Architecture Commons^™

The Moving Image, Eujean Cheong, Andrew Kim, Sol Yoon

Architecture Senior Theses

Form in architecture has become synonymous with geometries as opposed to the philosophical Aristotelian notion of form. This thesis rests on two beliefs: space and form are co-present, as space without form is nothing and likewise form without space leaves no room to materialize itself. An object results when space and form are co-present; architecture as an object then subsequently reveals itself when a third element of human movement is introduced.

This thesis contends that if architecture is perceived through the introduction of human movement, then it is peculiar that architectural representation has historically been represented through means of …

Blur Out, Hye Rim Shin

Architecture Senior Theses

Blur Out explores ideas about architecture that seeks ephemerality rather than legibility, eidetic affects rather than demand of focused attention and atmospheric or emotional spaces rather than conventional spaces.

The exploration of Blur Out is situated within the research topic of different states of snow that are generated from avalanche phenomena of Iceland, which develops site specific understandings of the phenomena and effects. The project aims to build a blurred boundary both literally and experientially between the built and natural environment to challenge representing and re-presenting the spectrum of tangibility to intangibility. By exploring the dichotomy between the built and …

Axon-Orama: A New System Of Architectural Representation, Fei Wang

Architecture Senior Theses

A codified architectural representation, the axonometric drawing is objective, yet an audience's reception of a building is perspectival and constructed through a spatial narrative over time. In response to this paradox, Axon-orama is proposed as a new representational technique - a set of variational drawings with pliable arrangement and hybrid expression - explored through the use of the British board game, Myriorama. The work blurs the boundary between objective and subjective representation and perception, offering a new system of architectural inquiry.