

Theses and Dissertations

After the terror attacks of 9/11, zombie stories experienced an unprecedented boom, or for some critics, a renaissance. Fears of mass death, infiltration by the Other, and life before and after the apocalyptic moment were played out through zombie stories. The longevity of the boom also saw the zombie myth move into strange new places including Young Adult novels, resulting in what I refer to as the “Gen Z zombie.”

In his discussion of the sympathetic zombie, Kyle William Bishop mentions YA zombie texts including Carrie Ryan’s The Forest of Hands and Teeth and Isaac Marion’s Warm Bodies but groups …

Transfigurations Of The News: True Fictions, Strange Thresholds, Jeffrey Peer

Dissertations, Theses, and Capstone Projects

This dissertation compares twentieth-century literary journalism from the U.S. and Mexico, with a focus on the nonfiction novel and the Mexican chronicle. The dissertation considers the two genres both historically and theoretically, in order to distinguish the borders between literature and unscrupulous journalism. North American journalism is at the heart of a crisis over the epistemological status of facts and their place in our political discourse. Some have argued that works of literary nonfiction can damage social norms like journalistic objectivity. Others argue that forms like the chronicle and the nonfiction novel can describe experience better than news reports. This …

Embodied Nostalgia: Early Twentieth Century Social Dance And U.S. Musical Theatre, Phoebe Rumsey

Dissertations, Theses, and Capstone Projects

In this dissertation, I claim the collective emotional connections and historical explorations characteristic of musical theatre constitute a nostalgic impulse dramaturgically inherent in the form. In my intervention in the link between nostalgia and musical theatre, I look to an area underrepresented in musical theatre scholarship: social dance. Through case studies that focus specifically on how social dance in musical theatre brings forth the dancer on stage as a site of embodied history, cultural memory, and nostalgia, I ask what social dance is doing in musical theatre and how the dancing body functions as a catalyst for nostalgic thinking for …

Broadway Bodies: Casting, Stigma, And Difference In Broadway Musicals Since "A Chorus Line" (1975), Ryan Donovan

Dissertations, Theses, and Capstone Projects

This dissertation explores how embodied identities facing social stigmatization are represented in Broadway musicals and provides histories of casting specific kinds of embodied difference. Broadway Bodies: Casting, Stigma, and Difference in Broadway Musicals since “A Chorus Line” considers the politics of representation and makes clear that casting is always a political act, situated within a power structure favoring certain bodies. Previous scholarship on casting largely centers on race and ethnicity as the central issues; this research reframes the study of casting to focus on bodies, inclusive of race and ethnicity but especially relative to ability, gender, sexuality, and size. Though …

Just A Buncha Clowns: Comedic-Anarchy And Racialized Performance In Black Vaudeville, The Chop Suey Circuit, And Las Carpas, Michael Shane Breaux

Dissertations, Theses, and Capstone Projects

While the practice of white musical variety clowns embodying stereotypes of African, Chinese, and Mexican Americans has been widely documented and theorized in scholarship on US American popular performance, it has been done largely in segregated studies that maintain the idea that racial impersonations in musical variety is a privilege of white performers. For instance, no study exists that focuses on more than one stereotype at a time, and the performer’s body is always either white or of the same “color” as the type being played. In addition, very little has been written about the tours and circuits run by …

The Musical World Of Joseph Rumshinsky’S Mamele, D. A. Geller

Dissertations, Theses, and Capstone Projects

“The Musical World of Joseph Rumshinsky’s Mamele” consists of a set of three cases studies that demonstrate the enormous need and potential for further Yiddish theater music scholarship. There exists little Yiddish theater scholarship that addresses music in any meaningful way: scholars like David Lifson, Nahma Sandrow, and Joel Berkowitz tend to view Yiddish theater’s rich musical traditions as a footnote in the larger history of Yiddish theater’s dramatic development. Yet Yiddish theater music developed independently from Yiddish drama, and therefore needs to be studied from a primarily musical perspective. I connect scholarship across the fields of Jewish studies …

Reclaiming The Musical Burlesque: A Reconstruction Of The 1855 Musical Score To John Brougham’S Po-Ca-Hon-Tas: Or, The Gentle Savage, Christopher Drobny

Dissertations, Theses, and Capstone Projects

Most historians begin their musical theatre chronologies with the 1866 premiere of The Black Crook. However, a few respected scholars cite Po-Ca-Hon-Tas: or, The Gentle Savage, John Brougham’s 1855 musical burlesque, as an important development in the art form’s earlier evolution. The neglect of Brougham’s work is often justified for two reasons. First, his practice of creating lyrics to pre-existing melodies reduces his work to second-tier status. Second, because none of Brougham’s musical scores are extant, it is impossible to recreate a performance of his work and access its qualities. I offer two responses. First, as our contemporary musical …

