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Articles 1 - 3 of 3
Full-Text Articles in Interior Architecture
A Modern Craftsman Revival, Eugene M. Rader
A Modern Craftsman Revival, Eugene M. Rader
Eugene M Rader
The modern Craftsman movement is an attempt to break the contemporary mold, that is a desire to introduce a younger generation to a level of interior detail that has been lost in contemporary construction and material usage. Components such as drywall tend to envelop all contemporary residential surfaces leaving little room for tectonic expression and opportunities for detailing. Further, a modern revival would re-establish the goals of the original movement and ensure the hand was present in the design of the home, as discussed by Winter & Vertikoff, “all versions were meant to counter the excesses of the Victorian period …
Iconographic Method And The Development Of Emerging Garden’S Identity, Mina Kaboudarahangi, Osman Mohd Tahir, Mustafa Kamal M.S
Iconographic Method And The Development Of Emerging Garden’S Identity, Mina Kaboudarahangi, Osman Mohd Tahir, Mustafa Kamal M.S
Mina Kaboudarahangi
Garden design has been described as a category of fine arts with a long association with landscape painting. Thus, gardens can be considered as a work of art due to their artistic nature and value. Accordingly, like other artistic artefacts, they can be studied and recognized by their specific icons. This is very true for a number of well-known gardens in the world, like Persian, English, Japanese and Chinese gardens, which are recognized through their individual icons. However, emerging gardens still do not possess any icons that people can identify them with. Consequently, there is a need for these gardens …
Environmental Design And Emerging Technologies: Today And The Near Future, Joseph S. Clark, Lindsay Tan
Environmental Design And Emerging Technologies: Today And The Near Future, Joseph S. Clark, Lindsay Tan
Joseph S Clark
Technological advances over the past 10 years have caused some significant changes to the design of the built environment. These developments, and others like them, promise to change more than just how we design; they will very likely change what we design as well. The authors will present the connection between these developments in a way that projects, realistically, how technology will affect, and are employed by, the design professions in the next five to ten years. Further, the authors will address the promises and pitfalls of embracing virtual environments as the domain of environmental design.