Open Access. Powered by Scholars. Published by Universities.®

Architecture Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 10 of 10

Full-Text Articles in Architecture

Review: Dairy Queens: The Politics Of Pastoral Architecture From Catherine De' Medici To Marie-Antoinette By Meredith Martin, Jean-François Bédard Nov 2011

Review: Dairy Queens: The Politics Of Pastoral Architecture From Catherine De' Medici To Marie-Antoinette By Meredith Martin, Jean-François Bédard

School of Architecture - All Scholarship

Bédard gives a review of Meredith Martin's Dairy Queens: The Politics of Pastoral Architecture from Catherine de' Medici to Marie-Antoinette (Harvard University Press, 2011). This book traces the history of the pleasure dairy, a feature of the pastoral movement in Europe from a feminist perspective. Martin study draws on the literature dealing with the role of the visual arts in the construction of female subjectivity in Modern France to make the case of the importance of pleasure dairies as sights of empowerment from French Noblewomen. Bédard states that Dairy Queens is a strong contribution to discussions of how architecture and …


Review: Jules Hardouin-Mansart; Jules Hardouin-Mansart, 1646–1708; Bâtir Pour Le Roi: Jules Hardouin-Mansart (1646–1708), Jean-François Bédard Sep 2011

Review: Jules Hardouin-Mansart; Jules Hardouin-Mansart, 1646–1708; Bâtir Pour Le Roi: Jules Hardouin-Mansart (1646–1708), Jean-François Bédard

School of Architecture - All Scholarship

In this review, Jean-François Bédard examines two book projects that look at Jules Hardouin-Mansart, who became First Architect to the King in 1681 and Superintendent of Works in 1699. His tenure was marked by a great flurry of activity and the generation of an immense quantity of documents. However, Hardouin-Mansart's professional and social success had a negative impact on the critical reception of his work. In fact many architectural historians doubted that he was behind many of the projects. The projects attempt to reevaluate Hardouin-Mansart's legacy as a designer. Bertrand Jestaz's two volume Jules Hardouin-Mansart is a greatly expanded and …


Graduate Sessions 6: Televisuality, Jon Yoder, James L. Hepokoski, James Utterback Apr 2011

Graduate Sessions 6: Televisuality, Jon Yoder, James L. Hepokoski, James Utterback

School of Architecture - All Scholarship

The Televisuality symposium was organized by Jon Yoder and the students of Architectural Theory + Design Research, a core component to the graduate curriculum in the School of Architecture.


A Didactic Architecture: Rural Early Education, Vasiliy Lakoba Apr 2011

A Didactic Architecture: Rural Early Education, Vasiliy Lakoba

School of Architecture - All Scholarship

A thesis on rural early education. An architectural intervention in a winter climate.


Liquid Infrastructure: Transnational Spaces Of Water, Timothy Gale Apr 2011

Liquid Infrastructure: Transnational Spaces Of Water, Timothy Gale

School of Architecture - All Scholarship

As a response to the geopolitical issues of water importation into London UK, a new political entity emerges: theThink Tank. Through coupling political architecture and water infrastructure, the Think Tank legitimizes itself as a dominant institution for water governance. The project reveals the existing spatial subversion of Think Tanks and physical subversion of Pumping Stations to alter existing political structures by allowing the public to access the territorial.

It does not attempt to solve conflict or tensions, it instead seeks to utilize the architectural methods of coupling new programs and functions in the city to create a political and public …


Architecture News: The Newsletter Of The Syracuse School Of Architecture, N.10 Spring 2011, Mark Robbins Apr 2011

Architecture News: The Newsletter Of The Syracuse School Of Architecture, N.10 Spring 2011, Mark Robbins

School of Architecture - All Scholarship

Architecture News: The Newsletter of the Syracuse University School of Architecture, No. 10, Spring 2011


Marcel Breuer And Postwar America, Marcel Breuer, Barry Bergdoll, Jonathan Massey Feb 2011

Marcel Breuer And Postwar America, Marcel Breuer, Barry Bergdoll, Jonathan Massey

School of Architecture - All Scholarship

At the center of Slocum Hall, four stories below a large skylight, stands a big shaggy lens - a deep, fur-lined scoop framed by a broad rectangle eight feet high. Between stepped floor and slanted ceiling is a curved wall punctuated by a trapezoidal aperture through which you glimpse a purple-tinted fragment of face. Forehead and cheeks, a nose and two eyes: Marcel Breuer.

The lens, a pavilion encasing deep embrasures, marks an exhibition of material from the archive of this leading 20th century architect. It points you toward the adjacent gallery, where more than 120 drawings and photographs reproduced …


Marcel Breuer And Postwar America, Barry Bergdoll, Jonathan Massey Feb 2011

Marcel Breuer And Postwar America, Barry Bergdoll, Jonathan Massey

School of Architecture - All Scholarship

At the center of Slocum Hall, four stories below a large skylight, stands a big shaggy lens - a deep, fur-lined scoop framed by a broad rectangle eight feet high. Between stepped floor and slanted ceiling is a curved wall punctuated by a trapezoidal aperture through which you glimpse a purple-tinted fragment of face. Forehead and cheeks, a nose and two eyes: Marcel Breuer.

The lens, a pavilion encasing deep embrasures, marks an exhibition of material from the archive of this leading 20th century architect. It points you toward the adjacent gallery, where more than 120 drawings and photographs reproduced …


Prints By Gabriel Huquier After Oppenord's Decorated Ripa, Jean-François Bédard Jan 2011

Prints By Gabriel Huquier After Oppenord's Decorated Ripa, Jean-François Bédard

School of Architecture - All Scholarship

This article discusses the ways in which Gabriel Huquier altered the designs of other artists and printmakers to create new prints. In particular, Bédard examines Huquier's reproduction of a copy of Cesare Ripa's Iconologia. Huquier did not appropriate Oppenord's Ripa in its entirety or follow the original sequence of drawings. Instead he produced a series of prints that feature elements randomly chosen from it. Bédard argues that Oppenord and Huquier were both bricoleurs, but who had different objectives for their projects. While Oppenord attempted to interpret the text, Huquier was concerned with profit.


After Autopia: Visions For Light Rail In The Motor City, Lori Brown, Brett Snyder Jan 2011

After Autopia: Visions For Light Rail In The Motor City, Lori Brown, Brett Snyder

School of Architecture - All Scholarship

No abstract provided.