Between The Living And The Dead, Laura Henriksen

Dissertations, Theses, and Capstone Projects

Throughout my studies at the Graduate Center, I have attempted to deepen my understanding of how some people, such as myself and my family, came to be white, and what that means, and how it can be undone. This question of whiteness has pushed me further back ontologically, or deeper down, to include how some people came to be human, and then even further, how some matter came to be living. In my thesis project I attempt to participate in dismantling one of the most fundamental binaries in binary thinking — the strict and uncomplicated division between the living and …

Brrap Brrap Pew Pew: Representations Of Abortion In Adult Animated Television Comedy, Erika A. Byrnison

Dissertations, Theses, and Capstone Projects

This thesis documents and analyzes representation of abortion in American adult animated comedy, charging that it is under-examined and significant because representation on television in other genres has traditionally been absent or misleading. It covers theories on how pop culture communicates social norms, and posits that greater truthful representation of abortion in popular culture may be effective in reducing prevalent abortion stigma in the U.S. amongst the young by normalizing and more accurately representing the procedure. It reviews why our culture should be concerned about reducing abortion stigma in the U.S. It also identifies the “taboo ratings paradox,” wherein television …

Making It Pay To Be A Fan: The Political Economy Of Digital Sports Fandom And The Sports Media Industry, Andrew Mckinney

Dissertations, Theses, and Capstone Projects

This dissertation is a series of case studies and sociological examinations of the role that the sports media industry and mediated sport fandom plays in the political economy of the Internet. The Internet has structurally changed the way that sport fans access sport and accelerated the processes through which the capitalist actors in the sports media industry have been able to subsume them. The three case studies examined in this dissertation are examples of how digital media technologies have both helped fans become more active producers and consumers of sports and made the sports media industry an integral and vanguard …

African American Performers In Stalin’S Soviet Union: Between Political Promise And Racial Propaganda, Christopher E. Silsby

Dissertations, Theses, and Capstone Projects

In the first half of the twentieth century, a significant number of African Americans left the United States for the promise of racial and economic equality in the supposedly class-less society of a post-Revolution Soviet Union. This dissertation uses a series of interrelated case studies to contextualize the theatrical work of Paul Robeson, jazz dancer Henry Scott, actor Wayland Rudd, and the 1955-56 international tour of Porgy and Bess within the overlapping social, political, and aesthetic landscapes of African American and Soviet performance in Moscow during the rise and height of Stalinism.

Starting with an overview of race in the …

Resonant Texts: The Politics Of Nineteenth-Century African American Music And Print Culture, Paul Fess

Dissertations, Theses, and Capstone Projects

Resonant Texts: the Politics of Nineteenth-Century African American Music and Print Culture, investigates musical sound as a discursive tool African American writers and activists deployed to contest enslavement before the Civil War and claim citizenship after Emancipation. Traditionally, scholars have debated the degree to which nineteenth-century African American music constituted evidence of black culture and marked a persistent African orality that still abides within African American textual production. While these trends inform this project, my inquiry focuses on the ways that writers placed elements of musical sound—such as rhythm, melody, choral singing, and harmony—at the center of their …

Electronics And The Music Of Miles Davis, Darren E. Shekailo

Theses and Dissertations

Miles Davis produced a wealth of music relying on the use of electronic instruments and new technology. With their adoption, the famous trumpeter began his “electric” period. Examining the electric period of Davis’s career helps us trace the profound impact of electronic instruments and technological advances on his music.

“After-Ozymandias”: The Colonization Of Symbols And The American Monument, H. R. Membreno-Canales

Theses and Dissertations

After-Ozymandias examines the visual rhetoric of American patriotism through its many symbols, including flags and monuments. My thesis project consists of photographs of empty plinths, objects, products and archival materials. Countless relics remain today memorializing leaders and empires that inevitably declined, from antiquity to modern times. Looking back at distant history feels like a luxury, though: the question for our time in America is whether we have the strength of mind as a society to scrutinize our history, warts and all.

Brother Outsider: Queered Belonging And Kinships In African American Men’S Literature, 1953-1971, Debarati Biswas

Dissertations, Theses, and Capstone Projects

Brother Outsider: Queered Belonging and Kinships in African American Men’s Literature, 1953-1971 builds on the work of women-of-color feminists since the late 1960s and queer-of-color critique in the works of José Esteban Muñoz, Robert Reid-Pharr, Roderic Ferguson, and Nadia Ellis, in order to chronicle the emergence of a queer tradition in mid twentieth century African American men’s literature. Through literary analysis and archival research on marginal figures of African American culture during this period, this dissertation proposes that the black pulp novels of Chester Himes, Robert Deane Pharr, Clarence Cooper Jr., and Iceberg Slim perform a queer critique of and …

The Other At War: Performing The Spanish-Cuban-American War On U.S. And Cuban Stages, Juan R. Recondo

