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Multi-Channel Orchestral Anechoic Recordings For Auralizations, Michelle C. Vigeant, Lily M. Wang, Jens Holger Rindel, Claus Lynge Christensen, Anders Christian Gade

Durham School of Architectural Engineering and Construction: Faculty Publications

Multi-channel orchestral anechoic recordings were obtained at the Technical University of Denmark (DTU) in June 2005. Every orchestral part of specific movements of two symphonies, Brahms’ Symphony No. 4, 3rd movement, and Mozart’s Symphony No. 40 in g minor, 1st movement, were digitally recorded using five 0.5” DPA microphones, with four surrounding the musicians in the horizontal plane and the fifth directly above. The recordings were made in DTU’s large anechoic chamber, which has free space of about 1000 m3 and a lower frequency limit of 50 Hz. Each musician was recorded individually, and to assist with overall synchronization of …