Architecture Commons^™

Space-Praxis: Towards A Feminist Politics Of Design, Mary C. Overholt

Masters of Environmental Design Theses

Outside of the academy and professionalized practice, design has long been central to the production of feminist, political projects. Taking what I have termed space-praxis as its central analytic, this project explores a suite of feminist interventions into the built environment—ranging from the late 1960s to present day.

Formulated in response to Michel de Certeau’s theory of spatial practices, space-praxis collapses formerly bifurcated definitions of ‘tactic’/‘strategy’ and ‘theory’/‘practice.’ It gestures towards those unruly, situated undertakings that are embedded in an ever-evolving, liberative politics. In turning outwards, away from the so-called masters of architecture, this thesis orients itself toward everyday practitioners …

Interpreting, Stephanie Jo Kent

Doctoral Dissertations

What do community interpreting for the Deaf in western societies, conference interpreting for the European Parliament, and language brokering in international management have in common? Academic research and professional training have historically emphasized the linguistic and cognitive challenges of interpreting, neglecting or ignoring the social aspects that structure communication. All forms of interpreting are inherently social; they involve relationships among at least three people and two languages. The contexts explored here, American Sign Language/English interpreting and spoken language interpreting within the European Parliament, show that simultaneous interpreting involves attitudes, norms and values about intercultural communication that overemphasize information and discount …

Museum Studies: Exhibit Designs, Nicole Duperre, Brendan Quirk, Margaret Zecher, Traci Costa, Cindy Nanton, Kathleen Wilson, Loren White, Derek Dandurand, Zachary Tatti, Christopher Usler, Arnold Robinson

American Studies

To remain functional museum professionals must remember that museums are businesses like every other enterprise, striving to exchange a good or a service on terms previously bargained for. As such, museums too must understand that branding is the golden rule for success in business. In order to brand itself the museum must echo one unified vision and voice, and that message ought to be made tangible. Museum labels are the heart of each item on display, and must resonate all that the museum hopes to convey about its enterprise.

Pennsylvania Folklife Vol. 33, No. 4, Mark R. Eaby Jr., Barbara Strawser, Eleanor Dudrear, Albert Dudrear Jr., Edward Eirikis, Gerri Sproesser, Carol Nagel, Vivian Aron, Marie George, Ann S. Burrows, Richard F. Kurr, James K. Beard, Jeanne Reifel, Tom Kloss, Jeffrey M. Fiant, Ivan E. Hoyt

Pennsylvania Folklife Magazine

• I Remember Well: Thirty-Five Years of the Kutztown Folk Festival
• Furniture Graining
• Old Fashioned Clear Toy Candy
• Metal Etching
• Stenciling
• Baskets and Basket Weavers
• Apple Butter: Then and Now
• Festival Focus
• Festival Programs
• 20th Annual Quilting Contest
• Quilts and Quilt Marking
• The Art of the Pennsylvania Dutch
• Music on the Main Stage
• Scratchboard
• Pennsylvania Dutch Folk Art in Wood
• The Windsor Chair
• Hex Signs