Dissertations, Theses, and Capstone Projects

The Spanish-Cuban-American War, declared by the United States on April 25, 1898, marks a colonial shift in the history of the Caribbean and solidified the expansionist thrust of the United States outside national borders. Theatres in turn-of-the-century New York, which at this point was one of the theatrical centers of the nation, debated for audiences the imperialist character of the U.S. The Cuban struggle and the resulting Spanish-Cuban-American War permeated U.S. drama, thereby portraying a Caribbean in need of salvation by the military intervention of the United States. New York stages of the time became locations where various cultural representations …

Black Business As Activism: Ebony Magazine And The Civil Rights Movement, Seon Britton

Dissertations, Theses, and Capstone Projects

In the fight for justice, equality, and true liberation, African American organizations and institutions have often acted as a voice for the African American community at large focusing on common issues and concerns. With the civil rights movement being broadcast across the world, there was no better time for African American community and civil rights organizations to take a role within the movement in combatting the oppression, racism, and discrimination of white supremacy. Often left out of this history of the civil rights movement is an analysis of black-owned private businesses, also giving shape to the African American community. Black …

Sites Of Historical Amusement: Tourism And The Recontextualization Of American History, Brendan Murphy

Dissertations, Theses, and Capstone Projects

Through the analysis of a theatrical event staged in Brooklyn, New York, entitled Black America (1895), this thesis interrogates cultural heritage tourism of the past and present and introduces a new classification of tourist site, “site of historical amusement.” In this current political moment, one during which regional pride and latent racism are bubbling to the surface, this study advocates for the continued interrogation of how the American story is bought and sold.

Sites of historical amusement are historically themed spaces that sell a recontextualized narrative that strips complexity from history, effectively flattening the past in order to create a …

How Lucille Ball Fought The Patriarchy, While Lucy Ricardo (Indirectly) Contributed To Second-Wave (White) Feminism, Anam Rana Afzal

Dissertations, Theses, and Capstone Projects

Author Stephanie Coontz argues that our most powerful visions of traditional families derive from images that are still delivered to our homes in countless reruns of 1950s television sitcoms. In actuality, the happy, homogenous families that we “remember” from America in the 50s were a result of the media’s denial of diversity. Also, women’s retreat to housewifery after working during WWII was in many cases, not freely chosen. In his study of sitcoms, Saul Austerlitz claims that once television arrived in American cities after the war’s end, its impact was immediate and incontrovertible, and no sitcom caught America’s eye as …

Musicking, Discourse, And Identity In Participatory Media Fandom, Aya Esther Hayashi

Dissertations, Theses, and Capstone Projects

In this dissertation, I study three forms of music-making within media fandom and their respective communities: filk, roughly, the folk music of the science fiction and fantasy fandom; wizard rock, a punk/DIY movement inspired by J.K. Rowling’s Harry Potter novels; and the YouTube musicals of Team StarKid and AVbyte. I consider their individual histories and the popular music movements and genres that influenced their respective developments. Even though the practices of these three communities are very different, their participants use similar, if identical, discourses when discussing what they do and why they do it, including but not limited to: openness, …

On Vinyl: Revival & Survival, Thom Leavy

Capstones

As a record collector and journalist, I take stock of what they mean to me while searching to better understand the “Vinyl Revival” of the past decade. I meet and pick at people who’ve worked with the medium at its height, its demise, and today. We talk about what digitization has done and will do to music, and what vinyl means to them.

https://readymag.com/u29439050/onvinyl/

Impressive Failures: Mavericks Of Film Authorship And The Impossibility Of Success In Hollywood, Tom S. Davies

Dissertations, Theses, and Capstone Projects

This dissertation directly challenges the critical and commercial primacy of success attached to Hollywood films and their filmmakers, especially when one argues for or against their quality and/or importance within cinematic history. Through a process of shifting and multiplying perspectives within a broader narrative that is critical of what separates success and failure, certain films and filmmakers that were judged as failures or disappointments under impossible prerequisites of creating a successful film––commercially, aesthetically, or both–– are, instead, reconsidered as constructive counterpoints to the expectations of the Hollywood economic field of production as well as to the inevitable disappointment of the …

Reimagining The Collective: Black Popular Music And Recording Studio Innovation, 1970-1990, Will Fulton

Dissertations, Theses, and Capstone Projects

This dissertation examines developments in the production practices of black popular music in the recording studio from 1970 to 1990. The year 1970 marked a transition in the recording practice of popular music that had a distinct impact on styles marketed as R&B, soul, and funk. Multitracking in the 1950s and 1960s had paved the way for a transformed production process, one initiated by Les Paul’s and Sidney Bechet’s overdubbing experiments in the 1940s. The collective sound of instrumentalists and vocalists heard on records no longer resulted from live-to-tape recordings of group performances, but was increasingly the product of constructed …