Architecture Commons^™

Unimaginable Form Semantic Exploration In Digital Turn 2.0, Yang Wang

Architecture Senior Theses

Bill Bryson cited in 'A Short History of Nearly Everything' that "We live in a universe whose age we can't quite compute, surrounded by stars whose distances we don't altogether know, filled with matter we can't identify, operating in conformance with physical laws whose properties we don't truly understand." Using Big Data-Driven algorithm based on the Self-Organized Mapping (SOM) and Convolutionary Neural Network (CNN) to do the Computational Generative Form Design with huge complexities of Form Reality. The initiatively avoidance on the complexities of form has imprisoned architects' creativity.

Learning instinct of human being is seeking common information. Artificial intelligence …

The Graduate School Collaborative, Jake Copich, Stanislav Nedzelskyi

Architecture Senior Theses

This thesis proposes a solution to the disconnect between today’s designers and makers. Specifically geared towards the profession of architecture, these discussions should be applied in any process of making. After providing a historical reading of the crafted object and the people involved in making it, the paper proposes a new way to perceive craft in today’s world. When defined as an indexical quality, both in the mathematical and in the pointing sense described by Charles S. Pierce, the craft of an object becomes an accessible and efficient tool for the analysis and comparison of artifice.

Zones Of Entanglement: Nigeria's Real And Imagined Compounds, Joseph Godlewski

School of Architecture - All Scholarship

This article is part of TDSR, Volume XXVII, Number II, 2017

From the article abstract: This article examines the architectural and discursive configurations of traditional walled compounds in Nigeria. It begins by discussing the spatial and social organization of compounds in different regions of the country, focusing on the impermanent structures of the Èfik in and around the southeastern port city of Old Calabar. It then examines archival evidence to highlight the ways that compounds have been rhetorically constructed by European observers and post-independence scholars. It concludes that a more productive reading results from understanding the compound as a zone …