Architecture Commons^™

Introduction To Three Dimensional Composition / Dancing On The Digital Divide, Geoffrey Adams, Karen King

Proceedings of the 18th National Conference on the Beginning Design Student

Students entering the 3.5Y Masters program at UNM, come to embark on a course of study in architectural design. While all student populations are composed of unique individuals from various backgrounds, this particular group is, at least in an academic discipline by definition heterogeneous, possessing skills and knowledge in diverse fields gained through previous studies and/or employment. What they share is a burgeoning interest in architecture and a willingness to explore design in a studio environment, to start down a path toward a new way of perceiving and engaging the world. This peculiar mix of naivety and sophistication coupled with …

Design As A Liberating Practice: Design-Build With First Years, Eduardo Aquino

Proceedings of the 18th National Conference on the Beginning Design Student

The academy is not paradise. But learning is a place where paradise can be created. The classroom [studio], with all its limitations, remains a location of possibilrt.y. In that field of possibility we have the opportunity to labor for freedom, to demand of ourselves and our comrades, an openness of mind and heart that allows us to face realrty even as we collectively imagine ways to move beyond boundaries, to transgress.This is education as the practice of freedom.

The Viewing Machine, Alice Minsoo Chun

Proceedings of the 18th National Conference on the Beginning Design Student

Technology in architecture. rhetoric of construction. often expresses an erotic search for knowledge. As Marco Frascari explains, "Technology is the fertile factor for the architectural production of elegant meanings, it deals with both the construction- the logos of techne (elegant art)- and the construing- the techne of logos (rhetoric)." ¹ In this case technology translates from figures of thought into figures of site, and figures of making. It may be construed as a condition that attempts to answer the question: How does one begin? The curriculum developed for the Undergraduate Architecture Program at the University of Pennsylvania provides a place …

Building The River: An Introduction To Urban Design In Savannah, Georgia, Christian Dagg

Proceedings of the 18th National Conference on the Beginning Design Student

This paper discusses one strategy for exposing architecture students to beginning questions in urban design and how this exposure can be structured within the design studio. Focusing on the city of Savannah, Georgia, the study of urban morphology and resultant building typologies are a basis for the studio research and design proposals completed in the spring of 200 I at Auburn University in Alabama. The studio was cotaught with Brian Mackay-Lyons, who has established his own Architecture and Urban Design practice in Nova Scotia. MacKay-Lyons' practice served as a backdrop for the studio through an emphasis on contextual research, through …

Gesamtkunstwerk: Architecture/Interior Architecture - Elemental Integration As A Pedagogical Foundation For Design Education, Rebecca O'Neal Dagg

Proceedings of the 18th National Conference on the Beginning Design Student

The Architecture/ Interior Architecture [ARIA] duel degree program at Auburn University's School of Architecture is a unique design education model that offers a holistic approach to the relationship between interior and exterior space early in the design student's education. This program's mission at a fundamental pedagogical basis incorporates Architecture and Interior Architecture within Auburn's architecture curriculum model, allowing the development of the concept of "total design" into the design mentality of students. Gesamtkunstwerk, the German word most commonly interpreted in reference to Modem Architecture historical discourse to mean "total work of art:' offers inspiration to the ARIA program model via …

Rhetorical Investigations: A General Theory Of Design And Architectural Education, Simon Tomkinson

Proceedings of the 18th National Conference on the Beginning Design Student

This paper focuses on the common difficulties in architectural education - its role, and its motives. The construction industry has consistently needed more qualified project managers, more technicians, and better business practices. Yet, a primary tenet of architectural education is that the industry is more qualified to train the student in the intricacies of practice. The education about practice is limited primarily due to the emphasis on design education. What is it that we, as educators, teach in design education?

Rethinking Studio Pedagogy: Teaching Introductory Architectural Design At The Graduate Level, Michael E. Gamble, Richard Dagenhart, Chris Jarrett

Proceedings of the 18th National Conference on the Beginning Design Student

Over the last two years, our Architecture Program committed considerable intellectual capital to the rethinking of graduate level introductory design studio pedagogy for students entering our Masters of Architecture 1/3? year program. This reevaluation concentrates on several unique challenges intrinsic to the graduate level introductory design curriculum, which include:

The inherent differences between the age and personality profiles of undergraduate and graduate students. Many programs treat the curricula as equal, with graduate students executing the same exercises as undergraduates, only at a faster pace.

The developmental gap that exists in the second year of most M. Arch 1 programs between …

Education Of An Architect: Through African-American Constructions, Scott Ruff

Proceedings of the 18th National Conference on the Beginning Design Student

No abstract provided.

Spatial Themes In A Three Week Project, Corey Saft

Proceedings of the 18th National Conference on the Beginning Design Student

In speaking to The Enigma of the First Assignment. the premise of this paper is explained with a studio in which a design project is addressed through sets of rules. Rules fall into three categories: for program, for site, and for assembly. These rules were left open-ended and they provided the first footholds for a student to get to work designing and not ponder the much larger problem of design itself.

The Silence Of The Studio Lambs: How To Hear Your Students' Voices In A Postmodern Design Studio, Elijah Mirochnik

Proceedings of the 18th National Conference on the Beginning Design Student

Ideas that underlie postmodern thoght are rarely used in conversations about archrtectural education the way that philosophers and lrterary crrtics have used it since the early 1970s: as a call to abandon that portion of modern vocabulary that sustains Plato's story that Truth is something that already exists, that our own human capacrties are not enough to get us a glimpse of Truth, and therefore, that some method that is detached from our own inadequate capacrties is needed if we are ever to extract the Real Truth from our mortal inclinations toward deceiving ourselves by believing in mere opinion, felt …

The Sandbox: An Introduction To Form & Form Making Through Notions Of Surface, Brian T. Rex

Proceedings of the 18th National Conference on the Beginning Design Student

Visual Literacy is a two-year-old cross-disciplinary instruction unit that encompasses a "learning community" of Textile and Clothing Design, Architecture, Interior Design, and Fine Art students in their first year of foundation design education. This pedagogy is a three week long unit (with 9 hours of contact time per week) in a two semester long program. Each faculty member teaches one of four thematically charged instructional units through which studio sized groups of students rotate over the course of a semester. The thematic foci of the four units are Drawing, Color; Frame, and Form. This specific unit is the Form unrt:. …

The Parallel Projection, As Flights Of Fancy, Mary Nixon

Proceedings of the 18th National Conference on the Beginning Design Student

For a student of architecture, developing imaginative points-of-view and drawing acumen, is a must. The parallel projection is one such drawing type that aptly addresses point-of-view. Its three-dimensional properties and simple methodology make it a standard of beginning designers. Its inclination toward aerial adventures is an especially important feature to understanding its use. This paper examines the long history and sometimes-parallel track to architecture the parallel projection has enjoyed.

The Pedagogics Of Play, Jay Mcclure

Proceedings of the 18th National Conference on the Beginning Design Student

Teachers should emphasize the importance of play to a student's development, noting their individual talents they need to explore, tryout, take apart and investigate which is fundamental to learning. Design fundamental programs should develop pedagogies that guide student's play into progressive learning experiences in the essentials of form, mathematics, geometry, and creativity.

Why Do You Always Make Us Think? Maintaining A Journal In The Beginning Design Studio, Karl Puljak

Proceedings of the 18th National Conference on the Beginning Design Student

No abstract provided.