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Manuscript For Aesthetic/Design Guidelines For Campus Master Planning Bethel University, Wayne Roosa, Eugene Johnson
Manuscript For Aesthetic/Design Guidelines For Campus Master Planning Bethel University, Wayne Roosa, Eugene Johnson
Art and Design Faculty Works
This document is the manuscript version before graphic design and copyediting. Follow this link to see the final version.
The situation that inspired and drove these aesthetic guidelines for campus master planning were unique to the history Bethel University and Seminary. By the early 1960s, Bethel was outgrowing its site on Snelling Avenue in St. Paul. The opportunity to purchase 160 acres in Arden Hills arose and the leap of faith was taken to buy this land and relocate. But it was not that simple. More was involved than mere practical problems of too-little space solved by an abundance …
Aesthetic/Design Guidelines For Campus Master Planning Bethel University, Wayne Roosa, Eugene Johnson
Aesthetic/Design Guidelines For Campus Master Planning Bethel University, Wayne Roosa, Eugene Johnson
Art and Design Faculty Works
Table of Contents
Foreword . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3
The Need for Aesthetic Guidelines for Campus Master Planning The Purpose and Use of this Document
Aesthetic Guidelines: “Suggestions Concerning the Character of the New Campus,” by Eugene Johnson (1963) (original version without annotations) . . . . . . . 5
Eugene Johnson’s, “Suggestions Concerning the Character of the New Campus” (with annotations, a history of interpretation and use) Annotations …
Rhyme Or Reason:That Is The Question?, Jim Roche
Rhyme Or Reason:That Is The Question?, Jim Roche
Articles
Noting that “the aesthetic should not be limited merely to the way things look” the organisers of this conference sought “in part to address the discursive limitation in architecture and related subjects by broadening the aesthetic discourse beyond questions relating to purely visual phenomena in order to include those derived from all facets of human experience”.
So where does etchics come in? Well, the introductory brochure noted that most philosophical trained aestheticians will say that “the aesthetic is everything” hinting perhaps of the necessity for a more haptic experience of architecture. It also drew on Wittgenstein’s quote that “ethics and …
The Praxis Of Horst Hoheisel: The Countermonument In An Expanded Field, Juan Felipe Hernandez
The Praxis Of Horst Hoheisel: The Countermonument In An Expanded Field, Juan Felipe Hernandez
Masters Theses 1911 - February 2014
This paper examines the work of German artist Horst Hoheisel in Latin-America. I open the conversation by including Hoheisel’s provocative participation in the 2005 memory debates in Buenos Aires, Argentina. Here, I introduce the nature of Hoheisel’s reasoning and the dialectical self-reflectiveness that is at work in his artifacts. In each project, I look for the way in which Hoheisel lays down the “memorialistic substance” of a specific site together with the self-critical rationality that characterizes his creation. The second part of this essay attempts to construct the theoretical parameters for the expansion of the definition of the countermonument. This …
Towards The Poetic, Noel Brady
Towards The Poetic, Noel Brady
Other resources
The thesis purports to build a theory for the analysis and synthesis of architecture. It identifies a poetic strutcure which contextualises the production of arhcitecture while aspiring towards universal themes of dwelling and belonging. Using a number of case studies it uses deep reading of the artefacts to confirm the theoretical concepts.