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Full-Text Articles in Architecture
Humanizing Brutalism: Graphics To Identify, Inform, Orient, Interpret And Inspire, Whitney Perkins
Humanizing Brutalism: Graphics To Identify, Inform, Orient, Interpret And Inspire, Whitney Perkins
UMassBRUT Community
Despite the reputation of Brutalist architecture being somewhat cold and imposing, the original interiors of these buildings were often covered in brightly-colored signage. In the process of renovating Paul Rudolph's Claire T. Carney Library at the University of Massachusetts Dartmouth, designer Whitney Perkins drew upon the colors and graphics of the 1960s and 70s in order to construct a bold program of wayfinding, signage and tapestries for the building. This talk looks at some of the influences and processes involved in designing and fabricating this signage.
Humanizing The Brutalist Interior: The Renovation Of Paul Rudolph's Claire T. Carney Library At Umass Dartmouth, Kelly Haigh, Ben Youtz
Humanizing The Brutalist Interior: The Renovation Of Paul Rudolph's Claire T. Carney Library At Umass Dartmouth, Kelly Haigh, Ben Youtz
UMassBRUT Community
Members of the team that worked on the renovation of the Claire T. Carney Library, designed by Paul Rudolph and completed in 1972, share their design solutions for maintaining the integrity of the architecture and fostering an interior that is welcoming of its occupants. Discussions focus on interior attributes, human occupants, color, light and texture as approaches to humanize the massive concrete attributes that are notorious of Brutalist structures.
Humanizing The Brutalist Interior: Inspiration. Collaboration. Transformation, Leslie Saul
Humanizing The Brutalist Interior: Inspiration. Collaboration. Transformation, Leslie Saul
UMassBRUT Community
This talk covers the process behind the design of the fabric and textiles that were added to UMass Dartmouth's iconic Claire T. Carney Library during a $48 million dollar renovation of the Paul Rudolph building, completed in 2012. Interior Designer, Leslie Saul, describes how she drew inspiration from both UMass Dartmouth's genesis as a textile college and Rudolph’s original color palette to create eye-catching interior furniture and carpets in order to humanize this particular Brutalist interior.